Photo Exhibit Locates Subjects of WWII Images

Pledge of Allegiance: Hideno Nakamoto and Yoko Itashiki at age 7 and at 72 Pledge of Allegiance: Hideno Nakamoto and Yoko Itashiki at age 7 and at 72

There is a powerful new exhibit at the Oregon Nikkei Legacy Center Museum in Old Town Portland Ore. (121 NW 2nd Ave Portland, OR 97209)

“Gambatte! Legacy of an Enduring Spirit” Open through January 17, 2016.

In this all new traveling exhibit, historic images shot in 1942 by War Relocation Authority staff photographers Dorothea Lange, Tom Parker, and others are juxtaposed with contemporary images of the same individuals taken by Sacramento Bee photojournalist Paul Kitagaki, Jr.

The Story Behind the Exhibit by Paul Kitagaki Jr. on Vimeo.

Kitagaki writes:
In the late 1970s, as I started on my path as a photographer, my uncle, Nobuo Kitagaki, an artist in San Francisco, told me that Dorothea Lange had photographed my grandparents, father and aunt in 1942 as they awaited a bus in Oakland, Calif., to begin their journey into detention. Several years later, while looking through hundreds of Lange’s photographs at the National Archives in Washington D.C., I found her original images of my family.

As I examined Lange’s work I realized that every photograph represented an untold story that was quietly buried in the past. I had many questions and few answers. Most importantly, I wanted to know how Executive Order 9066 forever changed the lives of these internees who unjustly lost their homes, businesses and, sometimes, their families.

In 2005 I began searching for the identities of Japanese immigrants and Japanese Americans whose images of forced relocation were captured by Lange and the other War Relocation Authority photographers, including Clem Albers, Tom Parker and Francis Stewart. It’s a complicated and difficult task, as most of the photographs did not identify incarcerated subjects. During the past eight years I’ve photographed 25 of the original subjects, or their direct descendants, living in California, Oregon and Washington. Recently I’ve located 10 more subjects who need to be photographed. As each year passes we are losing the last Nisei generation along with their untold stories. More

Incarcerated at Heart Mountain: Three Boy Scouts Honor the American Flag (1943 and today) Incarcerated at Heart Mountain: Three Boy Scouts Honor the American Flag (1943 and today)

A Q&A with Paul Kitagaki, Jr. “Photography, Family History, and the Search for Missing Incarcerees” from Densho Blog

Kitagaki’s “Help Find Missing Internees” photo gallery.

How to Embed Literacy Skills in Historical Thinking

The_Magdalen_Reading_-_Rogier_van_der_WeydenSoon I’ll be giving workshops demonstrating how to integrate literacy skills for close reading with historical thinking skills. Here’s a preview.

What do we mean by historical thinking?  It’s the historian’s version of critical thinking:

  • Examine and analyze primary sources – who created it, when, for what purpose?
  • Understand historical context. Compare multiple accounts and perspectives.
  • Take a position and defend it with evidence.

What do we mean by close reading? Teachers can guide students with scaffolding questions that explore “texts” (in all their forms).

  • Key Ideas and Details:
 What does the text say? Identify the key ideas. What claims does the author make? What evidence does the author use to support those claims?
  • Craft and Structure:
 Who created the document? What’s their point of view / purpose? How did the text say it? How does it reflect its historic time period?
  • Integration of Knowledge and ideas: 
Distinguish among fact, opinion, and reasoned judgment in a text. Recognize disparities between multiple accounts. Compare text to other media / genres. How does it connect to what we’re learning? 
And what’s it mean to me?

Let’s look at how a close reading of historical sources for craft and structure can integrate with the historical skill of sourcing  – who created it, when, for what purpose?

Here’s a great illustration of historical sourcing from Stanford History Education Group’s Beyond the Bubble.

And here’s an exercise I used with teachers at a workshop this past summer. Here’s the instructions they were given:

  1. Create and post a source comparison. Be sure to include: Historical question and two sample sources.
  2. Once other workshop members have posted their source comparison questions, use their content to answer the question: “Which do you trust more? Why?”
  3. Feel free to add multiple answers to the same question and / or comment on each others question / or answer. It’s a dialogue.

Here’s a Google doc with my prompts and teacher responses.

Image Source: Rogier van der Weyden, Detail from The Magdalen Reading, c. 1435–1438. National Gallery, London

How to Find Primary Source Documents

Main Reading RoomThe Library of Congress is the largest library in the world, with more than 160 million items on approximately 838 miles of bookshelves. Much of the collection is being assembled into a digital library of reproductions of primary source materials to support the study of the history and culture of the United States. Finding online documents can a challenge, so I put together a 12-min video of three search strategies that I find effective – locating curated content, using the native LOC search tools and using a search operator. [site:loc.gov]

I developed this video in support of my June workshop “The Student As Historian.” I’ll be teaming up with LOC American Memory Fellow, Marta Turner of NWRESD to offer a workshop this summer for 20 Oregon teachers and librarians (grades 4-12). It’s jointly sponsored by the Library of Congress, the TPS Regional Program & NWRESD.

We’re using Versal to ”flip” a portion of the course so that we can have more time for interaction and design when teachers arrive on June 25 – 26, 2015. More information and our “flipped” pre-course here. The goals of this prep course are for participant teachers to:

  • Introduce themselves to the group.
  • Tour of the LOC site.
  • Have an introduction to using primary sources in the classroom.
  • Have an introduction to historical thinking.
  • Develop some lesson ideas in advance.

FYI – I’ve assembled two collections of other great digital archives:
Best Sites for Primary Documents in World History 
Best Sites for Primary Documents in US History

Image credit: [Main Reading Room. View from above showing researcher desks. Library of Congress Thomas Jefferson Building, Washington, D.C.]
Reproduction Number: LC-DIG-highsm-11603

Student as Historian: Library of Congress Summer Workshop

LOC grant promoI’m excited to be teaming up with LOC American Memory Fellow, Marta Turner of NWRESD to offer a workshop this summer for 20 Oregon teachers and librarians (grades 4-12). It’s jointly sponsored by the Library of Congress, the TPS Regional Program & NWRESD. Participating teachers will receive $500 stipend at conclusion of the program. We’ll even turn our work into an iBook to be published at iTunes.

Register here The deadline is 5 pm May 20, 2015 
Notifications will be sent out to participating teachers on May 21st.

The Library of Congress’s “Teaching with Primary Sources Program” offers instructional strategies to support the effective use of primary sources from the Library’s vast digital collections. This workshop will guide 4th -12th grade teachers through the LOC digital collections to blend historical thinking and literacy skills into an engaging student-centered classroom. Participants will receive a $500 stipend at conclusion of the program.

We’ll begin the process with some “flipped” learning – participants will explore the LOC collections in an on-line course via Versal. That way we can devote our on site workshop time to designing lessons. More info and our “flipped” pre-course here. Sessions will be held June 25 & 26 from 8:30 to 4:00 at NWRESD 5825 NE Ray Circle Hillsboro OR 97124 Map

This workshop is limited to 20 Oregon teachers (or librarians). Grade range 4th -12th. Open to public and private school educators.

On-line course and two day workshop will feature how to:

  1. Utilize the web resources of the LOC / TPS.
  2. Teach historical thinking skills.
  3. Integrate CCSS close reading strategies into history instruction.
  4. Foster critical thinking skills that support the “student as historian.”
  5. Guided practice in designing lessons utilizing the LOC collection.
  6. How to use Google tools and other tech resources to teach history in the digital era.
  7. Collaborative publication of participant-designed lessons in an online collection and an interactive iBook to be published on iTunes.

Participant commitment:

  1. To maximize workshop interaction, participants will be required to complete a brief preparatory online introduction to the LOC website prior to attending. They will also be asked to develop a preliminary lesson proposals aligned to CCSS ELA literacy standards prior to attending the on site workshop. This preparatory work will commence on June 10th and take an estimated 10 hours to complete. PSU Continuing Education graduate credit is available for this course work.
  2. Create a CCSS-aligned lesson using primary resources from the Library of Congress to be shared in workshop publications.
  3. Participate in on-line revision and peer review of lessons (as needed) to insure publication of iBook by September 2015
  4. Complete a pre/post survey from the Library of Congress
  5. Share your lesson with your staff or in another media form.

Image credit: Washington. West façade Library of Congress
Library of Congress LC-DIG-ppmsca-18034

5 Ideas for Teaching in a Digital World

have the courage to be less helpful

Life’s become an “open-book” test. So what does that mean for schools?

Last week I gave the keynote at 5th Annual Ed Tech Summit on the beautiful Southern Oregon University campus in Ashland, Oregon. I offered 5 suggestions for teaching in the digital world.

My talk begins at the 7:45 mark after introductions. (Approximate timestamps) 

  • The analog classroom (10:30)
  • The digital world (13:40)
  • We need to teach a new digital literacy (15:35)
  • It’s not the screen, it’s the choice and creativity (20:00)
  • Learning is social (24:00)
  • Ask better questions (33:24)
  • Have the courage to be less helpful (47:30)

View my keynote on UStream