Think Like a Historian: Close Reading at the Museum

I’m planning for an upcoming full-day workshop for Chicago-area middle school teachers entitled “Think Like a Historian: Literacy and the Common Core.” The Common Core encourages students to more closely read a text (in all it’s multimedia formats) by answering three critical questions

  • What did it say?
  • How did it say it?
  • What’s it mean to me?

If you were apply those questions to my workshop you might answer them like this:

  • What did the workshop say? For all it’s controversies, the Common Core provides a basic road map for helping your students to “think like a historian” and enhance their literacy and critical thinking skills.
  • How did the workshop say it? Don’t lecture at people. Model the strategies and let teachers experience them in a classroom-like setting.
  • What’s it mean to me? What are the workshop’s strategies and perspectives that I could feasibly incorporate into my classroom to support Common Core skills?

Now that I’ve “flipped” the workshop, here’s a brief lesson in using Common Core questioning. I’m currently visiting Turkey and I thought I’d model a Common Core close reading of my visit to an Istanbul museum exhibit. I’ll dig a little deeper into the three questions with a few more prompts and provide brief answers as if I were a high school student reflecting on their experience.

First the setting: I visited the “Anatolian Weights and Measures” exhibit at the Pera Museum in Istanbul. It’s one large room with exhibit cases around it’s perimeter. A very manageable number of artifacts, labeled in both Turkish and English. I spent about an hour there. So here goes – Common Core close reading prompts, followed by “student responses.” Left: Roman steelyard weight – Hercules

1. What did the text (artifacts / exhibit) say? Summarize the key ideas and provide supporting details.
A: The museum exhibit is a roomful of measurement tools – weight, volume, distance. When I first walked in I turned right and looked at some tools from the 1900s. As I continued around the wall I realized that I was going back in time. Sort of an interesting way to look at the artifacts.

As I progressed “back in time” to the Egyptians era, I realized how important measurement was to civilization. I realized that if you were going to trade things, you needed to measure them. The same was true for owning land. You needed to have a way to measure it. Plus people need to have some way to agree on the “official” measurements. That means the ancients needed some sort of government or rules for trade. You can see that many of the weights had “official” seals on them.The exhibit showed that the ancient Babylonians, Egyptians, Greeks created standardized systems for measurement.

Common Core close reading prompts, followed by “student responses.”

2. How did the text (artifacts / exhibit) say it? How is it organized? Who created it and what were their goals? What patterns do you see?
A: I’ll answer this one from two perspectives – first the creators of the original artifacts and then the curators who designed the exhibit.

The weights were all designed to serve a function, but they were often very artistic as well. At first I wondered if that was because craftsmen wanted to personalize their work. Then I thought the artisans might have decorated the weights to make them harder to counterfeit. Ancients would want to be sure that weights were accurate and that some trader wasn’t ripping them off with a phony measurement. I think the weights were also designed to look official to give people confidence in the measurements they were getting.

The curators of the exhibit used a chronological approach to present the artifacts. But they also grouped items together by themes to help you make connections across time. For example there was a section featured mobile scales from different eras. They were designed for traders that needed scales that they could easily bring with them. That got me thinking of the long history of trade routes tranporting goods from far off lands.

18th C Money Changer's Balance 18th C Money Changer’s Balance

3. How does it (artifacts / exhibit) mean to me? How does it connect to my life and views?
A – The exhibit is called “Anatolian Weights and Measures” and it makes it very clear that every artifact was found in that region. I think one of the goals of the curators was to prove that Turkey has had a long history of civilization and trade. The exhibit showcases thousands of years of measurement tools that reinforce the idea of Turkey as as the crossroad of different cultures. That echoes the image of modern Turkey as a gateway between Europe, Asia, and the Middle East. The exhibit also makes me realize that the idea of a global economy is actually not a new thing. People have been trading across vast distances for thousands of years.

In one way, in the exhibit reminded me of how some things never change. It seemed like there was little difference in the scales used in Egypt or the portable balance of 18th century money changer. The basic physics stayed the same. The Roman steelyard balance works using the same principals as a locker room scale with sliding weights.

But in another way, the exhibit reminded me how much the new technologies have changed things. The exhibit included a set of linked folding metal measuring rods that today are easily replaced by a small laser distance finder. They would could both measure distance, but the technology, accuracy and portability of the tools are dramatically different.

Image credit/ Pera Museum Pinterest

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Selling Sleeping Pills – Common Core and Close Reading

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I was streaming a show on Hulu last night and saw this ad for Intermezzo sleep medication. (Video below)

I was amused by the disparity between the cute animation and the ominous narration of the mandated health warning. I thought this would make a good exercise to illustrate techniques in “close reading” and demonstrate the approach advocated by William Kist’s in New Literacies and the Common Core Educational Leadership ASCD March 2013.

Close reading requires students to consider text (in it’s different forms) through three lenses: what does it say, how does it say it, and what does it mean to me?

Here’s the steps to follow:

  1. Visual elements: Turn the sound off on your computer and watch the Intermezzo commercial (below). Make a list of visual details you observe – character, mood, lighting, editing, set design, shot composition. 
  2. Narration: Now turn the sound on and listen to the soundtrack without looking at the screen. Outline the verbal information given about the product in a T-chart. List benefits on one side and possible adverse effects on the other.
  3. Musical soundtrack: Listen to the ad without watching the screen again. This time focus on the musical soundtrack – instrumentation, tempo, mood. Write some adjectives that come to mind while listening to the ad (ignoring the narration.)

Compare your three lists – visual elements, narration and musical soundtrack. Be ready to use specific textual evidence to defend the observations in your lists. Here’s a few guiding questions to consider:

  • How do your three lists compare? To what extent do the visual elements, narration and musical soundtrack reinforce (or contradict) each other?
  • What do you think the ad’s creators were trying to communicate?
  • What artistic and narrative choices did the creators make to communicate their message?
  • How successfully did the ad sell the product? Would you consider using this product? Why?
  • Drug companies are required by the FDA to list all a drug’s possible risks. What impact does that requirement have on the content of this ad?

Congratulations – you’ve been exploring Common Core:  Reading Standards for Literature, Integration of Knowledge and Ideas, Standard 7, Grade 7. Compare and contrast a written story, drama, or poem to its audio, filmed, staged, or multimedia version, analyzing the effects of techniques unique to each medium (for example, lighting, sound, color, or camera focus and angles in a film).

Reading Standards for Informational Text, Integration of Knowledge and Ideas, Standard 7, Grades 11–12. Evaluate the advantages and disadvantages of using different mediums (for example, print or digital text, video, multimedia) to present a particular topic or idea.

Digital History Workshop – Tech Meets Critical Thinking

I recently spent a few days working with the middle and upper school history department at St. Margaret’s Episcopal School, San Juan Capistrano CA. Shout-out to James Harris (chair) and the department for being great hosts and invigorating to work with.

Photo – teachers are challenged to design Yes-No Decision Diagrams and experience the difference between creating a sequence and merely memorizing one.

yes-noOur goal was a practical hands-on workshop that fused technology, critical thinking, and strategies for students to be the “historian in the classroom.” SMES has implemented iPads at the middle school, and they’ll will be following 9th graders to the upper school next year. We were focused on ways to use iPads for content creation, feedback and reflection. Throughout the workshop, teachers used their iPads to respond to activities via LearningCatalytics (LC) and had guided practice in producing and delivering LC questions. iPads plus student response via LC is a killer app for student engagement.

I created a resource website that gives all the details of the project – but here’s some highlights.

  1. How to select and craft historic documents into DBQs. Key takeaway – use documents that students can interpret with minimal background knowledge, or your just giving them another reading assignment with illustrations.
  2. Summarizing and comparison strategies that work. Key takeaway – are you really asking students to present what they think is important, or are you merely asking them to “guess what I’m thinking?”
  3. How to craft the iPad DBQ. Easy: Haiku Deck. Harder (but worth it) iBooks Author.
  4. Effectively curating information and sharing it with your team – How to use Evernote in the classroom.
  5. How to integrate statistical analysis into the history / social science classroom – nGram Viewer and GapMinder.

By the end of the workshop teachers had created a variety of DBQs using Haiku Deck and iBooks Author. Lots of ideas for using HistoryPin, Evernote, nGram Viewer and GapMinder. While it wasn’t a definitive tech training, I think they left with critical lens to reflect on their practice and enough knowledge about the programs to see their feasibility for use in their classrooms. Not to mention “high-fives” when they got to show off the first iBooks they created.

Photo – teacher demonstrates her newly created iBook on US Imperialism.
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Here’s a few comments from the participants:

  • All of the examples and learning experiences you chose for us were right on the mark. They were relevant and forced us to reflect on our practices and the students’ experience when in our rooms. I have a lot to think about and a lot to change! Now if only it was the summer!
  • Liked the interaction and really appreciated the hands on aspects of the training. I appreciate that you focused on higher- ordered thinking because I think that sometimes I hear some folks talking about iPads as if they (in and of themselves) are going to foster higher levels of thinking. In my experience, you still have to work really hard to make sure the kids are engaging in meaningful ways!
  • Loved learning about learning catalytics. I will definitely start using this with the next unit, especially to focus on building reading comprehension skills with my sixth graders. The haiku deck will work to introduce units in a visual way and to have students demonstrate understanding. The main thing I focused on yesterday though was the need to be more deliberate in providing rigorous higher level thinking activities for students. I think I do a good job of this, but I want to do an audit on the curriculum to see where exactly I am providing these opportunities for students.
  • I am really enjoying so many aspects of this. It would be great for more SMES teachers to be involved. It’s practical and philosophical. The tone is upbeat and helpful and the flexibility of meeting us where we are at is terrific. There are certainly a few things I’ll do differently.
  • I really liked all of the concrete ideas of apps and teaching strategies I can use in my classroom. I feel energized to go back and change all of my units, which does feel quite overwhelming though! I feel like I am doing so much wrong, but then again, I am grateful that I have ideas for where I need to go.
  • I especially liked discovering Learning Catalytics and Evernote. I could see both being very applicable to the classroom. Learning Catalytics is the tool I have been needing in order to keep middle schoolers engaged. I have been looking for ways to help them become more active learners, and this will be an excellent tool for that purpose.
  • Really great day- I so appreciate your conversation about analysis! I am now thinking about new ways to increase rigor and I actually think it will make my class more enjoyable. This line stuck with me, “When do we stop modeling for students… and have the courage to be less helpful!?” I feel like I am always answering student questions with, “I don’t know… can YOU?” or, “I really hope you figure that out!” I know it makes my students uncomfortable, but I THINK it makes them uncomfortable in a way that helps them learn to be problem solvers. Thank you for sharing strategies with my colleagues to empower us to be more courageous in the way we deliver instruction to help foster more divergent thinkers

As James Harris, the department chair, later wrote me in an email - 

At dinner on Sunday, as we discussed the school, the department, and the needs of both, you mentioned the danger of “shiny objects” – educational technology pursued solely for the sake of it. I’ve always considered myself wary of ed. tech reps and their products. So often, in my opinion, the costs of hurriedly implementing their products – “critical thinking” activities over true analysis, etc. – often far exceed the limited gains they may bring. That is why I was so pleased with our time together and with the message you brought to our faculty. When you said that you were “all about what is simplest and most effective” to aid student learning, be that “a paper and pencil” or programs such as Learning Catalytics, I knew we were in great shape.

In following up with the department over the past 48 hours I can say confidently that your time here was a success on a variety of levels. First, and perhaps most importantly, you gently challenged us all to reflect on our own teaching practices and reconsider our definitions of “analysis”, “student learning”, and “rigor”. It is quite easy to fall into a pattern after several years of teaching with a certain model and our discussions this week on how best to challenge our students forced us all to reflect on our own strengths and weaknesses. Furthermore, your modeling of programs such as Learning Catalytics and Haiku Deck opened my eyes to one of the simplest, most reasonable fusions of traditional / technological pedagogy I have seen to date. Our faculty left so excited about the possibilities ahead of them yet reassured as to the value of their previous best practices.

How to Create A PLC with Google+ Hangout

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I critiqued the “top-down vision of innovation in schools” in a post Innovations in Teaching and Learning: Top Down or Bottom Up?

Want to find out more about instructional innovation in action? That won’t cost you a thing either. Just jump on my Twitter feed and you find superb teachers willing to share their latest student projects. And that free flow of information contrasts with a second “top-down” approach to innovation in schools – the professional learning committee. Imagine being told that, “teachers will now attend PLC meetings.. and don’t forget to fill out the PLC report form and turn it in to your administrator.” No one at the top seems to notice that teachers who want to network have already created their own “bottom-up” support systems via the social web.

PLCs for singleton teachers?

A recent post by high school physics teacher Casey Rutherford, describes how he used Google+ Hangouts (free video conferencing) to create his own PLC. A Physics PLC: Collaboration at a Distance. Casey writes:

This year my school district, like many others, implemented PLCs (Professional Learning Communities) as the driving force behind how we collaborate to help students learn. The directive was that all teachers should meet in a PLC weekly for approximately 30 minutes. This sounds, and can be, great, but I had a problem. …. For 7 years I had been the only physics teacher. …

Enter Twitter. I’ve been on Twitter almost two years now, and I have learned more on Twitter in these two years than the previous six, which included a masters degree. Among other things I have managed to build a pretty awesome PLN (Personal Learning Network) that includes a couple hundred incredible physics and math teachers from around the country.

Casey posted a tweet with a link to Google doc soliciting members for his online PLC:

My name is Casey Rutherford. I am entering teaching for the 8th year, my 7th teaching physics, and my first using Modeling Instruction. I have a relatively odd request.

My school is implementing PLCs, certainly a worthy task. The problem is that at this point there is not a logical person with whom I would form a PLC. Thus my request. I am wondering if any of you would like to form an online PLC with me, working together approximately 30 minutes/week to compare student work. My thought is that we can do a lot with formative assessments, using photos of student whiteboards to form the basis for our conversations. I am, however, open to other ideas as well. …

What follows is Casey’s step-by-step description of how his team used a G+ Hangout to manage their PLC sessions. It includes details about managing the Hangout, using it to analyze student work, and building meaningful collegial relationships. It’s a very helpful post for anyone looking for practical information on using G+ Hangouts. 

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Hat tip to Marshall Memo for leading me to Casey’s piece.

Screenshot credit / Casey Rutherford

How to Integrate Document-Based History with the Common Core

CCSS offers an incentive for teachers to use historic documents to build literacy skills in a content area while empowering students to be the historian in the classroom. But document-based (DBQ) instruction in this context requires four key elements to be successful:

  1. The right documents.
  2. Knowing how to look at them.
  3. Letting students discover their own patterns, then asking students to describe, compare and defend what they found.
  4. Basing the task on enduring questions, the kind that students might actually want to answer.

My just-published, second iBook – Workers Win the War: Toil and Sacrifice on the US Homefront – embodies that approach. Free at iTunes. It features:

Engaging source material that can be easily interpreted by students. Too often, DBQs use documents that require too much background knowledge to “interpret.” This collection offers over 60 pages of easy-to-intrepret media, much of it visual –  including 80 posters, 18 films, cartoons, radio broadcast, recording and sheet music and a dozen rarely-seen pamphlets.

Why should I work any harder

An interactive primary source analysis tool developed by the Library of Congress. Poster and film analysis is modeled in an multi-touch widget. Students can use an iPad-friendly historic document guide to analyze all the source material and share their observations with peers and teachers.

All across the curriculum, students are told to “analyze” material, but their thinking is constrained by the mandated Venn diagram or T-chart. Developing a comparative schema is messy work – but that’s where the learning takes place. To scaffold student analysis, “Workers Win the War” features CCSS-based prompts that ask students to stop and think more deeply about the content.

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Essential questions that make an examination of the US homefront in WWII relevant to students’ lives today. Students experience first-hand how the government mobilized public support for the war through higher taxes, hard work and sacrifice.

Contrast that era with our “homefront” experience today, when only our troops and their families have been asked to make sacrifices for wars in Iraq and Afghanistan. Today many see “big government” as an intrusion in their lives. In contrast, during WWII Washington played a very active role shaping American behavior and attitudes in support of hard work and sacrifice in support of the war effort.

Workers Win the War examines the themes of hard work and sacrifice through a variety of perspectives – increasing industrial production, food as weapon, worker health and safety, making do with less, scrap drives, rationing, price controls, and financing the war with higher taxes and bond drives.

Have you really tried

Students will enjoy the content: Cartoons featuring Bugs Bunny, Donald Duck and Daffy. Films and posters that equated sick days and long work breaks as near treason. Long-forgotten pamphlets that coached volunteer bond salesmen or advised school principals on how to organize a paper scrap drive – “turn your students into Paper Troopers!” Posters that chided “foolish women” who ignored price ceilings – “Why Shouldn’t I Buy it? I’ve got the Money!”

My favorite is a short film that features two spunky young working women who set out to buy some steak in violation of rationing limits. It turns into a nightmare sequence that demonstrates “rationing means a fair share for all.”

Prices Unlimited

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To deepen their understanding of the historic content and hone their Common Core skills, students need a chance to create a unique product to demonstrate their learning. With that goal in mind, Workers Win the War has been designed to leverage the content-production capacity of the iPad.

All of the historic content in the iBook is in the public domain. Each source document is hyperlinked back to archives that provide access to the digital content. Students can easily remix the historic documents into their own galleries and projects.