Category: Ed Tech

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Four Keys to Teaching Students How to Analyze

This week I’m presenting at the national AMLE conference (middle level education) in Portland Ore. Quite nice since I live here!

My session
Thursday Nov 8 at 8AM
#1111 – Teaching Students to Analyze? Motivate with Skills, Choice and Reflection.
Here’s a preview

True analysis is messy work, but that’s where the learning takes place.

My talk has two themes – first, it’s a reflection on how analysis is taught in the classroom. Too often teachers give students a Venn Diagram and ask them to compare. What looks like analysis on the surface is often no more than re-filling information from the source material into the Venn. Graphic organizer are great to help students understand a variety of analytic models, but they often constrain students into someone else’s analytic framework. 

Summarizing and comparisons are powerful ways to build content knowledge and critical thinking. But if students are going to master CCSS skills they need to design the model, find a way to express it to others, and have the opportunity self reflect on their product and feedback from peers. Get them started with graphic organizers, then show some courage and be less helpful. True analysis is messy work, but that’s where the learning takes place.

My session will utilize audience responders to first evaluate sample lessons in summarizing and comparing, then collectively develop critical benchmarks. Teachers will next be given frameworks for designing lessons which enable students to think like designers, to apply their learning strategies, share their conclusions and set the stage for self-reflection.

FlipNLearn: a foldable that students design, print and share.

Next, I will demonstrate how to meet these four keys to teaching analysis with FlipNLearn, a foldable that students design, print and share. It’s an innovative learning tool that students design on a computer, then print on special pre-formatted paper. The result – a clever foldable that flips through four faces of student selected text and images. FlipNLearn is a great way to give students a manageable design challenge that promotes teamwork, self-assessment and reflection. In 30 minutes, or less, they can produce tangible product that blends the best of PBL and CCSS skills in communication. If you can’t make my session, look for me at the IMCOM vendor booth #819 for free tips on Portland’s best pubs and grub.

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Read This Before You Upgrade to iBooks Author 2.0

Note: Since I first publishing this post, I took the leap and updated to iBA 2.0. (Of course, I had to because iTunes only accepts new books created in iBA 2.) I published three books in the new software and was also able to successfully open iBA 1.0 files in 2.0 and even copy widgets and other content from 1.0 to 2.0.

I recently published my first iBook Why We Fight: WWII and the Art of Public Persuasion.
It features over a dozen historic propaganda videos. I used iBooks Author 1.0 (iBA) to create the iBook, and with lots of advice from experts, I managed to create good quality videos of manageable file size.

Before I upgraded to iBA 2.0, I thought I’d do some research.
I’m glad I did, because it appears that the new iBA 2.0 “Media Optimization” feature has mixed reviews in video management. That early analysis comes from Dr. Frank Lowney, Projects Coordinator, Digital Innovation Group @ Georgia College. Frank spent many hours online answering my questions about importing videos into iBA 1.0 and I owe him a big thanks.

Here’s some of what Frank wrote about iBA 2.0 in his comment to a recent MacWorld review.

IBAv1 was terribly finicky about video. It rejected videos that played perfectly well in the Videos.app on iPad. The current optimization routine is an apparently a well intentioned correction of that finickiness.

… If you are writing a textbook or any kind of book containing video that requires providing soft subtitle tracks to address accessibility and other important goals or alternate audio tracks to reach a wider, multi-lingual audience, be aware that this optimizer will strip out those valuable assets without notice. Of concern to a wider group of authors is the violence done to certain videos by this “optimization” routine. Although it works quickly and does a reasonably good job on video that is already close to optimal, it wreaks havoc on video that is not. 

…The worst part is that you cannot revert to the old regime.

For more a detailed analysis see this thread in the Apple Support Communities Preventing iBooks Author Media Optimization where Frank comments: 

The optimization routine in iBooks Author 2.0 is well intentioned but the execution of those intentions is quite poor. In addition to bloating the size of your videos and, hence, your iBook, it can also degrade visual quality in dramatic fashion.
… With iBooks Author 1.x, I had figured out how to create very efficient and highly capable video that IBA will accept. This “feature” throws me and a lot of other capable people into a ditch.

I asked Frank if I can use his comments and he agreed, while noting he hasn’t had time “to do full range of tests and documentation that I prefer to do.” But his early reviews suggest that I’ll wait to upgrade. Who needs bloated files, lost subtitled tracks and poor video quality?

Read Nov 30th update

~~~~~~~~~~~~~~~~~~~~~~~~~~
Nov 9 Update from Frank Lowney:

Peter,

As you’ll recall, the caveat was that my findings re video in IBA 2 were preliminary and, therefore, subject to revision as I conduct more rigorous tests. I may well have to eat some of those earlier words. I’m still nowhere near a definitive opinion but I did manage to do a comparison between videos submitted to IBA and what they looked like after the “optimizer” got through with them.

The way to do that is to change the suffix of an *.ibooks file to zip and then use something like the free Stuffit Expander to expand the archive and reveal its folder structure and enable examining the contents. Video files are all in /OPS/assets/media/.

So I created five new videos for my iBook, loaded them into IBA, let the optimizer have at them and then compared the file size of the originals with what I found inside the *.ibooks file. I was surprised and pleased to find that four out of five were pretty much the same as the originals in both file size and quality. The odd one was 7.6 MB in the original and 8.2 MB in the *.ibooks file which is not huge. IBA apparently jacked up the data rate a little.

Of course this was a “soft ball” since the source came out of the recently released ScreenFlow 4 using a custom settings designed to be optimal for iPad (a multi-pass encode at 1024×768 using H.264 in a MOV container). Except for changing the container from .mov to .m4v, everything was the same in the *.ibooks file: bit-rate, frame rate, height, width, etc. So if you give IBA something that it expects and respects, it does no harm.

I’ll start throwing hard balls in the coming days and we’ll see what happens.

I’m sticking to what I said about soft subtitle tracks and alternate audio tracks. These are incredibly important in an educational environment in terms of Section 508 and 504 compliance. As well, being able to offer multi-lingual access is critical to the success of on-line learning. What IBA’s “optimizer” does to them is indefensible. There seems to be a contingent at Apple who think that Closed Captions, a throwback to analog TV broadcasting, is sufficient but they are dead wrong. It relies on a binary format that can only be created by expensive and difficult to use software (go ahead and price MacCaptioner) as contrasted with SRT, ASS, etc. that anyone can create with a simple text editor.

So, for people who aren’t concerned about subtitles and alternate audio tracks, the upgrade to IBA 2.0 appears to me to be a good move. The new widgets are awesome, especially the scrolling sidebar which looks a lot like what I described in an enhancement request that I submitted. The only people for whom this is a show stopper are the folks that are prepping video for iBooks and working for institutions and corporations that simply must address these accessibility issues. Indies like you and I can ignore these issues for the time being. The stuff I do at work is another story altogether.

More later and thanks for being a great sounding board.

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Textbooks Are Dead – Here’s 3 Reasons to Write Your Own

For years progressive educators have known the textbook was dead. Apple’s latest iPad Mini / iBooks Author event (October 23, 2012) suggests we are closing in on the tipping point that should hasten its demise.

I’ll let others critique the viability of the iPad as a textbook replacement in this era of shrinking budgets. Instead I’ll focus on how teaming iBooks Author (iBA) with the iPad can turn students from passive consumers of information, into active researchers, thinkers, designers and writers.

Since it’s release this spring, I’ve been working with iBA and networking with other educators doing the same. I’ve seen great examples of student-produced work such as this iBook by 5th graders.
I just published my first multi-touch iBook, Why We Fight: WWII and the Art of Public Persuasion which gives students a chance to work with historic films and poster art to critically evaluate the US government’s public relations effort during the war. I’ve already blogged about my reactions to using iBA, but let me use this post to offer three arguments for using iBA with students.

Crowdsourced Production
 iBA (a free program) requires a Mac running OS X 10.7.2 or later, but that doesn’t mean that every student needs a Mac to contribute to the iBook project. All the classroom needs is access to one computer running iBA to create an iBook. (Use somebodies new Mac Mini?)

iBA accepts text from Microsoft Word and other text editors. Teams of student writers can do research and writing on a variety of computers (and devices) and send finished copy to the iBA production team. Images, audio and video files collected by researchers can be added to the eBook project with a simple drag and drop. If students have access to multiple Macs running iBA, it’s easy to consolidate iBA projects by copy / pasting chapters (or sections of chapters). Research, writing, and design can even be sequenced into a “flipped classroom” production model.

Broadcasting Your iBook
Terms of use for iBA require that iBA-created iBook that are offered for sale can only be sold through the iBookstore. But there’s no restriction on “free” iBA-created iBooks – circulate them any way you want.

While the iBookstore does provide accounts for producers of “free” iBooks, there’s a simpler way to distribute an iBook. Connect an iPad to the computer running iBA, click Preview, and the iBook is pushed to the attached iPad. Do the same on as many iPads as you choose. It’s also easy to export the finished iBooks file from the iBA program to an external drive or network and distribute the iBook to multiple iPads.

The ease of distribution means students can communicate with a broader, and more authentic audience than just their teacher and class peers. They can even bring their iBooks files home on thumb drives to be shared with families and friends that have iPads.

Design Thinking Meet CCSS Skills
Researching, writing, and designing an iBook provides an opportunity for students to hone a wide range of skills. Common Core State Standards require a host of literacy, critical thinking and writing skills that are essential to production. Project based learning (PBL) engages students with the opportunity to think like professionals while solving real-world problems. While the iBook qualifies as a project goal, don’t forget that the subject of the iBook could also give students a platform to tackle community-based issues.

Collaborating on an iBook draws from a wide range of creative skills – creating audio clips, producing illustrations, shooting and editing video. Because a variety of media can be included in an iBook, there are numerous opportunities for students of all ability levels and language proficiencies to be active contributors.

Digital technologies have put students in charge of the information they access, store, analyze and share. Most importantly the digital era has given them an expectation of informational choice. Creating an iBook harnesses all those motivational factors into an engaging learning experience. When students get to collaborate and work as adult professional do, we relinquish responsibility for learning to the student and provide them a valuable opportunity to reflect on both their process and product. That’s the foundation for a lifetime of learning.

Image credit/ author

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How-To Tips for Working With iBooks Author

I’ve spent the last month creating my first iBook – “Why We Fight: WWII and the Art of Public Persuasion.” It’s in the “approval” process at the iBookstore. (Look for a post when it’s available).
I learned a lot about making multi-touch iBooks the hard way – trial and error. I thought I’d share a few tips for using iBooks Author (IBA). This post is not an IBA step-by-step. It assumes you are already a bit familiar with IBA.  Note: I have collected IBA how-to’s at this Scoop-It.

Carefully plan your pages

Here’s one big lesson I learned in IBA  - you can’t move pages. Chapters and sections of chapters can be easily re-arranged in an iBook. Just highlight them and slide to new location. You can also right click a chapter or section and cut, copy, duplicate and paste. You can even use those commands to move them between two different IBA projects that you have open. BUT moving pages is not allowed. I should note that my book had very little text and loads of graphics and widgets. So, for example, if I wanted my current page 10 to become page 5, I had to recreate pages 6-9 as part of the process. Lesson learned – plan ahead! (This is not a problem if you have a largely text oriented iBook. You could easily cut the text from page 10 and insert it into into a place in the flowing text that would put it at page 5.)

Size matters

File size that is. I planned a multimedia-rich look at the US propaganda effort in WWII. Lots of videos, audios and poster art meant that my iBook file was quickly becoming too large. I used video files from Archive.org that that were in mp4 format. IBA only accepts m4v format and it’s very picky about the types of m4v it accepts. I tried converting mp4 files using Handbrake (a very popular free app). IBA wouldn’t accept Handbrake converted m4v files. I used QuickTime player to convert by opening the mp4 and using QT File / export, but for some reason QT greatly increases file size when exporting.

My final solution to growing file size was three fold. One – I invested in Apple Compressor to convert mp4 to m4v and compress file size. Two – I used iMovie to edit some to the movies to tighten them up. Three – My planned iBook eventually got split into 3 iBooks of smaller file size. One other solution you could use would be to not put the video file in the iBook, but to link to it on YouTube via an embedded widget. (You can easily create a widget for that at a free site – Class Widgets).

Who wrote my iBook? 

IBA allows you to preview your iBook by connecting an iPad and choosing File / Preview. It gives you the choice to either preview the entire book on your iPad or just preview the section you are working on. For the longest time, when I previewed my iBook it would appear on my iPad as “Author Unknown.” Finally, I figured out I needed to set the title and author in the “Document” section of the Inspector. Lesson learned.

Stylin’

I decided to use frequent stop and think prompts in the book to focus students on reflection. It was also away to reinforce CCSS skills throughout the book in a user friendly manner. I created a yellow post-it style text box and liked the way it looked. One I had the format I wanted I was able to copy and paste using the tool bar icons. BTW  - You can also edit / copy and edit / paste widgets. A nice way to move them around. 

Don’t mess with chapter image placeholders

My iBook was loaded with media content, so I used the “Basic” template offered by IBA. One of the first things I did was strip it down to blank white pages. My mistake was revealed when I looked at my iBook in the “Table of Contents” view. I noticed that my chapter start pages lacked the graphics I had put on them. I finally figured it out.

When you create a new chapter you are offered an image place holder on the right side of the page. Don’t delete it like I did. Instead, just drag your image into it. That way the image will appear in the ”Table of Contents” view. Once I deleted the image placeholders there was no way to get them back. You guessed it – I needed to create a “new chapter” and rebuild all the content. Ouch!

Customize layout for your widgets

I was going for a very clean minimal look that would showcase the content. So I wanted my widgets to have minimal styling.

To do that  - go to Widget in the Inspector panel. Choose “Layout” tab and deselect background. Lots of other options for Label and Caption. You can also show thumbnails (as I did on the left) by selecting them in the “Interaction” tab.

Sneaking up on hyperlinks and bookmarks

You can hyperlink from the iBook to external links or create Bookmarks to jump between content within your iBook. Use the Inspector to create them. Here’s a few tips. You can only hyperlink from text. No image hyperlinks. You can hyperlink from any body text or text within inserted text boxes to URLs outside your iBook. Be sure to copy / paste you new URL into the Inspector or you’ll be creating a hyperlink to Apple.

Bookmarks are a bit fussier. First you need to turn some text in your iBook into a bookmark using the Inspector  - select the text and click on the + sign to add new bookmark. Here’s the catch – you can only create a bookmark from body text – you cannot bookmark text in a text box. Once you have anchored a bookmark you select some other text in your iBook and use Inspector to hyperlink to your bookmark.

Working with hyperlinks after you create them is a bit quirky. If you click on a previously created hyperlink in your iBook, it work. In other words you’ll leave the iBook and go to the URL in Safari. So you have to “sneak up” on hyperlinks. Click your cursor into adjacent text and use your keyboard arrows to navigate into the hyperlinked text. It will go active and you can use the Inspector to make changes. 

Where’s the Find and Replace?

IBA has a some good editing tools. You can use Edit / Proofreading to get to a reasonable proofreading panel. I found it useful. Looking for the find and replace feature? Use keyboard Command – F.

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Why We Fight: Selling a War to America

My iBook Why We Fight: WWII and the Art of Public Persuasion free at iBookstore

Designed as multi-touch student text, it focuses on the American response to WWII – especially the very active role played by government in shaping American behavior and attitudes. “Why We Fight” gives students a chance to step back to the 1940s and experience the perspective of Americans responding to the Pearl Harbor attack and WWII. Americans were hungry for information, and Washington responded with a PR blitz to sell the war to the American public.

It features 13 videos including rarely-seen cartoons like “Herr Meets Hare” (1945) starring Bugs Bunny, government films “What To Do in a Gas Attack” (1943) and Hollywood wartime flicks like the “Spy Smasher” cliff hanger series (1942).

View naval deck logs detailing the attack on Pearl Harbor. Listen to FDR’s “Day of Infamy” speech while you read his handwritten notes on the first draft of the speech. Listen to man-in-the-street interviews recorded the day after the Pearl Harbor attack. Swipe through an interactive timeline map detailing early Axis victories of the war. Use an interactive guide to interpret over 40 wartime posters.

All of the historic content is in the public domain. And the iBook provides access to the digital content, so users can remix the historic documents into their own galleries and projects.  Students can use an iPad-friendly historic document guide to analyze all the source material and share their observations with peers and teachers. “Why We Fight” is filled with “stop and think” prompts keyed to Common Core State Standards and includes a student guide to learning from historic documents and links to a teacher’s guide to related activities and free iPad apps.

This first of a series, “Why We Fight,” focuses on why Americans went to war and how the government defined the reasons for war and the nature of our enemies. Students build critical thinking skills as they are guided through the documents in consideration of three questions:

  • Why did Americans go to war?
  • Was Washington’s public relations blitz crafted to inform the public or manipulate? Did it appeal to reason or emotions? Did it rely on facts or stereotypes?
  • How do the themes in this book apply to your life and America today?

The next iBook in my Homefront USA series will consider how Americans were asked to change their lives, work harder and sacrifice in support of the war effort. Additional iBooks will look at how the war brought dramatic changes to American society – contrasting the growing opportunities for women with the internment of Japanese Americans.

Image credits:
Title: Enemy ears are listening.
Artist: Ralph ligan
United States. Office of War Information. Graphics Division.
Washington, D. C
Date: 1942
UNT Digital Library.

Title: Avenge December 7
Artist: Bernard Perlin
Publisher: Washington, D.C. : U.S. G.P.O. Office of War Information,
Date: 1942.
Northwestern University Library