Category: Literacy

Posted on

Homefront America – Engage Students with Document Based Essential Questions

Update: October 2012: While this lesson is still available as a pdf (see original post below) an expanded version – Why We Fight: WWII and the Art of Public Persuasion - is now available at iBookstore It includes 43 historic posters, 13 rare films, plus numerous communiqués, photographs and recordings. Plus student “stop and think” prompts based on CCSS skills. 

Ride-hitler Recently my post: Essential Question: Who is the Teacher in Your Classroom? drew a response from a teacher looking for a more scaffolded approach to document based instruction. Here’s my response …

Homefront America in WW II (PDF) is designed to improve content reading comprehension with an engaging array of source documents – including journals, maps, photos, posters, cartoons, historic data and artifacts. (One of the central goals of the Common Core standards).
I developed it to serve as a model for blending essential questions, higher order thinking and visual interpretation. I intentionally refrained from explaining the documents, to afford students the chance to do the work of historians. A variety of thinking exercises are imbedded in the lesson to support reading comprehension. Graphic organizers support differentiated activities to assist the students in extracting meaning from the documents.

Hopefully this lesson serves as a model of how to infuse support for literacy into the more typical educational goal of content mastery. But more importantly, it is designed to demonstrate how student engagement can be “powered” by an essential question. 

Instead of attempting to teach the American homefront experience during WWII via the memorization of historical facts (like “victory” gardens), this lesson approaches the same subject through a more timeless question “How did Americans change their lives to support the war effort?”

This essential question invites the students into the material as they draw from their life experience to construct a response. Guiding questions direct students to construct comparisons between the American experience in WWII and the Iraq / Afghanistan war. Moreover, since the events of September 11th, the very notion the “homefront” has been redefined by new perceptions of terrorism and homeland security. 

Instruction is not simply an act of telling, it should instead be centered around creating learning experiences that provoke student reflection. In this lesson, source documents and literacy strategies combine to simultaneously teach content and comprehension. But more importantly, an essential question serves as a springboard to engage students in a deeper reflection on the notion of sacrifice in the historical context and in their own lives.

Scaffolding questions include …

Pre Reading / Think Before You Start: 

Before you begin this lesson,think about and discuss in small groups the following questions: 

  • What resources are needed to wage a war? 
  • How could people on the home front help to supply these resources? 
  • What would you be willing to contribute to a war effort? 

Post Reading / The Question Today: 

Civilians have always been impacted by war and they are frequently called upon to contribute to national war efforts. Since the events of September 11, 2001, the United States has fought wars in Afghanistan and Iraq. 

  • How have Americans on the homefront contributed to the effort? What have they sacrificed?
  • How do those efforts compare with the home front in WWII? 
  • How did the attacks of September 11 change the nature of the “homefront?”
Posted on

Picturing the Story – An Interdisciplinary Approach to Culture, Environment, Language, and Learning

Fox and the Heron I’m pleased to served as an advisor to a new interactive resource for teachers and students. “Picturing the Story: Narrative Arts and the Stories They Tell” uses world art from the permanent collection of the Memorial Art Gallery dating from 1500 BCE to the 20th Century. Each work has a story to tell, either visually through imagery and symbol, or indirectly through custom and ritual. The stories reflect sacred beliefs, folk traditions, common human experiences, or unique cultural practices. 

Each work of art includes downloadable resources – the story that inspired it, the culture where it originated, the techniques used to produce it, as well as extensive lesson plans, activity suggestions, and recommendations for further reading. The lessons and stories are designed to be used at a variety of grade levels. 

Downloads resources include: 

  • Classroom Copy – Printable, condensed version of online materials, copy-ready for classroom use. 
  • Curriculum Connections – Organized by subject area:  Social Studies, ELA, Science, Art/Art History. Lesson extensions, children’s book recommendations, and activity suggestions, most with accompanying activity sheets.  
  • Learning Skill-based Activity Sheets:  Printable, copy-ready sheets that address specific learning skills, for classroom use with online materials or printed classroom copy. Includes skills such as constructing comparison, identifying context, recognizing sequence and many more.

Detail - Rama Sita and Lakshmana Return Every work of art has a story to tell. These stories can explain the unexplainable, teach a life lesson, or celebrate our common human experiences. Each work in this collection is approached from three different perspectives: 

1. Picturing the Story: Viewing a work of art while reading/hearing/seeing its associated story. The story is available as on-screen text, as an audio file voiced by a professional storyteller, in ASL video interpretation, or printable pdf version. In addition, an audio “guided-looking tour” of the work of art by a museum educator helps focus attention on important details and promote visual and verbal looking skills. 

2. Reading the Art:  Understanding the symbolism and references used in this work of narrative art. High-quality images of works of art, with zoom-able details, comparison or supporting images, and interpretive information connect elements of the work of art to its associated story.   

3. Connecting the Culture:  Exploring the cultural and functional context of this work of art. Historical and cultural context information, including maps, supporting photos, and other images, connect the work of art and the story to the cultural background, promoting document-based and inquiry-based learning.  Information addressing purpose or function of work, biographical information on artist (as available), geographical and environmental issues, and process and tools of creation allows the objects’ significance to extend into a variety of curriculum areas.

Details from: 
 “The Fox and the Heron”  Flemish, Frans Snyders ca. 1630-1640 
 “Rama, Sita and Lakshmana Return to Ayodhya”  Indian, Rajasthan, Rajput School ca. 1850-1900

Posted on

18 CCSS Literacy Strategies for Struggling Readers – Defining, Summarizing and Comparing

I’ve been working with teachers to develop learning strategies to support the Common Core literacy and comprehension skills that students commonly use across the content areas. This pdf includes 18 lessons organized in two ways: by comprehension strategy – defining, summarizing and comparing and by target reader – non-reader, word caller and turned-off reader.  The lessons are designed as templates which teachers can modify to use in their specific subject areas.

Strategies for Struggling Readers 3MB pdf   

There are two key elements that teachers should keep in mind when working in each skill area.

Defining

  • Before the formal definition has been introduced, students should be asked to make connections between their prior knowledge and the term.
  • After the term has been defined,  students need activities to more deeply process the term.

Summarizing

  • Students should be asked to make their own judgments about what’s important to them (instead of just repeating the details the teacher highlights).
  • Students will be able to more readily summarize, if they are asked to share what they’ve learned with an audience other than the teacher.

Comparing

  • Students should develop the comparison, not simply repeat the model that we present to them.
  • Student should be asked to share what they learned from the comparison.
Posted on

Motivating Students – A Make and Take Workshop for Teachers

This week I head back to Edison School of Engineering & Manufacturing, to conduct a two day follow up workshop.  Our previous work together identified four target areas: 

  1. Motivating students
  2. Making learning relevant
  3. Student-centered learning strategies
  4. Effective use of technology

We are going to start by modeling a “Brainstorm, Group, Label” activity (See Tool 13).  It will also  set our agenda for the “make and take activities” of the workshop. Day two begins by modeling a “Fishbowl Discussion Group” on the topic of effective next steps. We’ll use the ideas generated in the fishbowl to design a Strategic Planning Grid (below) to prioritize their staff development for the fall.

Plan-grid

Most of our time over the two days will be spent assisting teachers in designing specific lessons. I’ve assembled some Literacy Strategies that teachers can use as starting points for modify their existing lessons. 

“Non-readers”  for students who lack decoding skills.

“Word-callers” for students who can decode, but lack comprehension skills.

“Turned-off readers” for students who have the decoding and comprehension skills, but lack motivation or engagement.

I’ll also be showcasing some web tools that are very engaging for students.

Wordle (text analysis) 

Many Eyes (data and text visualizations)

Prezi  (presentation tool) 

Dipity  (timeline builder)

Bubbl.us (brainstorming)

Flickr Tag Related Tag Browser (image tag analysis)

Posted on

Using Print on Demand to Publish Your Own Books

New print technologies make it very easy to publish your own books. No need for the information gatekeepers to decide what we read. I’m showcasing a few approaches that may be of interest to my readers. 
 
Reading recovery teacher publishes new line of early literacy book
MaryAnn McAlpinand I worked together in the East Irondequoit Central School district while I was the Assistant Superintendent and she was the lead Reading Recovery teacher. I was not surprised when she recently started writing and publishing emergent texts. Although not my area of expertise, it certainly is MaryAnn’s.  She has a remarkable background in and passion for early literacy. She came to the East Irondequoit district just for the opportunity to train in and practice Reading Recovery.
Colors
 
MaryAnn’s Short Tale Press, features “little” books for early literacy that are based on real people and places and authentic life experiences. I can see my own grandchildren in her main character, Colin. This makes her books very appealing to modern children.  Parents and grandparents would be wise to visit her website when gift time rolls around, which we know is all the time! They are also written to be appropriate for students in Reading Recovery, ESL and classroom guided reading.   Visit her website-there is always a new text there – she is a prolific writer / publisher. 
 
Out of print author tired of rejections turns to self publishing
My dear friend and mentor – Abe Rothberg got tired of rejection notices for his latest works of fiction. Ironic – since his previous books were published by mainstream publishers and favorably reviewed in NY Times, Harper’s, Time Magazine, and Publishers Weekly. Plus he was frustrated to see that his previous work had gone out of print. 
We decided to cut out the middleman  - team up and bring a new series of his work into publication. He supplied the manuscripts. I formatted them in Word and converted them to PDF. I designed the covers in Photoshop. We created a free account to publish the books on demand at Lulu.com – a print-on-demand publisher. For more on Abe and his books go to to his site – Abraham Rothberg
 
Teachers – it’s your turn to become a publisher for your students’ writing
I think we need to re-think how we teach writing with a shift in focus from teacher to student.
Old approach:
  • Students are asked to write only on the teacher’s topics.
  • Student writes for the teacher.
  • Teacher grades their writing.
New approach: 
  • Students can develop topics that matter to them.
  • Audience and purpose for writing is identified. 
  • Students are asked to reflect on their growth.
We all struggle to create authentic writing experiences for our students. Imagine if they had an opportunity to see their work in print – and we’re talking about a real paperback.  Let them go through the process of writing, co-editing, illustrating and designing a book. Rigor and relevance meets motivation and self-directed study. I’ve gotten so excited by the results that I’ve done workshops to train teachers. You can see material and sample student books at my website Read > Think > Write > Publish
 
BTW – I’ve been following Theresa Reagan on Twitter. She’s an Elementary Principal from Michigan who is making great use of Lulu to publish student work.  See her students’ books on their Lulu page