Learning to Think Like a Historian

art-classI recently was a contributor to a Education Week Teacher’s “Classroom Q&A With Larry Ferlazzo” column Teaching History By Encouraging Curiosity Note: you can also listen to our 10 minute podcast on the subject at BAM radio or iTunes

The column prompt was “What are some stories (testimonials) of the process teachers experienced when moving from the ‘stereotypical history teacher who only gives multiple choice tests on the dates of battles and offers their students a steady diet of mind dumbing worksheets and lectures.’”

I thought I cross post my response below for readers who do not have access to content behind the Ed Week paywall.

What do historians do? Research, interpret, and evaluate sources, apply historic perspective, pose questions. … they share the fruits of their research with others, take positions and defend them.

Let me share my evolution as history teacher. In 1971, I began teaching history much the same way it was taught to me. I did all the reading and assimilation of material, then worked hard to craft the interesting lecture. I delivered the information with great gusto and loads of clever asides. Then I gave the objective unit test to see if the students got it. I was doing all the work; learning far more than my students; preparing and delivering “five shows daily.” And so I trudged through history – Plato to NATO.

Then one day I had a revelation. I walked into the art classroom next door to borrow some supplies and looked at the interaction of the art teacher and his students. I realized that if Tom taught art the way I taught history, then his student would be sitting in rows watching him paint. And so my journey began. Just as Tom was teaching his students how to think and behave like artists, I needed to figure out how to get my students to be the historian.

Here’s a few key ideas I considered when making the transition to student as historian. Note: For more, see my Slideshare The Student as Historian

Teach how historians think and behave:

What do historians do? Research, interpret, and evaluate sources, apply historic perspective, pose questions. More importantly they share the fruits of their research with others, take positions and defend them. Make these skills the basis of your class and you’re on your way to meeting Common Core standards. Build in opportunities for students to peer review each other’s work and reflect on their progress as learners. See my Taxonomy of Reflection for prompts.

Stop teaching facts and let students explore essential questions:

Look at a contemporary issue in the news and use it as catalyst for understanding its historic roots. Why teach the Federalist vs. Anti-Federalists debates? Better to frame the lesson around the essential question “How Powerful Should the National Government Be?” It’s timeless and extends the issues raised by the rise of the Tea Party back to the debate over the ratification of the constitution. Download my free Great Debates in American History

Use history as a platform for teaching across the curriculum:

Why not teach some graphing skills using historic census data? A great chance to design an infographic. Historians rely on key literacy skills like summarizing and comparing. Frame tasks for the students that allow them to develop their own summaries and comparisons, share them with their peers and defend their thinking. Those are more Common Core skills.

Choose the right primary and secondary sources for students to work with:

Visualize the famous “Golden Spike” photo taken to mark the completion of a transcontinental railroad line in 1869. What can a student learn by looking at the image? Not much, because the important information is not in the image. It’s in the background knowledge a student must already possess to interpret it. Unfortunately, this type of photograph dominates our textbooks. It’s iconic – it refers to something else that we want students to know. More

Instead use historic sources that are less reliant on background knowledge. Allow students to make their own judgments about source material and share what’s important to them (instead of just repeating the details the teacher highlights). It’s a great chance for them to put those summarizing and comparison skills to use.

If you have access to Ed Week, I urge you to read the article. It also features a great response from Diana Laufenberg, who notes:

Now, I’ve never had a class start with, “Miss… I just have to know about the War of 1812, can you please tell me more?” The majority of students don’t come to class naturally curious about the stories of history. However, when you take the time to pull the students from their own experiences, allow them to make connections to history, float back to modern day to again find further connections and go back into history with all that information – meaning starts to develop in a way that is not achieved otherwise.

And interesting interesting observations from Sarah Kirby-Gonzalez, including

When I first stepped away from the basic, bubble-assessment curriculum and into a more inquiry-based approach, I was surprised by my students’ reactions. I had assumed the students would eat up the rich lessons, yet their first reaction was one of discomfort. When my good, little memorizers didn’t easily earn a perfect score on an assessment, they were frustrated and shut down. After much reflecting, I realized they were out of their comfort zone and not used to being asked to think critically. Answers didn’t come easily, and since often their self-image of being smart is wrapped up with things coming easily, the students felt attacked. Slowly, the students began to thrive and rise to the challenge.

Here’s some interesting comments from Part II of Larry’s series Teaching History By Not Giving ‘The Answers’

First from Bruce Lesh, who writes:

Colleagues looked at me funny as students began to ask questions and engage in debates about historical evidence. My peers–who have been trained (as I was) to lecture, assign readings from the books, break things up with Hollywood movies, and test with quickly graded multiple-choice questions–wondered why I was challenging “what has always worked.”

…Students had become accustomed to history being taught in a certain manner. In their effort to learn to “do school,” they expected to come into the history classroom and be regaled with stories of the past distributed through lectures, films, and textbooks, and they had mastered the skill set necessary to “do history.”

And this response from PJ Caposey, who notes:

When working with teachers I focus on …  trying to change from the ‘status quo’ to what is best for kids. One [element is the] Google test. If it can be answered via a simple Google search – then very little instructional time should be spent on it and it should not be assessed. CCSS is a game-changer, so too can be the ‘Google Test.’

Image credit: Flickr / Classroom scene, [Strabane technical school, Northern Ireland]
Date: c.1930

Free iBook Explores Ancient Egypt

Meet Alex the Archaeologist

The Memorial Art Gallery Rochester NY recently published Ancient Egypt: Exploring Ancient Artifacts with Alex the Archaeologist. It’s available free from the iTunes Store.
Full disclosure: I’ve assisted MAG on a number of projects and was a “mentor” on this iBook

Ancient Egypt is interactive resource for teachers and students featuring video host – “Alex the Archeologist.” (Played by Alexander Smith, a Mediterranean archaeologist and graduate student at Brown University’s Joukowsky Institute for Archaeology and the Ancient World.)

Chapters include: Government and Wealth, Power and Protection, Gods and Goddesses, Journey to the Afterlife and a very interactive guide to reading hieroglyphics. “Stop and think” questions throughout the book foster student reflection. An illustrated glossary helps foster defining skills. Students can zoom in to closely examine artifacts and try their hand at interpreting hieroglyphics.

God Osiris

Designed for classroom use by grades 6–12, Ancient Egypt is the first in a series for young people studying the ancient world. Using the Gallery’s collection of artifacts, this thematic object-centered exploration uses works of art, timelines, video clips, photographs, and interactive media to take students into the world of earlier civilizations. It meets Common Core Standards as students learn to read objects as primary source texts.

The Memorial Art Gallery has many other great resources available online. A good place to start is at Passport to the Past. It features collections of image sets sized for use on Smartboards or in PowerPoints

Incarceration of Portland’s Japanese Americans in WWII

Two children in camp c 1943 Minidoka concentration camp Idaho Two children in camp c. 1943 Minidoka concentration camp Idaho

What was the impact of President Roosevelt’s 1942 Executive Order 9066 on Portland Oregon’s Japanese-American community? The following presentation uses video interviews of camp internees, archived photographs, and historic documents to answer that question.

It was created by Kyle Stephens and Peter Gallagher in conjunction with the Oregon Nikkei Legacy Center. Their thoughtful curation of historic content guides the reader through the experience of Japanese-Americans incarcerated during the War and the government’s justification for doing so. Engaging questions and points for discussion are placed throughout the presentation.

The lesson features reaction to Executive Order 9066, temporary incarceration at Portland Assembly Center (built on the grounds of a former stockyard on the banks of the Columbia River), and the final destination for most of Portland’s Japanese-American community – the Minidoka War Relocation Center in Idaho.

Kyle and Peter were student in my social studies methods class at the University of Portland working on curriculum development for Portland’s Nikkei Legacy Center. Special thanks to the Densho Digital Archive for providing video and still images. 

Nikkei Classroom Presentation from Peter Gallagher

Image credit / Densho Encyclopedia: denshopd-i39-00044

iPhone Walking Tour of Historic Japantown Portland

japantownpdx

I’m pleased to introduce you to Japantown PDX, a free iPhone app that I designed with the assistance of the Oregon Nikkei Legacy Center, GammaPoint LLC, and my students at the University of Portland. Explore Portland Oregon’s historic Japantown with this user-friendly walking tour. The city’s vibrant pre WWII Japanese American community is archived in over 125 photographs and audio clips. This GPS-enabled app guides you through Portland’s eight block Japantown, a bustling community in the early decades of the twentieth century – better known today as the colorful Old Town / Chinatown neighborhood. Map

Japantown PDX Judo Obukan

The free iOS app documents the vitality of this once thriving “Nihonmachi” and its sudden disappearance in the spring of 1942 when all persons of Japanese ancestry were removed from the West Coast and placed in America’s concentration camps during WWII. In addition to telling Portland’s Japantown story, the app explores the remarkably diverse Old Town neighborhood in tour stops that honor its African American, Chinese and LGBT roots.

Todd Mayberry, the Director of Collections and Exhibits at Nikkei Legacy Center speaks to the role this app can play in promoting the historic importance of Portland’s Nihonmachi and the need to preserve it from the ever-present threat of historically inappropriate over development.

“This innovative app will guide users beyond the walls of our museum and into the heart of Portland’s historic Japanese American community. Explore our streets and buildings guided by our narrator and mapped collections of photographs. We can’t wait to welcome you back to our home.”

App Features
Our goal was to design a user-friendly app suitable for all technical “abilities.” We began by surveying the Nikkei Center’s rich collection of historic photos for location-specific images. The most notable and well-documented became our tour stops. When we had historic exterior shots we photographed the contemporary scene replicating the view. Thus users can watch historic Japantown street life reappear in “then and now” dynamic photographic dissolves. Each stop has multiple historic and contemporary images, text and an audio narration. We had many historic photos that told the story of a vibrant community, but they lacked location. We decided to include them in the app as a “Gallery Section.” The app also allows users to share image content with built in Facebook and Twitter buttons.

Then and Now Photo Japantown PDX

We also wanted to weave in an underlying narrative – the story of WWII’s Executive Order 9066, the forced incarceration of the neighborhood’s Japanese Americans first at the “temporary” Portland Assembly Center and eventually at the Minidoka concentration camp located in southern Idaho. While the app is location based, we elected to give it an narrative arc that begins with an opening audio greeting voiced by Jean Matsumoto who grew up in the pre-WWII Japantown. Jean and her family were among over 110,000 Japanese Americans that were removed from the West Coast and incarcerated without trial. The app details other stories of forced relocation and re-population of the the neighborhood after the war and invites users to learn more by exploring the exhibits at the Nikkei Legacy Center in the heart of historic Japantown. Map

UP Students Explore Nikkei Center Exhibits

UP Students Explore Nikkei Center Concentration Camp Exhibit

About the Project Team
This app grew out of a collaboration between my Social Studies Methods class at the University of Portland and the Nikkei Legacy Center. It was one of three curriculum design projects undertaken by students in support of the museum’s educational outreach. For more see my post Student Consultants Design Museum Curriculum and Mobile App. 

Japantown PDX Map view

My class served two roles in the app development – the entire class became our focus group – discussing what they thought needed to be in the app – both from the perspective of user experience and their growing knowledge of the history of Portland’s Japantown. Three student’s worked more directly – narration (Aram Glick), audio recording (Collin Soderberg-Chase) and logo (Samuel TS Kelly). I worked closely with Todd Mayberry to select content and images.

The other key team member was GammaPoint LLC a Portland-based mobile app developer and designers of my favorite workout app - WeatherRun. GammaPoint was interested in designing a user-friendly platform that would allow organizations to develop their own tour apps with a minimum amount of assistance. Our project served as their beta. We worked with GammaPoint on developing the tour design, generating prototypes which were then evaluated by my students and Nikkei Center. For example, we discovered that while we had a wealth of video interviews of former Japantown residents, their file size bloated the app. We used plist files to upload data to GammaPoint and tested their new web-based upload tool. It has now evolved into GammaPoint’s App4Tour which promises to be an affordable way for users to create their own multi-media rich tours with minimum of technical assistance.

Tips for Motivating Student Writers with iBooks Author

Exploring_History

I just finished teaching a Social Studies Methods class at the University of Portland.

We took a very hands-on, project-based approach and even worked with a local historical museum where my students served as curriculum consultants.

As someone who has long advocated student publishing, I wanted my students to have the chance to design an iBook.

I’m pleased to announce that our book: “Exploring History” is available free at iTunes

This post will offer a rationale for student publishing, some tips on managing the project as well as student reaction to working with iBooks Author.

It’s about collaboration and content, not the technology.

My goals for the iBook project included:

  • Think like historians – if my pre-service teachers are going to inspire the next generation, they need to learn to behave like a historians and social scientists.
  • Explore technologies that support instruction – some educators are tempted to chase “bright, shiny objects” and forget that it’s about good teaching, not the technology. My students would have a chance to use a variety of tech tools and assess their efficacy.
  • Participate in a multi-stage, project-based learning experience to experience the challenges and opportunities of PBL.
  • Have a publicly shared product for their portfolio.

iBooks Author Lab

Here’s a few tips on student publishing with iBooks Author (iBA). For details on the original assignment see our class blog.

It’s about collaboration and content, not the technology.
Each step of the project involved peer review. For example, long before students even began research, they had to go through a “speed dating” session to “pitch” their research idea to one another for feedback.

Later we used Learnist as a online location for student to post their historic documents and scaffolding questions. Learnist is a web-based curation site with built in social media tools – it can collect and comment on videos, blogs, books, docs, images or anything on the web. Their peers reviewed the drafts and left comments on the site. Since Learnist boards are public, some students received comments from folks outside our class. See their draft Learnist Boards here.

Multi-touch iBA widgets are fun, but do they help tell the story?
Before using iBA, we spent time looking at iBooks and considering how various widgets might be useful. Students thought the scrolling side bar and gallery widgets would be effective design tools. Many students wanted to include YouTube videos.   (Our iBook readers would need wifi to access the videos, but since the actual video file does not reside in the iBook, the iBook file size is kept small.) You can use Bookry to embed a YouTube video. After a free account sign up, you’ll find many other useful widgets there.

The computer lab is for production not planning.
I staged a series of assignments that all folded into the development of a finished iBook. For example, I asked students to write a blog post reflecting on what they learned from developing their DBQ. That reflection later became the concluding section of their iBook chapter. By the time we were heading to the Mac lab to get started with iBA, they had their chapters finalized with all the content for their iBook chapter stored on a drive – including all image / sound / text files, citations and URLs. Students were able to copy / paste all their content into their iBook chapter in only a few hours of lab time. iBA Tip: If you don’t have a Mac / iBA station for each student, you could have a production team transfer the work of their peers into finished form. iBA Tip: It’s easy to copy / paste chapters or sections of chapters from one iBA file to another. Be warned that you cannot copy / paste individual iBA pages – thought you can copy / paste the content elements from one page to another in iBA.

Minimize the need for editorial clean up. Collaborate using a design template.
If you’ve every worked with a group in a computer lab you know how much time can be lost while they explore fonts and other design elements. We discussed some template options while we were looking at other sample iBooks. We arrived at consensus and I pre-loaded a template chapter into each work station. Few design decisions were made in the lab. The template began with a chapter “Photo and Text” page. iBA Tip: it’s easy to mess up iBAs Table of Contents view. Click here for my tip on how to avoid that. 

After the opening chapter text and image the rest of the template chapter consisted of blank pages with a few different text formats that we planned on using. iBA Tip: Unless you’re creating a largely text-only iBook, I find that chapters with flowing text are much more challenging to manage. Inserted widgets and images have a habit of repositioning as text is edited or deleted. Remind students to clean up any of the placeholder font that iBA inserts into widgets. iTunes will not approve an iBook that contains any placeholder text. (“Lorem ipsum dolor sit amet, donec ornare vitae…”)

Ibooks author lab 2

Here’s some feedback from my students on the project. BTW – only two of my 12 grad / undergrad students were experienced Mac users.

I liked how simple and hands-on the process was.The iBook making process is something that I definitely see myself using in the future.  I see this as a viable avenue for me and my teaching style. – Tom

iBooks Author is easy to use and the end product looks fantastic. I’m sure students would feel a real sense of accomplishment and pride after creating something with this program. This project gave us a nice taste of what this platform is capable of. Like everyone else, I can see myself using it in the future, for myself and for my students. – Damian

 

The prospect of an audience always inspires an extra amount of effort – Peter G.

 

I really enjoyed working on the iBook. It was a very fulfilling experience and I cannot wait until I can show my friends and family my section of the work. Looking back on it now, if my classroom had the resources I think this would make a fine project or lesson as the program itself is easy to use. – Cory

Working with iBook tonight was a great experience! iBooks is actually fairly simple and intuitive. After just a bit of instruction we were on our way. Now that our chapter in the iBook is finished I am excited to see how the whole iBook looks together. It is exciting to think students will be using our work. – Christina

I’m excited to wrap up our work on the iBooks. I’ve been thinking recently about how creating an iBook in the classroom gives students the opportunity to take ownership of their work. The prospect of an audience always inspires an extra amount of effort. – Peter G.

Working on the iBooks was a great experience. It’s actually much easier to work than I previously thought it would be. I thought of a good idea for a DBQ at the end of class today and I want to make it an iBook during winter break now. – Stephen