Tag: Writing

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How to Motivate Student Writers

My last post, What is Writing For?, concluded by offering three ideas for motivating student writers:

  • Let students make some choices about their writing.
  • Let them write for a more authentic audience than the teacher.
  • Use more peer evaluation and self reflection.

We read everything over to see if it made sense to our audience ~ 6th grader’s reflection

I thought readers deserved an example of these principles in action. Here’s a project I did that exemplifies choice, authentic audience and self-reflection.

I worked with a team of 6th grade teachers to demonstrate the power of comparison skills to help their students build vocabulary and content knowledge about the functions of various organs of the human body. (Based on Robert Marzano’s Building Background Knowledge for Academic Achievement and Classroom Instruction That Works). Additionally we wanted to enhance technology skills and demonstrate the power of student choice and self reflection in a PBL setting.

Students are motivated by writing for an authentic audience. “Publishing” helps students master content and develop project management and teamwork skills. The power of publishing enables students to think like writers, to apply their learning strategies and to organize and express their learning. It exemplifies the best of the information revolution – students as creators of content rather than as passive audience. 

Project overview:

  1. Students were tasked with developing books to teach the organs of the human body to third graders.They decided that the best idea was an ABC book - ”Traveling Through the Human Body with ABCs”
  2. Teams of students chose an organ and had to develop a description of function suitable for 3rd grade audience. Then they were asked to compare the organ to something that functioned in the same way and develop a comparison that 3rd graders would understand.
  3. All the content developed by students went through a peer review process for accuracy and suitability for 3rd grade audience.
  4. PowerPoint was used to layout graphics and text. Update: you might consider design and publication using iBook Author.
  5. Students and teacher were guided through a series of reflective prompts.
  6. The PowerPoints were converted to PDF files and used to publish a few copies of each classes book using Lulu print of demand. 

Teacher reflections included:

  • Students learn best from doing and from doing it together with support but no interference from adults. Students can explain concepts and ideas to each other in “kid-friendly” language more easily, sometimes, than adults can.
  • The lessons are more lasting because they happened in a social context rather than the “top-down” structure of a traditional classroom.
  • Project-based learning creates a student centered classroom with the students doing the real work of real learners. The teachers’ work is primarily off-line.

The book is available in print from Lulu as an iBook at iTunes.

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What is Writing For?

Question: What is Writing For?
Answer: Writing is for making assigned writing.

Students everywhere are asked repeatedly to write papers that are inherently insincere exercises in rearranging things they’ve read or been told…

That’s the response given by Verlyn Klinkenborg in his thoughtful NY Times essay Where Do Sentences Come From?

He writes, “What is writing for? The answers seem obvious — communication, persuasion, expression. But the real answer in most classrooms is this: writing is for making assigned writing. Throughout their education, students everywhere are asked repeatedly to write papers that are inherently insincere exercises in rearranging things they’ve read or been told — papers in which their only stake is a grade.”

Instead of being motivated by autonomy and choice, students are routinely assigned to write responses to prompts they have no interest in. The tacit audience for their work is the teacher, the purpose is a grade.

Over time students learn that the only information (or ideas) worth knowing are those that come from the teacher or the text. The lesson learned?  Since student contributions won’t be tested – they’re not worth knowing. “Mr Pappas, will this be on the test?”

As Klinkenborg observes, [writing] “is harder than it seems because first you have to find a thought. They may seem scarce because nothing in your education has suggested that your thoughts are worth paying attention to. Again and again I see in students, no matter how sophisticated they are, a fear of the dark, cavernous place called the mind. They turn to it as though it were a mailbox. They take a quick peek, find it empty and walk away…. Sift the debris of a young writer’s education, and you find dreadful things — strictures, prohibitions, dos, don’ts, an unnatural and nearly neurotic obsession with style, argument and transition.”

Read Klinkenborg’s essay for some interesting prompts for activating the writer’s voice. I’ll offer three considerations for assigning and evaluating writing in the classroom. For an example click here.

  • Let students make some choices about their writing.
  • Let students write for a more authentic audience than the teacher.
  • Use more peer evaluation and self reflection. 

Worried that students won’t take more responsibility for their writing?
Don’t worry, that’s what they’ve been doing with their friends on Facebook.

Image credit: Flickr/Nesster

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Student Bloggers Reflect on Learning

Reflections
Reflections

My approach to instruction borrows from the thinking of Donald Finkel who believed that teaching should focus on “providing experience, provoking reflection.” 

He goes on to write,… to reflectively experience is to make connections within the details of the work of the problem, to see it through the lens of abstraction or theory, to generate one’s own questions about it, to take more active and conscious control over understanding.
~ From Teaching With Your Mouth Shut

Since I first posted my Taxonomy of Reflection in Jan 2010, I’ve been on the lookout for good examples of student (and teacher) reflection to share with my readers.

I was pleased to see that Mike Gwaltney (and good friend and great teacher at Oregon Episcopal School) had developed a well-designed model for incorporating student reflection into a new class blog. The Age of Exploration Blog. I urge you to visit his class blog and respond to the student posts – they are looking for your feedback.

Honesty, deeper reflection, and care in the writing because they know they’ll have “real world” readers and commenters, not just their teacher

I asked Mike for his “elevator pitch” on why he thinks fostering student reflection is so important. He replied, 

Teachers don’t give kids time enough to reflect in a serious way. The success of this assignment comes from giving them: a) instructions on how to reflect, good questions to consider; b) time to do so – real time, not just one day, but frequently; c) an authentic audience to write for – it encourages honesty, deeper reflection, and care in the writing because they know they’ll have “real world” readers and commenters, not just their teacher.

Here’s a portion of Mike’s assignment for his high school sophomores. Full assignment here

The topics of your blog posts in general should be “reflection on your learning”. Reflection is an opportunity for you to step back and think about / evaluate. When you reflect, you’re doing very high-order thinking, the kind we do when we self-assess. As for the topic of your reflection, you choose that. Here are some general ideas I have for topics:

  • “What I’ve been studying / learning lately.” – tell us about some topics you’ve researched this year and what you’ve learned. This could be about the big topics of projects, or about little pieces of a topic you discovered and that you found really interesting.
  • “What I’m working on right now and what I hope it will be.” – tell us about your current project and how it’s shaping up. What are some things your finding and what form will your project take?
  • “What I’m learning about myself as a learner.” – tell us about how it’s going for you being in a research-based class. Are you finding this is a good way for you to learn? What’s easy? What’s hard? What are some successful strategies you’ve followed? How do you think you can improve?
  • Etc. – what other ideas do you have for a blog post? Feel free to take it where you wish.

I’ve been impressed with the depth of reflection generated by his students’ posts. I asked Mike if I could join in the dialogue by posing a few questions for his students to answer. (sort of reflecting on reflection). I asked them to read their reflections and those of their peers and answer two questions:

  1. “Do you see any patterns in the reflections”. I think that analyzing is the gateway to higher order reflection – See my post The Reflective Student for more prompts.

  2.  ”Looking back to your reflections (and those of their peers) can you identify any ‘ah-ha’ insights?”

 

Here’s some of the student responses:

What I found really interesting about this assignment was that most people wrote about themselves as learners, not the information they have gained from our class.

Hayley:

What I found really interesting about this assignment was that most people wrote about themselves as learners, not the information they have gained from our class…. My peers and I are accustomed to very focused courses that, while emphasizing creativity, don’t always allow students to pursue what really interests them or to learn more about themselves. This blog looked like it was an opportunity for many people to have semi-revelations about their school experiences and their optimal learning environments.

The ah-ha insights were kind of obvious: students in this class learn the best when they can choose what, and how, to learn. I just realized that this blog was another mechanism of learning that helped most everyone learn about themselves. Haley’s full post A Love, Lost and Found

Spencer:

Most of our reflections aren’t just talking about what we learned fact-wise or wrote in class. It seems we’re actually taking a look at what we’ve been doing ourselves, examining how we learn things, what’s been working for us, and what hasn’t been working. The class is about learning information, while this blog is about us learning about our learning of information.

Ah-ha insights: Karen saying, “As a researcher, I’ve found my hardest task not to be collecting information or presenting it, but rather motivating myself to delve deeper and deeper into the topic instead of simply accepting what I have as being good enough.” Arjun saying, “the point of research is to learn something new or interesting, and then share those findings with others” Robby saying, “Instead of being graded on what is right and wrong, a student can be graded on how well they did personally” Spencer’s full post Research Conundrum: Bias

Clare:

First of all, every one of the posts shows that the author has been enjoying Age of Ex immensely. My post was mostly about learning and researching as a concept rather than actual facts or ideas that were learned in assignments, and most of the other posts focused on essentially the same thing. My classmates and I have written about how the loose structure of the class gives us enough support to feel comfortable, but also encourages us to push beyond what we’re used to and to think for ourselves.

Certainly one of the most common insights was that research based classes are, in fact, pretty difficult because they require one to be self-managed and self-driven. On the other hand, another of the most common realizations was that we were enjoying our research and learning. It seems that we also found that the necessity of being self-driven pushed us to understand who we are as learners and how we learn best. Clare’s full post Researching History to Understand My World

Lauren:

One commonality that I noticed throughout many of the blog posts was the appreciation of the freedom that Age of Ex has given us. For me, and some classmates, this was a crucial component in choosing this class. What appealed to us was the ability to learn about what we, as individual students, were interested in. Another thing that I noticed was people rediscovering the researching process. Learning how to budget time and tackle large projects.

Many of the ah-ha moments I noticed were the realization of an individual research process. Over the course of this first project, people realized which researching techniques worked from them, and which didn’t. I think that these lessons are going to be something that a majority of the class continues to carry with them throughout the year. Lauren’s full post A Research Project in Retrospect

Image credit: flickr/Alex Clark

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Defending Fiction: The Literary Mock Trial of the Count of Monte Cristo

Dumas book
Dumas book

I recently blogged from the 2011 US Innovative Education Forum (IEF) sponsored by Microsoft Partners in Learning. Here’s a guest post from, Kelli Etheredge, one of the IEF finalists I met at the competition. For more on the competition and other guest posts click the IEF tag. ~ Peter

Kelli Etheredge, St. Paul’s Episcopal School (Mobile, AL)
Project: What’s the Verdict? The Count of Monte Cristo Murder Trial
In this project, 10th grade World Literature class students used a shared Microsoft OneNote notebook, Office Web Apps and Windows Live SkyDrive to share information and prepare for a criminal trial of the character Edmond Dantès after reading the novel The Count of Monte Cristo. Students develop many 21st century skills including critical thinking, creative problem solving, collaboration while they move beyond rote memorization and regurgitation of facts and read the book with a critical eye and goal in mind — to either prove or disprove the liability of Dantès in the downfall of his enemies and the seven deaths, two kidnappings and the loss of wealth. They gain experience in using the art of persuasion, writing in various formats and enhance civic literacy.

Kelli has written the following guest post. For a full description of the project, see her blog.

They are either reading the novel from the eye of a specific witness and discovering how Edmond Dantès impacted their lives, or they are reading from a lawyer’s perspective. They are solving the mystery, gathering evidence, looking for connections.

Intrigue. It is the key to any great story. For me, it’s also the key to any great literature lesson.
I teach World Literature to 10th graders. As with most literature curriculums, the focus is on the classics. 10th graders are generally not interested in classics. Not surprising, I know. If it wasn’t published in their lifetime, students frequently classify all classics as “boring” without every reading it. Even when they are interested in the work, nothing kills the inherent qualities of a story like the “traditional” qualities of a literature classroom. We all know the class – assign chapters to read for homework, lecture about plot and theme, repeat until done. My goal, therefore, for every unit is to bring classic literature to life. I love the day in my class when kids shift from saying, “I have to read this…” to “I get to read this!”

How do I create intrigue? For The Count of Monte Cristo unit, I use the mock trial. Now, don’t get me wrong. The Count of Monte Cristo oozes intrigue without a mock trial – love, jealousy, betrayal, vengeance. It has it all. But, with an 1844 publication date, some students may never read it without the mock trial. Therefore, when I introduce the unit, I tell the students that at the end of the novel, although Edmond Dantès never directly kills, kidnaps, or steals from anyone, we are going to put him on trial for murder, kidnapping, and theft. Intrigue. They are curious; they start reading to see how in the world such a trial can happen.

Students are then given a deadline for the first fifteen chapters and asked to tell me whether they want to be either (1) a lawyer or (2) a witness in the trial. Starting with chapter sixteen, students have a specific role. They are either reading the novel from the eye of a specific witness and discovering how Edmond Dantès impacted their lives, or they are reading from a lawyer’s perspective. They are solving the mystery, gathering evidence, looking for connections.

classroom mock trial
classroom mock trial

Students are given time in and out of class to read the novel. At specific chapters, the class analyzes the events in the novel and creates cause and effect charts. When the students are finished reading the novel, they then move into prosecution and defense teams to prepare for the trial. All of our work in the novel study and the trial preparation is shared via a Microsoft OneNote notebook. Prosecution and Defense teams have password protected sections. During the mock trial they can quickly search their OneNote notebook and find facts that help them respond to cross-examination remarks.

Witnesses play the part and write a letter from their character’s perspective; lawyers use an analysis chart to determine how each witness impacts their theory of the case. During the trial preparation stage, I teach the students about trial procedure, questioning witnesses, and introducing evidence at trial. When trial preparation is complete, we conduct the mock trial. Other teachers and former students sit on the jury. I’m the judge. When witnesses are not on the stand, they are taking notes to help prepare for their persuasive essay. The trial usually lasts four to five days, and we have had both defense and prosecution verdicts.

Once the trial is over, everyone writes a persuasive essay answering the question: Were the punishments of Danglars, Villefort, and Fernand Mondego really God’s retribution or wholly the cause of Edmond Dantès?
 

Count of Monte Cristo Preparation & Trial from Kelli Etheredge on Vimeo.

From start to finish, students are thinking critically, connecting their knowledge of the novel to their own world, and expanding their experiences. Watching each student use the facts of the case to (1) demonstrate their understanding of the novel and (2) prove their team’s case is one of the proudest moments I have every year.

Here are my tips for making a literary mock trial successful:

  • Choose a novel that involves culpable activities but no one in the novel is punished for
  • Assign only important roles (lawyers and characters) and assign the roles as early as you can
  • Provide students with scaffolding devices that help them in their critical thinking – cause/effect charts, organization tools, analysis charts
  • Make sure everyone is active during the trial; if students aren’t testifying they should be taking notes, preparing for their persuasive essay.
  • Use outside experts- lawyers from your hometown- to teach students about trial procedure
  • The following site has a mock trial manual (pdf) for teachers to use –  (note I did not assign follow this manual completely because I wanted my students to only be witnesses and lawyers. Positions like bailiff did not provide any opportunity for critical thinking and application of their knowledge of the novel.) Additionally, this website – provides guidance on questioning witnesses, introducing evidence, etc.
  • Encourage healthy competition – the students’ level of commitment to the project intensifies with a healthy competition.
  • Remind students that they are capable of the task; students need to know that they are capable of hard work and critical thinking, and they need to know you have confidence in their abilities.
  • Have fun!

 

Additional resources from Kelli:

About the Author
Kelli Etheredge is the Teaching and Learning Resources Director for St. Paul’s Episcopal School. In her role, she supports PK-12 teachers in effective integration of technology and innovative lesson design. She is also a trained peer coaching facilitator through the PeerEd group. Additionally, Kelli teaches World Literature at the 10th grade level. She is in her twelfth year of teaching and her eleventh year of teaching in a 1:1 environment. Before her teaching career, Kelli practiced law for five years.

Image credits:
Dumas Book – flickr/jypsygen
Classroom mock trial – Kelli Etheridge

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How to Tell a Story: Five Rules for Better Writing

Underwood typewriter
Underwood typewriter
Image credit: flickr/Gonzalo Barrientos

Short is better than long.

Simple is good.

Long Latin nouns are the enemy.

Anglo-Saxon active verbs are your best friend.

One thought per sentence.

I’ll keep this post brief. Thanks to William Zinsser for these essentials of good writing. You can read his full article here.