Learn, Share and Win an Apple TV at edcampPDX

edcamppdxCalling all educators! Here’s your excuse to come to Portland Ore and have a great time while expanding your PLN. I’ll be there with a very talented group of Pacific NorthWest educators who are interested in sharing ideas for creating engaging classrooms. You’ll have a good time and leave with loads of great ideas for the classroom. 

Creative educators + free lunch + shot at an Apple TV + hanging out in Portland = best PD around

Join us for EdCampPDX, the FREE, unconference-style, collaborative, educator-driven, customized professional development day. Enjoy a day of sharing ideas, networking, and collaborating with your peers – teachers, administrators, pre-service teachers and anyone interested in teaching and learning.
Lunch is provided by an awesome sponsor. And yes, there are door prizes, including an Apple TV. 

Wednesday, August 7, 2013
9:00 to 4:00
at LaSalle Catholic College Prep
11999 SE Fuller Rd.
Portland, OR 97222 MAP

Photos from previous edcampPDX
Follow Twitter updates at #edcampPDX
Join the edcampPDX Google Group to network and keep up with our news and notes.

Here’s a few of the sessions we’ve got planned so far – but it’s an edcamp, so who know what else we’ll add when we get there?

  • Using apps such as Minecraft (coming soon to an ORVSD server near you!)
  • The new Google Maps, and Notablity in the classroom
  • Getting started with iBooks Author – bring your iPad and I’ll give you a copy of Recruiting Rosie – my latest iBook
  • Using iPads and Chromebooks with Vernier probeware
  • How to make a living in education outside the classroom
  • Thinking differently about education via SAMR (Substitution, Augmentation, Modification, Redefinition)
  • PBL lesson planning hack-a-thon
  • Creating a professional learning plan incorporating SAMR and CRCD frameworks
  • Speed-Geeking App share
  • What are the best tools to create infographics in the classroom? How do you incorporate them into the classroom?
  • How do we use high tech and no-tech strategies to keep our students engaged and self-selecting reading material? Discussion open to all grade levels.
  • EdmodoCon hookup
  • Learn how to use Celly
  • Beginning with Tech in Your Classroom
  • Your PLN is Yours!
  • The STEM Lab of the Future
  • Scoot and Doodle collaboration tool

Invite your friends, colleagues, and administrators by simply forwarding this email!
Sign up here and while you’re there, please add your session ideas on the session page.

Invite your friends, colleagues, and administrators! Hope to see you there!

Cool boots from November’s edcampPDX. But it’s summer, I’ll bet we’ll all be in flip-flops.

Cool boot optional

Work, Duty, Glamour: How They Sold War Work To Housewives

Rosie the Riveter is an American icon that symbolizes the hardworking and self-sacrificing women who left the household and filled the war jobs that turned America into WWII’s “Arsenal of Democracy.” Most people’s visualization of Rosie is based on J. Howard Miller’s poster “We Can Do It!” Lacking copyright protection, it’s everywhere from history textbooks to coffee mugs. (I confess to using it for my cover below) But it’s a much bigger story than Rosie. The era is rich with public domain films, posters, pamphlets and cartoons that provide the contemporary reader with insights into the gender, race and class stereotypes of the period.

recruiting rosie cover

I’ve been exploring Homefront America WWII in three media-rich, multi-touch iBooks – Why We Fight, Workers Win the War, and now Recruiting Rosie: The Sales Pitch That Won a War. (All are free at iTunes.)

The Homefront series use WWII-era media to document the US government’s propaganda efforts. “Recruiting Rosie” focusses on how Washington’s media campaign targeted women – first coaxed them out of their homes to fill the jobs left vacant by men going off to war – then reversed course four years later to convince women to give up their factory jobs to returning servicemen and return to the roles of wife and mother in the home.

While there was great diversity in the women who did war work, the media campaign almost exclusively featured white women.

Women have always been employed in the workplace, especially minority and lower-income women. They needed little encouragement to move to higher paying war jobs. But the demand for wartime labor was so great that the US government launched a propaganda campaign to recruit previously unemployed middle class women into the workplace.

I'm proud... my husband wants me to do my part2

There was little reference to women working to make money – not traditionally an acceptable role for married middle class woman. Instead, propaganda was filled with themes of patriotism, sacrifice and duty that depicted war work and military service as fashionable and glamorous.

The documents in “Recruiting Rosie” explore the many facets of the campaign to mobilize women in WWII. For example, an often neglected part of the story is the extensive effort that was put into convincing factory owners and male co-workers that women could make efficient employees. As a foreman at an aircraft factory noted, “I honestly don’t believe any of us expected them [the women workers] to last the day.”

“Women scare me … at least they do in a factory.”

“Supervising Women Workers” a 1944 film designed to train plant managers opens with a male foreman telling his boss “women scare me … at least they do in a factory.” His boss replies “women are not naturally familiar with mechanical principles or machines .. you have to separate every job into simple operating steps.”

women want to get it over-4

A 1943 article called “Eleven Tips on Getting More Efficiency Out of Women Employees” includes:

Tip #1. Pick young married women. They usually have more of a sense of responsibility than their unmarried sisters, they’re less likely to be flirtatious, they need the work or they wouldn’t be doing it, they still have the pep and interest to work hard and to deal with the public efficiently.

Tip #3. General experience indicates that “husky” girls — those who are just a little on the heavy side — are more even-tempered and efficient than their underweight sisters.

WWII-era middle class couples needed to be convinced that it was acceptable and safe for women to take jobs outside the house and work in a factory. A well-coordinated sales campaign churned out films, new stories and posters that lauded former housewives who readily mastered new industrial tasks.

It's Your War TooWomen were also needed to fill the ranks of many service jobs on the homefront, as well as enlist in the military to replace men who were being moved to the war front. The glamour of travel and the chance to meet men reoccur as dominant themes. “Its Your War Too” a recruitment film for the Women’s Army Corps (WACs) spends much of the film proving that WACs are fun, feminine, and glamorous – they get to wear makeup, choose their own hairstyles, and travel the world – always with handsome male officers as escorts.

Free Bomber Trip to Berlin

Out of the Frying Pan Into the Firing Line

WWII required an enormous commitment of American resources and labor. Here at home, millions of families were called upon to make personal sacrifices and work harder to provide the resources needed to fight the war. Women were told to give up all luxuries and devote their energies to help win the war. “Recruiting Rosie” documents it all from asking women to volunteer on farms to a 1942 Minnie Mouse cartoon explaining how to recycle used cooking fats for armaments.

victory girl

With women stretched between the demands of the workplace and home, childcare emerged as critical issue. “Recruiting Rosie” includes a section detailing the growing fears that without parental supervision, WWII would spawn a generation of juvenile delinquents. As one report noted, “Mothers in large numbers are engaged in full-time employment and are therefore absent from the home the greater part of the day. Home life is greatly changed for many children today, and lack of consistent guidance and supervision from their parents gives them opportunities for activities that may lead to unacceptable behavior.”

“How well a man fights depends a little on how well you’ve done your part in the USO and how nearly ideal an American girl you are.”

“Recruiting Rosie” features a 1943 film that depicts youngsters smoking, kids hanging out in shady bars listening to the jukebox, and young women taking up with soldiers as “Victory Girls.” “How well a man fights depends a little on how well you’ve done your part in the USO and how nearly ideal an American girl you are.” Changing sexual roles and mores of the era are explored in variety of documents from soldier-crazy “khaki-wacky” girls to a 1943 etiquette guide for teenage girls serving as junior hostesses for troops relaxing at USOs which states, “How well a man fights depends a little on how well you’ve done your part in the USO and how nearly ideal an American girl you are.”

last chance marriage

War production demanded large-scale migrations to industrial centers. With a shutdown of non-military construction, housing was limited and expensive. The wartime challenges to families are well detailed in “Recruiting Rosie.” Men and women were torn between putting marriage off or hastily “tying the knot.”

This dynamic is captured in the 1944 US War Department pamphlet “Can War Marriages be made to Work?” (illustration at left)

Front_Cover

“Recruiting Rosie” concludes with the dramatic about-face as the war came to a close. The focus shifted to fears of unemployment for returning servicemen. A 1944 pamphlet entitled “Do You Want Your Wife to Work After the War?” opens with:

Will wives be only too glad to give up their strenuous jobs in war plants to return to the job of being homemakers? … If they must or prefer to stay at home again what will be done to make the tasks of homemaking more attractive? If a woman wants to keep on working after the war what will her husband’s attitude be? If there are no longer jobs enough for everyone should a married woman be allowed to work? Does she have as much right as her husband to try to find the work she wants?

The collection is designed to allow the student to “be the historian” as thought-provoking questions guide them through the archives while building their critical thinking / Common Core skills. The book also provides web access to the public domain content so they can remix the historic documents into their own projects.

how to interpret a poster

Document analysis guides are provided in the book. “Stop and Think” prompts accompany the documents and guide student in close reading to reflect on essential questions:

  1. How did WWII impact women and the American family? What opportunities and challenges did the war create for women?
  2. How did the US government craft its propaganda campaign to shape the attitudes of women, their husbands and employers?
  3. How do the documents and their WWII-era depictions of women reflect the historic time period?

How to Teach Structured Academic Controversy

deliberation

I was recently introduced to Deliberating in a Democracy in the Americas (DDA), a valuable online resource for teachers interested in helping their students develop skills in discussing controversial topics. It uses the Structured Academic Controversy (SAC) model, developed by David and Roger Johnson of the University of Minnesota to provide structure and focus to classroom discussions. Not all issues can be easily debated as pro / con positions. SAC provides students with a framework for addressing complex issues in a productive manner that builds their skills in reading, analyzing, listening, and discussion. It shifts the goal from “winning” the argument to active listening to opposing viewpoints and distilling areas of agreement. It’s a prime skill for civic participation and in alignment with Common Core close reading skills

DDA-steps

The DDA site has all the material teachers will need to support discussion in 15 interesting deliberation questions including:

  • Should our democracy allow schools to punish students for off-campus cyberbullying?
  • In our democracy, should violent juvenile offenders be punished as adults?
  • Should all citizens in our democracy participate in one year of mandatory national service?
  • Should our democracy permit the cultivation of genetically modified foods?

The site includes well-documented background readings in English and Spanish with audio versions of each. And it provides links to additional online resources and a glossary of important terms for each question. It also includes a poll on the website where students can vote and see how other students have voted.

Link to a pdf that demonstrates how SAC aligns with Common Core Standards.
How to teach Structured Academic Controversy in the history classroom.

DDA details the SAC process as follows:

  1. Introduction. Teachers review the meaning of deliberation, the reasons for deliberating, and the rules for deliberation.
  2. Careful Reading of the Text. Students read the text individually, in small groups of 4 or as a whole class in order to reach a common understanding of the reading. If students do not understand the reading, the deliberation will not be successful. As a whole class or in their small groups, students agree on at least three interesting facts and/or ideas.
  3. Clarification. After checking for understanding of the terms and content, the teacher makes sure students understand the deliberation question.
  4. Presentation of Positions. Students work in small groups of 4 divided into pairs (A & B). Each pair is assigned a position. The position of the A’s is to find at least two compelling reasons to say YES to the deliberation question. The position of the B’s is to find at least two compelling reasons to say NO to the deliberation question. A’s teach B’s at least two reasons to say YES to the deliberation question. B’s teach A’s at least two reasons to say NO to the deliberation question. (Handout #2)
  5. Reversal of Positions. The pairs reverse positions. The B pair now adopts the position to say YES to the deliberation question; the A pair adopts the position to say NO to the deliberation question. The A’s & B’s should select the best reason they heard from the other pair and add at least one additional compelling reason from the reading to support their new position.
  6. Free Discussion. Students drop their assigned roles and deliberate the question in their small groups. Each student reaches a personal decision based on evidence and logic.
  7. Whole Class Debrief. The teacher leads the whole class in a discussion to gain a deeper understanding of the question, democracy, and deliberation. What were the most compelling reasons for each side? What were the areas of agreement? What questions do you still have? Where can you get more information? What is your position? (Poll the class on the deliberation question.) In what ways, if any, did your position change? Is there an alternative policy that might address the problem more effectively? What, if anything, might you or your class do to address this problem?
  8. Student Reflection. Students complete the reflection form either at the end of class or for homework.

Hat tip to Marilyn Cover at the Classroom Law Project for introducing me to DDA and SAC.

Image credit / flickr jaycross

Digital History Workshop – Tech Meets Critical Thinking

I recently spent a few days working with the middle and upper school history department at St. Margaret’s Episcopal School, San Juan Capistrano CA. Shout-out to James Harris (chair) and the department for being great hosts and invigorating to work with.

Photo – teachers are challenged to design Yes-No Decision Diagrams and experience the difference between creating a sequence and merely memorizing one.

yes-noOur goal was a practical hands-on workshop that fused technology, critical thinking, and strategies for students to be the “historian in the classroom.” SMES has implemented iPads at the middle school, and they’ll will be following 9th graders to the upper school next year. We were focused on ways to use iPads for content creation, feedback and reflection. Throughout the workshop, teachers used their iPads to respond to activities via LearningCatalytics (LC) and had guided practice in producing and delivering LC questions. iPads plus student response via LC is a killer app for student engagement.

I created a resource website that gives all the details of the project – but here’s some highlights.

  1. How to select and craft historic documents into DBQs. Key takeaway – use documents that students can interpret with minimal background knowledge, or your just giving them another reading assignment with illustrations.
  2. Summarizing and comparison strategies that work. Key takeaway – are you really asking students to present what they think is important, or are you merely asking them to “guess what I’m thinking?”
  3. How to craft the iPad DBQ. Easy: Haiku Deck. Harder (but worth it) iBooks Author.
  4. Effectively curating information and sharing it with your team – How to use Evernote in the classroom.
  5. How to integrate statistical analysis into the history / social science classroom – nGram Viewer and GapMinder.

By the end of the workshop teachers had created a variety of DBQs using Haiku Deck and iBooks Author. Lots of ideas for using HistoryPin, Evernote, nGram Viewer and GapMinder. While it wasn’t a definitive tech training, I think they left with critical lens to reflect on their practice and enough knowledge about the programs to see their feasibility for use in their classrooms. Not to mention “high-fives” when they got to show off the first iBooks they created.

Photo – teacher demonstrates her newly created iBook on US Imperialism.
ibook-test

Here’s a few comments from the participants:

  • All of the examples and learning experiences you chose for us were right on the mark. They were relevant and forced us to reflect on our practices and the students’ experience when in our rooms. I have a lot to think about and a lot to change! Now if only it was the summer!
  • Liked the interaction and really appreciated the hands on aspects of the training. I appreciate that you focused on higher- ordered thinking because I think that sometimes I hear some folks talking about iPads as if they (in and of themselves) are going to foster higher levels of thinking. In my experience, you still have to work really hard to make sure the kids are engaging in meaningful ways!
  • Loved learning about learning catalytics. I will definitely start using this with the next unit, especially to focus on building reading comprehension skills with my sixth graders. The haiku deck will work to introduce units in a visual way and to have students demonstrate understanding. The main thing I focused on yesterday though was the need to be more deliberate in providing rigorous higher level thinking activities for students. I think I do a good job of this, but I want to do an audit on the curriculum to see where exactly I am providing these opportunities for students.
  • I am really enjoying so many aspects of this. It would be great for more SMES teachers to be involved. It’s practical and philosophical. The tone is upbeat and helpful and the flexibility of meeting us where we are at is terrific. There are certainly a few things I’ll do differently.
  • I really liked all of the concrete ideas of apps and teaching strategies I can use in my classroom. I feel energized to go back and change all of my units, which does feel quite overwhelming though! I feel like I am doing so much wrong, but then again, I am grateful that I have ideas for where I need to go.
  • I especially liked discovering Learning Catalytics and Evernote. I could see both being very applicable to the classroom. Learning Catalytics is the tool I have been needing in order to keep middle schoolers engaged. I have been looking for ways to help them become more active learners, and this will be an excellent tool for that purpose.
  • Really great day- I so appreciate your conversation about analysis! I am now thinking about new ways to increase rigor and I actually think it will make my class more enjoyable. This line stuck with me, “When do we stop modeling for students… and have the courage to be less helpful!?” I feel like I am always answering student questions with, “I don’t know… can YOU?” or, “I really hope you figure that out!” I know it makes my students uncomfortable, but I THINK it makes them uncomfortable in a way that helps them learn to be problem solvers. Thank you for sharing strategies with my colleagues to empower us to be more courageous in the way we deliver instruction to help foster more divergent thinkers

As James Harris, the department chair, later wrote me in an email - 

At dinner on Sunday, as we discussed the school, the department, and the needs of both, you mentioned the danger of “shiny objects” – educational technology pursued solely for the sake of it. I’ve always considered myself wary of ed. tech reps and their products. So often, in my opinion, the costs of hurriedly implementing their products – “critical thinking” activities over true analysis, etc. – often far exceed the limited gains they may bring. That is why I was so pleased with our time together and with the message you brought to our faculty. When you said that you were “all about what is simplest and most effective” to aid student learning, be that “a paper and pencil” or programs such as Learning Catalytics, I knew we were in great shape.

In following up with the department over the past 48 hours I can say confidently that your time here was a success on a variety of levels. First, and perhaps most importantly, you gently challenged us all to reflect on our own teaching practices and reconsider our definitions of “analysis”, “student learning”, and “rigor”. It is quite easy to fall into a pattern after several years of teaching with a certain model and our discussions this week on how best to challenge our students forced us all to reflect on our own strengths and weaknesses. Furthermore, your modeling of programs such as Learning Catalytics and Haiku Deck opened my eyes to one of the simplest, most reasonable fusions of traditional / technological pedagogy I have seen to date. Our faculty left so excited about the possibilities ahead of them yet reassured as to the value of their previous best practices.

How to Integrate Document-Based History with the Common Core

CCSS offers an incentive for teachers to use historic documents to build literacy skills in a content area while empowering students to be the historian in the classroom. But document-based (DBQ) instruction in this context requires four key elements to be successful:

  1. The right documents.
  2. Knowing how to look at them.
  3. Letting students discover their own patterns, then asking students to describe, compare and defend what they found.
  4. Basing the task on enduring questions, the kind that students might actually want to answer.

My just-published, second iBook – Workers Win the War: Toil and Sacrifice on the US Homefront – embodies that approach. Free at iTunes. It features:

Engaging source material that can be easily interpreted by students. Too often, DBQs use documents that require too much background knowledge to “interpret.” This collection offers over 60 pages of easy-to-intrepret media, much of it visual –  including 80 posters, 18 films, cartoons, radio broadcast, recording and sheet music and a dozen rarely-seen pamphlets.

Why should I work any harder

An interactive primary source analysis tool developed by the Library of Congress. Poster and film analysis is modeled in an multi-touch widget. Students can use an iPad-friendly historic document guide to analyze all the source material and share their observations with peers and teachers.

All across the curriculum, students are told to “analyze” material, but their thinking is constrained by the mandated Venn diagram or T-chart. Developing a comparative schema is messy work – but that’s where the learning takes place. To scaffold student analysis, “Workers Win the War” features CCSS-based prompts that ask students to stop and think more deeply about the content.

any-bonds-today

Essential questions that make an examination of the US homefront in WWII relevant to students’ lives today. Students experience first-hand how the government mobilized public support for the war through higher taxes, hard work and sacrifice.

Contrast that era with our “homefront” experience today, when only our troops and their families have been asked to make sacrifices for wars in Iraq and Afghanistan. Today many see “big government” as an intrusion in their lives. In contrast, during WWII Washington played a very active role shaping American behavior and attitudes in support of hard work and sacrifice in support of the war effort.

Workers Win the War examines the themes of hard work and sacrifice through a variety of perspectives – increasing industrial production, food as weapon, worker health and safety, making do with less, scrap drives, rationing, price controls, and financing the war with higher taxes and bond drives.

Have you really tried

Students will enjoy the content: Cartoons featuring Bugs Bunny, Donald Duck and Daffy. Films and posters that equated sick days and long work breaks as near treason. Long-forgotten pamphlets that coached volunteer bond salesmen or advised school principals on how to organize a paper scrap drive – “turn your students into Paper Troopers!” Posters that chided “foolish women” who ignored price ceilings – “Why Shouldn’t I Buy it? I’ve got the Money!”

My favorite is a short film that features two spunky young working women who set out to buy some steak in violation of rationing limits. It turns into a nightmare sequence that demonstrates “rationing means a fair share for all.”

Prices Unlimited

Rationing_means_a_fair_share

To deepen their understanding of the historic content and hone their Common Core skills, students need a chance to create a unique product to demonstrate their learning. With that goal in mind, Workers Win the War has been designed to leverage the content-production capacity of the iPad.

All of the historic content in the iBook is in the public domain. Each source document is hyperlinked back to archives that provide access to the digital content. Students can easily remix the historic documents into their own galleries and projects.