Audio Storytelling with SoundCite

My University of Portland students recently completed a PBL project, designing curriculum for the Oregon Holocaust Memorial. More here. We used a variety of free online storytelling tools to contextualize the Holocaust for memorial visitors.

I like to collaborate with my students in our projects, so I created a web section called Voices. It features inline audio oral history clips of survivors talking about family members murdered in the Holocaust. Working with the Oregon Jewish Museum and Center for Holocaust Education (OJMCHE) I  extracted the clips from their rich oral history archives.

I used a free tool called SoundCite.  KnightLabs describes it this way: Audio is a powerful device that can add emotion or context to a story. Unfortunately audio clips force uncomfortable choices: read or listen, but not both. Until now. SoundCite is a simple-to-use tool that lets you add inline audio to your story. The audio is not isolated; it plays right under the text.


Here’s a demonstration of SoundCite using a portion of an interview with Anneke Bloomfield. She was born on April 19, 1935, in The Hague in the Netherlands. Anneke’s father worked for Shell Oil, while her mother (a retired schoolteacher) stayed at home with Anneke and her three brothers. Anneke also had a younger sister who was born right at the end of the war.

Tap on highlighted area to hear interview

“Well there was another incident before this. My dad was in the underground and he had me send messages to certain people a couple times. And one time on my way home, I had to be home before 8:00 because they would shoot – Germans always changed rules, every time – no more light at this time, no more heat, no more this, no more that. And this time anybody who was on the street after 8:00 would be shot. And this was about the third time I did this message thing for my dad. And as I got to the underpass there were two German soldiers and they had picked up two Jews or whatever; it looked like men from a distance for me. And they thought it would be a good place to break loose. And instead they didn’t get away with it so they was pushed up against the wall and they were killed. And now I have to go underneath there. And I am like eight and a half going on nine, and I was so afraid to go, so I thought, “Well I am going to turn around a take the long way home.” So I ran and ran and ran and I thought, “Oh I hope I am going to make it before 8:00.”

 


 

 


Image credit: neil godding / Unsplash

Exploring History Vol V: Six Document Based Lessons

I’m very pleased to share a new multi-touch iBook just published by my Social Studies Methods class at the University of Portland. Exploring History: Vol V was our PBL capstone and is available free at iTunes in 51 countries around the world. It features these World and US History lessons:

  1. WWII Propaganda: Close Reading by Nancy Guidry
  2. The Limits of Leadership by Paxton Deuel
  3. African Imperialism by Kelly Sutton
  4. The Harlem Renaissance by Taran Schwartz
  5. Western Expansion Text Set by James Bayless
  6. An Account of The Red Summer by David Grabin

This book is the fifth in a series of "Exploring History" titles designed by my UP preservice social studies teachers. The books have been very popular - with over 30,000 downloads from nearly two dozen countries. Writing for an authentic and global audience has been one of the prime motivators in this on going publishing project.

Interactive iBook version ~ Free at iTunes
Download Static PDF version (10 MB)

It features six engaging questions and historic documents that empower students to be the historian in the classroom. The units draw from a fascinating collection of text and multimedia content - documents, posters, photographs, audio, video, letter and other ephemera. "Stop-and-think" prompts based on CCSS skills guide students through analysis of the primary and secondary sources. Essential questions foster critical thinking. All documents include links back to the original source material so readers can remix the content into their own curated collections.

All of my student's wrote for a public audience on our class blog and pursued three class goals:

  • Learn to think like a historian.
  • Become a skillful instructional designer
  • Develop technical skills for production, reflection, growth and professional networking.

The lesson design process began early in the semester when students designed lessons in historical thinking skills based on the work of Sam Wineburg and the Stanford History Education Group (SHEG). They focussed on three key skills – Sourcing, Contextualizing and Corroborating. Then students identified essential questions worth answering and gathered documents to explore the question.

Here's a post (from fall '13 class) that describes our project workflow (including how we utilized iBooks Author). The Exploring History includes four additional volume

Students Design Lessons for Holocaust Memorial

This fall my social studies methods class at the University of Portland will work with the Oregon Jewish Museum and Center for Holocaust Education (OJMCHE) to design curriculum for the Oregon Holocaust Memorial in Washington Park here in Portland Ore. With historical memorials in the news and neo-Nazis on the march, this community-based challenge will allow my students to use a PBL approach to explore instructional design with purpose. The lessons learned will serve them well in their careers as secondary social studies teachers.

“Why do we build memorials? Why/ what do we need to remember?
~ Nancy Guidry, student.

My students will team with OJMCHE Holocaust Educator, April Slabosheski to create lessons to support middle and high school visits to the Memorial. I invite readers to follow our progress here and at our class blog. We welcome your advice, suggestions and encouragement.

After our first visit to the memorial I invited students to share their reactions:

  • Imagine a primary source account for each of the lost belongings - baby’s shoe, broken violin, abandoned suitcase, baby doll telling the story of a childhood ripped away. ~ James Bayless
  • What is truly amazing is how a carefully architected combination of stone and aluminum can evoke such strong emotions (i.e. sadness, fear, anger, etc.). I didn't know any of those names engraved upon the dark grey stone wall, but I shared part of their suffering and pain by merely reading their names and imagining their circumstances. It became evident to me that we humans are truly all connected-- this connection stretching across time, place, ethnicity and circumstance. Amazing. ~ Paxton Deuel
  • What struck me the most was probably the simplicity of it. No amount of elaboration would do justice to the horror remembered there, so it seemed appropriate, in a way. ~ Taran Schwartz
  • One train of thought that really stuck with me was the idea of reflection. We don’t necessarily always stop and reflect on the buildup of extremely catastrophic events. We tend to merely focus on the event itself. Very excited for this project. ~ Kelly Sutton
  • What an exciting opportunity! Should keep the Oregon survivor central- these are people within our community; how far reaching these events were, how connected we are to history. The town square design was particularly powerful; idea that that was where holocaust really started- othering Jews and people let it happen. Idea that the town square is also a place where future things like this can be prevented- people taking to the streets in solidarity, people gathering to talk across differences. ~ Nancy Guidry

More on the Oregon Holocaust Memorial:

The Oregon Holocaust Memorial was dedicated on August 29, 2004. The memorial features a stone bench adorned with wrought-iron gating, screened from the street by rhododendron bushes. The bench sits behind a circular, cobblestoned area - simulating a town square. During the Holocaust, many Jewish families were gathered in town squares before being loaded onto trains and taken to concentration camps. The square contains scattered bronzes of shoes, glasses, a suitcase, and other items to represent everyday objects that were left behind. A European-style, cobblestone walkway with inlaid granite bars, simulating railroad tracks, leads to a wall of history panels - giant, stone placards that offer a brief history of the Holocaust and quotes from Holocaust survivors. At the end of the wall is the soil vault panel. Buried below the panel are interred soil and ash from six killing-center camps of the Holocaust - Chelmno, Treblinka, Sobibor, Belzec, Majdanek, and Auschwitz-Birkenau. The back of the wall is engraved with the names of people who died in the camps, followed by the names of their surviving relatives in Oregon and SW Washington. Source

Image credits: Peter Pappas

 

Podcast: Students Make A Difference with PBL

This is cross post from UP TechTalk Podcast S05E01: Connecting Student Learning to Real-World Outcomes with Project Based Learning by Maria Erb

Peter Pappas designs learning experiences that provoke reflection.  The UP School of Education adjunct instructor is known for pairing tech tools with creative assignments that lead to students having an external audience for their work, working as professionals do in a more public environment.

Utilizing the concepts of Project Based Learning, Pappas’s students have developed multi-touch books with iBooks Author on historical topics that have been downloaded 16,000 times from iTunes.  The blog Pappas uses for his course is public on the web and gets comments from beyond the classroom.  Students are startled to find out that someone besides a teacher cares about the work they do in class.

“Students really want to make a difference,” Pappas said.  This year, his students will be developing curriculum for the Oregon Jewish Museum And Center for Holocaust Education that can be used by middle and high school teachers when they bring students to the Oregon Holocaust Memorial in Washington Park.

At a time when we’re revisiting questions about history and people’s perspective on history, I think it will be somewhat cathartic for my students to feel they could make a statement and speak on behalf of people who perhaps can’t speak for themselves.

In this podcast, Pappas talks about project based learning and some of the other ideas that have helped to shape his current style of education.  Listen to this intriguing discussion about student engagement and more. Full Episode Transcript PDF


UP TechTalk App Picks of the Week
  • Peter picked Apple Clips, a new social video app from Apple.
  • Ben recommends Overcast as the best podcast catcher/listening app on iPhones and iPads.

Continue the conversation at the Teaching & Learning Community Blog: https://sites.up.edu/tl

UP TechTalk is a bi-monthly podcast with cohosts Ben Kahn and Maria Erb of Academic Technology Services that explores the use of technology in the classroom, one conversation at a time. Visit the UP TechTalk archives for a plethora of excellent content from our UP faculty guests. Get a sneak peak at the future with our UP Tech Talk special 5 part series The Future of Learning.

Tour Japantown PDX with StoryMapJS and JuxtaposeJS

Northwestern University Knight Lab has produced some great free storytelling tools. I’ve previously posted about comparing images using JuxtaposeJS. It's great for telling then and now stories when you have a good balance of continuity and change. Here’s a example of frame comparison I made using the tool. Use your mouse to grab the slider and move it up and down.

It shows one of Portland's Japanese owned/managed hotels back in the heyday of Portland's Japantown before the forceable removal and incarceration of its citizens during WWII. More on how to create with JuxtaposeJS

Another KnightLab tool is StoryMapJS, a free tool to help you tell stories on the web that highlight locational content. I've been playing around with StoryMap and thought it might be fun to see if I could embed JuxtaposeJS sliders into a StoryMap. I think the integration worked well - though it is better viewed from this direct link on your desktop / mobile device than in the embed below. (This embed messes a bit with the size of the feature photos.) As you go though the tour you'll see I used a mix of static photographs and image blends I made with JuxtaposeJS.

I had lots of great content from my multi-touch book Portland's Japantown Revealed. It featured engaging then / now photo widgets that allow the user to "paint" history into contemporary photos with a wipe of their finger. So I reused the then / now photo comparisons using the a different tool - JuxtaposeJS and then used them for image content in the StoryMap. Note: Historic images are supplied by Oregon Nikkei Legacy Center. I took the contemporary photos.

Backstory:  I was scheduled to visit Marisa Hirata's 3rd graders at Portland's Alameda Elementary School. Students had been researching Portland's Japantown and had already designed a "shoebox" replica of the community. For my visit, I created this StoryMapJS "tour" and the students used each stop as writing prompts.  This StoryMap was great for helping students to visualize how people's lives were lived in Portland's thriving pre-WWII "Nihonmachi."

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