How to Integrate Document-Based History with the Common Core

CCSS offers an incentive for teachers to use historic documents to build literacy skills in a content area while empowering students to be the historian in the classroom. But document-based (DBQ) instruction in this context requires four key elements to be successful:

  1. The right documents.
  2. Knowing how to look at them.
  3. Letting students discover their own patterns, then asking students to describe, compare and defend what they found.
  4. Basing the task on enduring questions, the kind that students might actually want to answer.

My just-published, second iBook – Workers Win the War: Toil and Sacrifice on the US Homefront – embodies that approach. Free at iTunes. It features:

Engaging source material that can be easily interpreted by students. Too often, DBQs use documents that require too much background knowledge to “interpret.” This collection offers over 60 pages of easy-to-intrepret media, much of it visual –  including 80 posters, 18 films, cartoons, radio broadcast, recording and sheet music and a dozen rarely-seen pamphlets.

Why should I work any harder

An interactive primary source analysis tool developed by the Library of Congress. Poster and film analysis is modeled in an multi-touch widget. Students can use an iPad-friendly historic document guide to analyze all the source material and share their observations with peers and teachers.

All across the curriculum, students are told to “analyze” material, but their thinking is constrained by the mandated Venn diagram or T-chart. Developing a comparative schema is messy work – but that’s where the learning takes place. To scaffold student analysis, “Workers Win the War” features CCSS-based prompts that ask students to stop and think more deeply about the content.

any-bonds-today

Essential questions that make an examination of the US homefront in WWII relevant to students’ lives today. Students experience first-hand how the government mobilized public support for the war through higher taxes, hard work and sacrifice.

Contrast that era with our “homefront” experience today, when only our troops and their families have been asked to make sacrifices for wars in Iraq and Afghanistan. Today many see “big government” as an intrusion in their lives. In contrast, during WWII Washington played a very active role shaping American behavior and attitudes in support of hard work and sacrifice in support of the war effort.

Workers Win the War examines the themes of hard work and sacrifice through a variety of perspectives – increasing industrial production, food as weapon, worker health and safety, making do with less, scrap drives, rationing, price controls, and financing the war with higher taxes and bond drives.

Have you really tried

Students will enjoy the content: Cartoons featuring Bugs Bunny, Donald Duck and Daffy. Films and posters that equated sick days and long work breaks as near treason. Long-forgotten pamphlets that coached volunteer bond salesmen or advised school principals on how to organize a paper scrap drive – “turn your students into Paper Troopers!” Posters that chided “foolish women” who ignored price ceilings – “Why Shouldn’t I Buy it? I’ve got the Money!”

My favorite is a short film that features two spunky young working women who set out to buy some steak in violation of rationing limits. It turns into a nightmare sequence that demonstrates “rationing means a fair share for all.”

Prices Unlimited

Rationing_means_a_fair_share

To deepen their understanding of the historic content and hone their Common Core skills, students need a chance to create a unique product to demonstrate their learning. With that goal in mind, Workers Win the War has been designed to leverage the content-production capacity of the iPad.

All of the historic content in the iBook is in the public domain. Each source document is hyperlinked back to archives that provide access to the digital content. Students can easily remix the historic documents into their own galleries and projects.

Four Keys to Teaching Students How to Analyze

This week I’m presenting at the national AMLE conference (middle level education) in Portland Ore. Quite nice since I live here!

My session
Thursday Nov 8 at 8AM
#1111 – Teaching Students to Analyze? Motivate with Skills, Choice and Reflection.
Here’s a preview

True analysis is messy work, but that’s where the learning takes place.

My talk has two themes – first, it’s a reflection on how analysis is taught in the classroom. Too often teachers give students a Venn Diagram and ask them to compare. What looks like analysis on the surface is often no more than re-filling information from the source material into the Venn. Graphic organizer are great to help students understand a variety of analytic models, but they often constrain students into someone else’s analytic framework. 

Summarizing and comparisons are powerful ways to build content knowledge and critical thinking. But if students are going to master CCSS skills they need to design the model, find a way to express it to others, and have the opportunity self reflect on their product and feedback from peers. Get them started with graphic organizers, then show some courage and be less helpful. True analysis is messy work, but that’s where the learning takes place.

My session will utilize audience responders to first evaluate sample lessons in summarizing and comparing, then collectively develop critical benchmarks. Teachers will next be given frameworks for designing lessons which enable students to think like designers, to apply their learning strategies, share their conclusions and set the stage for self-reflection.

FlipNLearn: a foldable that students design, print and share.

Next, I will demonstrate how to meet these four keys to teaching analysis with FlipNLearn, a foldable that students design, print and share. It’s an innovative learning tool that students design on a computer, then print on special pre-formatted paper. The result – a clever foldable that flips through four faces of student selected text and images. FlipNLearn is a great way to give students a manageable design challenge that promotes teamwork, self-assessment and reflection. In 30 minutes, or less, they can produce tangible product that blends the best of PBL and CCSS skills in communication. If you can’t make my session, look for me at the IMCOM vendor booth #819 for free tips on Portland’s best pubs and grub.

Textbooks Are Dead – Here’s 3 Reasons to Write Your Own

For years progressive educators have known the textbook was dead. Apple’s latest iPad Mini / iBooks Author event (October 23, 2012) suggests we are closing in on the tipping point that should hasten its demise.

I’ll let others critique the viability of the iPad as a textbook replacement in this era of shrinking budgets. Instead I’ll focus on how teaming iBooks Author (iBA) with the iPad can turn students from passive consumers of information, into active researchers, thinkers, designers and writers.

Since it’s release this spring, I’ve been working with iBA and networking with other educators doing the same. I’ve seen great examples of student-produced work such as this iBook by 5th graders.
I just published my first multi-touch iBook, Why We Fight: WWII and the Art of Public Persuasion which gives students a chance to work with historic films and poster art to critically evaluate the US government’s public relations effort during the war. I’ve already blogged about my reactions to using iBA, but let me use this post to offer three arguments for using iBA with students.

Crowdsourced Production
iBA (a free program) requires a Mac running OS X 10.7.2 or later, but that doesn’t mean that every student needs a Mac to contribute to the iBook project. All the classroom needs is access to one computer running iBA to create an iBook. (Use somebodies new Mac Mini?)

iBA accepts text from Microsoft Word and other text editors. Teams of student writers can do research and writing on a variety of computers (and devices) and send finished copy to the iBA production team. Images, audio and video files collected by researchers can be added to the eBook project with a simple drag and drop. If students have access to multiple Macs running iBA, it’s easy to consolidate iBA projects by copy / pasting chapters (or sections of chapters). Research, writing, and design can even be sequenced into a “flipped classroom” production model.

Broadcasting Your iBook
Terms of use for iBA require that iBA-created iBook that are offered for sale can only be sold through the iBookstore. But there’s no restriction on “free” iBA-created iBooks – circulate them any way you want.

While the iBookstore does provide accounts for producers of “free” iBooks, there’s a simpler way to distribute an iBook. Connect an iPad to the computer running iBA, click Preview, and the iBook is pushed to the attached iPad. Do the same on as many iPads as you choose. It’s also easy to export the finished iBooks file from the iBA program to an external drive or network and distribute the iBook to multiple iPads.

The ease of distribution means students can communicate with a broader, and more authentic audience than just their teacher and class peers. They can even bring their iBooks files home on thumb drives to be shared with families and friends that have iPads.

Design Thinking Meet CCSS Skills
Researching, writing, and designing an iBook provides an opportunity for students to hone a wide range of skills. Common Core State Standards require a host of literacy, critical thinking and writing skills that are essential to production. Project based learning (PBL) engages students with the opportunity to think like professionals while solving real-world problems. While the iBook qualifies as a project goal, don’t forget that the subject of the iBook could also give students a platform to tackle community-based issues.

Collaborating on an iBook draws from a wide range of creative skills – creating audio clips, producing illustrations, shooting and editing video. Because a variety of media can be included in an iBook, there are numerous opportunities for students of all ability levels and language proficiencies to be active contributors.

Digital technologies have put students in charge of the information they access, store, analyze and share. Most importantly the digital era has given them an expectation of informational choice. Creating an iBook harnesses all those motivational factors into an engaging learning experience. When students get to collaborate and work as adult professional do, we relinquish responsibility for learning to the student and provide them a valuable opportunity to reflect on both their process and product. That’s the foundation for a lifetime of learning.

Image credit/ author

Have a Minute for the Shortest TED Talk Ever?

Who needs PowerPoint when you have a few stones for your infographic?
He even finds time to add a reflective question as a kicker. This talk ‘happened’ during a spontaneous interview with Hans Rosling, the famous TED speaker. Hans joined us at the TEDxSummit 2012 in Doha, April 15 — 20, Qatar for another memorable TED talk on global population predictions.

Why We Fight: Selling a War to America

My iBook Why We Fight: WWII and the Art of Public Persuasion free at iBookstore

Designed as multi-touch student text, it focuses on the American response to WWII – especially the very active role played by government in shaping American behavior and attitudes. “Why We Fight” gives students a chance to step back to the 1940s and experience the perspective of Americans responding to the Pearl Harbor attack and WWII. Americans were hungry for information, and Washington responded with a PR blitz to sell the war to the American public.

It features 13 videos including rarely-seen cartoons like “Herr Meets Hare” (1945) starring Bugs Bunny, government films “What To Do in a Gas Attack” (1943) and Hollywood wartime flicks like the “Spy Smasher” cliff hanger series (1942).

View naval deck logs detailing the attack on Pearl Harbor. Listen to FDR’s “Day of Infamy” speech while you read his handwritten notes on the first draft of the speech. Listen to man-in-the-street interviews recorded the day after the Pearl Harbor attack. Swipe through an interactive timeline map detailing early Axis victories of the war. Use an interactive guide to interpret over 40 wartime posters.

All of the historic content is in the public domain. And the iBook provides access to the digital content, so users can remix the historic documents into their own galleries and projects.  Students can use an iPad-friendly historic document guide to analyze all the source material and share their observations with peers and teachers. “Why We Fight” is filled with “stop and think” prompts keyed to Common Core State Standards and includes a student guide to learning from historic documents and links to a teacher’s guide to related activities and free iPad apps.

This first of a series, “Why We Fight,” focuses on why Americans went to war and how the government defined the reasons for war and the nature of our enemies. Students build critical thinking skills as they are guided through the documents in consideration of three questions:

  • Why did Americans go to war?
  • Was Washington’s public relations blitz crafted to inform the public or manipulate? Did it appeal to reason or emotions? Did it rely on facts or stereotypes?
  • How do the themes in this book apply to your life and America today?

The next iBook in my Homefront USA series will consider how Americans were asked to change their lives, work harder and sacrifice in support of the war effort. Additional iBooks will look at how the war brought dramatic changes to American society – contrasting the growing opportunities for women with the internment of Japanese Americans.

Image credits:
Title: Enemy ears are listening.
Artist: Ralph ligan
United States. Office of War Information. Graphics Division.
Washington, D. C
Date: 1942
UNT Digital Library.

Title: Avenge December 7
Artist: Bernard Perlin
Publisher: Washington, D.C. : U.S. G.P.O. Office of War Information,
Date: 1942.
Northwestern University Library