Seeing American History Through the Artist’s Eye: A Teaching and Learning Resource

Thomas Hart Benton - Boomtown The Education department at the University of Rochester’s Memorial Art Gallery has just launched a new web feature which pairs works of art with teaching strategies.  

Their new teaching / learning site, Seeing America,  documents the Gallery’s outstanding collection of American Art through 82 works and their connections to American history, culture, literature and politics.

The accompanying Classroom Guide integrates background information on the art, the artist and America with visual literacy classroom activities. Lesson plans and resources are readable online and available as downloadable pdfs. 

Download a pdf sample Context and Classroom Activities for
 
Thomas Hart Benton’s Boomtown. (above)

After you’ve had a chance to view the site leave a comment with your responses. I’ll pass them along to my friends at the Education department.  

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If your interested in world art, take a look at my blog post “Picturing the Story – An Interdisciplinary Approach to Culture, Environment, Language, and Learning.”  I served as an advisor to the Education department’s last teaching site – “Picturing the Story: Narrative Arts and the Stories They Tell.” It uses world art from the permanent collection of the Memorial Art Gallery dating from 1500 BCE to the 20th Century. Each work has a story to tell, either visually through imagery and symbol, or indirectly through custom and ritual. The stories reflect sacred beliefs, folk traditions, common human experiences, or unique cultural practices. 

Looking at Student Work: Teacher Led Professional Development

For the last few years, I’ve been working with a high school that serves a population of  high-poverty, urban students. In my previous visits we have looked at strategies to get students to function at higher levels of thinking (rigor) and with more responsibility for their learning (relevance) in a workshop setting, make-take sessions, and in classroom walkthroughs. The centerpiece of our third series of sessions is looking at student work. I met with teachers over three days in groups of 5-6 in 2 hour sessions. A rotating pool of subs covered classes. Some groups were structured by content area, others were interdisciplinary. Both configurations gave us interesting perspectives to review samples of student work and use them as a springboard for  collegial  discussion. Most importantly, teachers supported each other in school-embedded professional development.

Teachers were asked to bring two assignments with at least two samples of student work for each task. When possible, teachers brought in copies of the material to share among the team. Many brought writing samples or other assignments that offered students some freedom in how they approach the task. Extended responses or assignments that required students to explain their thinking led to the most rich discussions. Since the school has a major CTE component, some teacher brought in manufacturing projects.

The process

Each teacher began by giving a brief background to their artifacts  – course, students, context of the assignment. We then spent about 45 minutes individually reviewing the sample assignments / responses. Teachers were supplied with sticky notes to make observations on the student work. This provide useful feedback to the originating teacher. Many teachers shared their impression verbally via informal side conversations.

I then guided teachers a discussion using four levels of prompts  We kept our conversations focused on the evidence found  in student work – rather than specific students or teachers.

Level 1: The Details: What details do you see in the student work – voice, content, organization, vocabulary, mechanics?

Level 2: The Student’s Perspective: Looking at the work from the student perspective – what was the student working on? What were they trying to do? What level of thinking were they using? What choices were they making about content, process, product, or evaluation? How much responsibility do they take for – what they learn, the process they use, and how they evaluate it?

Level 3: Patterns and Conclusions: Do you see any patterns across the samples of student work? Did you see anything that was surprising? What did you learn about how a student thinks and learns?

Level 4: What’s Next? What new perspectives did you learn from your colleagues? What questions about teaching and learning did looking at student work raise for you? As a result of looking at student work, are there things you would like to try in your classroom to increase rigor, increase relevance, promote reflection?

Teacher Responses

Teachers were also provided with written version of the prompts so that they could write their feedback. Here are some of the comments / questions raised by teachers. For more on how I used my iPhone Dragon Dictation program to gather comments click here.

  • Choice is motivation!
  • I need to devote more time to students reading and evaluating each others work.
  • We need more sessions like this one. It’s great to hear different perspectives on the same groups of students.
  • Am I making my expectations clear? Can they see the value in the assignments?
  • I’d like to add a student reflection every each day.
  • I’m seeing new ways of looking at / evaluating student work.
  • When students create for themselves, they see greater value in their work.
  • I’ve got ideas how to make learning more independent, interactive – I want to stress more project, inquiry based instruction.
  • We need to reinforce the idea of more “open” solutions to projects and assignments.
  • Students are accustomed to answering questions that require memorization of facts and formulas, but the work that reflected student understanding used higher-level questions and left room for student interpretations.  
  • Incorporating reflection into answers reinforces the fundamental concepts
  • This session helps us develop consistent expectations throughout the school
  • This is a great model for sharing – must be efficient and concise like this so teachers are willing to participate.
  • What are we expecting our students to know and be able to do in preparation for the global society?

The National School Reform Faculty has many resources for looking at student work that helped me in developing my process and questions. Thanks! Additional kudos to dear friend and colleague, Patricia Martin for helping me to frame the workshop.

Fiction is a Lie that Tells the Truth: Reflections on Life and Literature

Abraham Rothberg

RothbergFor the last 5 years I’ve been a print-on-demand publisher, producing ten books for a dear friend – Abraham Rothberg. Abe has had a distinguished career as a journalist, university professor and author of 16 published novels, two books of history, a collection of short stories, two children’s books, and a volume of literary criticism. His previous work was published by mainstream publishers and has been favorably reviewed in NY Times, Harper’s, Time Magazine, and Publishers Weekly. Unfortunately his previous work had gone out of print. So we decided to cut out the middle man and self publish.

Recently we held a tribute to Abe – the man and his writings – as part of the Jewish Book Festival, at the Rochester JCC. 

Abe surprised the attendees with an eloquent reflection on fiction. [Excerpt]

... Serious fiction is a lie that tells the truth. Fiction can introduce you into the lies and truths of other people’s minds and hearts, to your own country and time, or strange, foreign places and other eras, into the most public forums and the most private scenes of human intimacy; it can make you see, hear, feel, love, hate, forgive, judge, understand, and yet not be bound by the consequences of all those activities, though you are there as a participant-observer in the most personal and informed ways. 

… And so, tonight, you will hear some of the lies I have written I take to be important truths, serious fictions about our lives and times I thought my books might contribute to the cultural and political conversations and dilemmas of our epoch. If that has not taken place as I wished– and I am sorry to say it has not–it was not for the want of my trying. Complete text of his presentation

Read more about Abraham Rothberg and purchase his fiction


The Reflective Student: A Taxonomy of Reflection (Part 2)

Reflective Student
reflective student

Reflection can be a challenging endeavor. It’s not something that’s fostered in school – typically someone else tells you how you’re doing! At best, students can narrate what they did, but have trouble thinking abstractly about their learning – patterns, connections and progress.

In an effort to help schools become more reflective learning environments, I’ve developed this “Taxonomy of Reflection” – modeled on Bloom’s approach.  It’s posted in four installments:

1.  A Taxonomy of  Reflection
2. The Reflective Student
3. The Reflective Teacher
4.
The Reflective Principal 

See my Prezi tour of the Taxonomy

2. The Reflective Student

Each level of reflection is structured to parallel Bloom’s taxonomy. (See installment 1 for more on the model). Assume that a student looked back on a project or assignment they had completed. What sample questions might they ask themselves as they move from lower to higher order reflection? (Note: I’m not suggesting that all questions are asked after every project – feel free to pick a few that work for you.) Remember that each level can be used to support mastery of the new Common Core standards.

taxonomy of reflection
taxonomy of reflection

Bloom’s Remembering: What did I do?
Student Reflection: What was the assignment? When was it due? Did I get it turned in on time?

Bloom’s Understanding: What was important about what I did? Did I meet my goals?
Student Reflection: Do I understand the parts of the assignment and how they connect? Did my response completely cover all parts of the assignment? Do I see where this fits in with what we are studying?

Bloom’s Application: When did I do this before? Where could I use this again?
Student Reflection: How was this assignment similar to other assignments? (in this course or others). Do I see connections in either content, product or process? Are there ways to adapt it to other assignments? Where could I use this (content, product or process) my life?

Bloom’s Analysis: Do I see any patterns or relationships in what I did?
Student Reflection: Were the strategies, skills and procedures I used effective for this assignment? Do I see any patterns in how I approached my work – such as  following an outline, keeping to deadlines? What were the results of the approach I used – was it efficient, or could I have eliminated or reorganized steps?

Bloom’s Evaluation: How well did I do? What worked? What do I need to improve?
Student Reflection: What are we learning and is it important? Did I do an effective job of communicating my learning to others? What have I learned about my strengths and my areas in need of improvement? How am I progressing as a learner?

Bloom’s Creation: What should I do next? What’s my plan / design?
Student Reflection: How can I best use my strengths to improve? What steps should I take or resources should I use to meet my challenges? What suggestions do I have for my teacher or my peers to improve our learning environment? How can I adapt this content or skill to make a difference in my life?

Image credit: flickr/Daveybot

A Taxonomy of Reflection: Critical Thinking For Students, Teachers, and Principals (Part 1)

Taxonomy of Reflection by Peter Pappas

My approach to staff development (and teaching) borrows from the thinking of Donald Finkel who believed that teaching should be thought of as “providing experience, provoking reflection.” He goes on to write,

… to reflectively experience is to make connections within the details of the work of the problem, to see it through the lens of abstraction or theory, to generate one’s own questions about it, to take more active and conscious control over understanding. ~ From Teaching With Your Mouth Shut

Over the last few years I’ve led many teachers and administrators on classroom walkthroughs designed to foster a collegial conversation about teaching and learning. The walkthroughs served as roving Socratic seminars and a catalyst for reflection. But reflection can be a challenging endeavor. It’s not something that’s fostered in school – typically someone else tells you how you’re doing! At best, students can narrate what they did, but have trouble thinking abstractly about their learning – patterns, connections and progress. Likewise teachers and principals need encouragement and opportunities to think more reflectively about their craft.

In an effort to help schools become more reflective learning environments, I’ve developed this “Taxonomy of Reflection.” – modeled on Bloom’s approach.  It’s posted in four installments:

1.  A Taxonomy of  Reflection
2. The Reflective Student
3. The Reflective Teacher
4. The Reflective Principal

Taxonomy of Reflection by Peter Pappas

Educator Larry Ferlazzo writes: “I think Peter Pappas’ Taxonomy of Student Reflection is a brilliant way of looking at developing higher-order thinking skills through a new “lens.” It makes Bloom’s Taxonomy much more relevant and engaging to students than so many other Bloom’s strategies that are out there. And it can be an invaluable and simple tool for formative assessment — something that any teacher can regularly use in their classroom that only takes a few minutes. My students and I have used it for the past three years, I’ve strongly recommended it in two books, and prominently highlight Peter’s work in my blog.”

A Taxonomy of Lower to Higher Order Reflection

Assume an individual has just completed a task. What types of questions might they use to reflect on the experience? How might those questions parallel Bloom’s Taxonomy?

Bloom’s Remembering: Retrieving, recognizing, and recalling relevant knowledge from short- or long-term memory.
Reflection: What did I do?

Bloom’s Understanding: Constructing meaning from oral, written, or graphic messages.
Reflection: What was important about what I did? Did I meet my goals?

Bloom’s Applying: Carrying out or using a procedure through executing, or implementing. Extending the procedure to a new setting.
Reflection: When did I do this before? Where could I use this again?

Bloom’s Analyzing: Breaking material into constituent parts, determining how the parts relate to one another and to an overall structure or purpose.
Reflection: Do I see any patterns or relationships in what I did?

Bloom’s Evaluating: Making judgments based on criteria and standards.
Reflection: How well did I do? What worked? What do I need to improve?

Bloom’s Creating: Combining or reorganizing elements into a new pattern or structure.
Reflection: What should I do next? What’s my plan / design?

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Note: A thanks to dear friend and colleague Patricia Martin, for sharing her thoughts on this idea.

 Take my Prezi tour of the Taxonomy