Students at the Center of the Learning

Thomas Hawk - Hub and SpokesIn the early part of my high school social studies teaching career, I saw myself at the center of the classroom. I was the focal point of the learning. I played resident historian – reading, crafting lectures and dispensing history to my students. They were on the periphery of the learning – waiting for my instructions, checking back with me for approval, giving me back my lecture on the unit test. Even the whole class discussions “flowed through” the teacher. Students directed their responses to me. I commented after each student with my approval or directing another student to give it a try. Without realizing it, I taught my students the only thing worth knowing was something coming from their teacher.

With time I learned to stop working so hard at being the smartest person in the room. With practice, I honed the skills of an instructional designer – an architect of learning environments – “spaces” where the thinking was done by my students.

I try to model that “architectural approach” in my social studies methods class. Take a look at today’s class, (University of Portland) you’ll see that I’m not the focal point of the lesson. By “flipping” a few instructional components and providing a student-driven evaluation, my students will be at the heart of the lesson. I’ll be floating at the periphery. Here’s a summary:

The students have written drafts for their first authored posts on EdMethods, our class WordPress blog. While I assigned the format of their post – they have selected the content. Before posting they will go through two peer reviews in today’s class and then make revisions based on the feedback. Instead of writing for their teacher they are writing for the web. Rather than being graded by the teacher, the quality of their work will be assessed by their peers before they “turn it in” for publication on the web.

Most of my students are new to WordPress. Rather than force the whole class to sit through my “How to use WordPress” lecture, I used the QuickTime Player to prepare ten brief (under 2 mins) video micro-lessons on posting to WordPress. Students can use that “just-in-time instruction” for exactly what they need to complete the posting process. That frees me to work with students who might want to make major revisions to their posts or need extra help with WordPress.

Next week, our class will focus on historic thinking skills. I want to use our class time to actually dohistorical thinking tasks, so I wanted to flip the content delivery. I used TEDEd’s great lesson builder to annotate an existing YouTube video with questions, student reflections and further readings. See Who is the historian in your classroom?

Interesting in flipping a lesson? Here’s info on my Flipped Classroom Workshop

Who is the historian in your classroom
Image Credit:
Flickr: Thomas Hawk – Hub and Spokes

How to Read Documentary Films

Child waiting to be taken to Manzanar April 1942 LC-DIG-fsa-8a31173

While many are aware that the US government forcibly removed and incarcerated more than 120,000 U.S. residents of Japanese ancestry during WWII. Few people know that the government recruited some of these same people to work at farm labor camps across the west to harvest crops essential to the war effort.

Uprooted from Uprooted Exhibit

Uprooted: Japanese American Farm Labor Camps During World War II is a traveling photography exhibit (and website) that tells this story and provides a treasure trove of resources for historians, teachers and students. Uprooted draws from images of Japanese American farm labor camps taken by Russell Lee in the summer of 1942. Lee worked as a staff photographer for the Farm Security Administration (FSA), a federal agency that between 1935 and 1944 produced approximately 175,000 black-and-white film negatives and 1,600 color photographs.

I worked with the Uprooted team and developed a lesson How reliable are documentary films as a historic source? (Lesson Plan 2) The lesson begins with the teacher telling students that they are about to watch two short videos about the experience of some Japanese Americans during World War II.

The first video was made in 2014 by documentary filmmakers to accompany the Uprooted Exhibit. It features historic video from World War II as well as oral history interviews with Japanese Americans that the filmmakers shot in 2013 and 2014. The narration is taken from the interviews.

The second video was made in 1943 by the US government as an informational service to the US public. It features video shot in 1941 and 1942 and narration by a government official.  Before the videos are shown, the teacher asks the students which video they think will be a more reliable historical source. (Be sure to have them justify their thinking to their peers). Prompts include:

  • A video made in the era being studied or a video made over seventy years later?
  • A video made by the United States government or a video made by documentary filmmakers?
  • A video narrative by a government official or a video narrated by people who participated in the event?

The lesson then guides students through comparisons of both videos based on close reading strategies – what does the video say? how does it say it? what does it mean to me?

A complete lesson plan, collection of images and historic documents is available at Uprooted. A second lesson plan considers the question:  How reliable are documentary photographs as a historic source? (1.1, 1.2, 1.3) The site even includes a kit for students to curate their own Uprooted museum mini-exhibit.

You can find Uprooted on Twitter | Facebook | Flickr | Instagram

The museum exhibit open at The Four Rivers Cultural Center in Ontario, OR on September 12, 2014 and runs through December 12, 2014. It then travels to Minidoka County (ID) Historical Society and the Oregon Nikkei Legacy Center in Portland Ore. More exhibit info and updates

I’d like to close this post by crediting the talented team behind Uprooted. Curator – Morgen Young, Web and Graphics Designer –Melissa Delzio, Videographers – Courtney Hermann and Kerribeth Elliott. Uprooted is a project of the Oregon Cultural Heritage Commission.

Image credit:  Child waiting to be taken to Manzanar, April 1942, Los Angeles, California. Photographer Russell Lee. Library of Congress (Prints & Photographs Division, FSA-OWI Collection, LC-USF33-013290-M4)

How to Read Documentary Photographs

Russell Lee Los Angeles 1942. LC-USF33-013296-M4

While many are aware that the US government forcibly removed and incarcerated more than 120,000 U.S. residents of Japanese ancestry during WWII. Few people know that the government recruited some of these same people to work at farm labor camps across the west to harvest crops essential to the war effort.

Uprooted: Japanese American Farm Labor Camps During World War II is a traveling photography exhibit (and website) that tells this story and provides a treasure trove of resources for historians, teachers and students. Uprooted draws from images of Japanese American farm labor camps taken by Russell Lee in the summer of 1942. Lee worked as a staff photographer for the Farm Security Administration (FSA), a federal agency that between 1935 and 1944 produced approximately 175,000 black-and-white film negatives and 1,600 color photographs.

Many are familiar with the work of Lee’s colleague Dorothea Lange, who worked for the War Relocation Authority in 1942. Lee also made significant contributions to the photographic record of the Nikkei wartime experience. Between April and August of 1942, he took some six hundred images of Japanese Americans in California, Oregon, and Idaho, including rare documentation of farm labor camps. To explore all of Lee’s FSA photographs, visit the Library of Congress website.

Farm Labor ad from the Minidoka Irrigator (camp newspaper)

Uprooted also features video interviews with Japanese Americans who lived and worked in these seasonal farm labor camps as well as an archive of engaging historic documents from the era. Lee’s photographs depict smiling Japanese Americans cheerfully making the best of  farm work and living in tents. But the interviews and historic documents tell a different story – harsh fieldwork, substandard living conditions and local townspeople suspicious of these intruders and their “questionable loyalty.” Even the incarcerated Japanese Americans were divided about working in the farm labor camps. Some saw it as an better alternative than the barbed wire of camps like Manzanar or Minidoka. But others resisted after hearing stories of grueling “stoop” labor, primitive housing and hostile locals.  

While Uprooted focuses on a what some might consider a “footnote” of the US WWII homefront experience, I recognized that this rich collection could provide students with the material to develop historical thinking skills in sourcing, contextualizing, corroborating and close reading.

How does this collection of video interviews and historic documents help shed light on Lee’s intent? Was he trying to gloss over the harsh living and working conditions to help recruit more farm laborers? Was he trying to depict the noble and patriotic sacrifice of Japanese Americans forcibly stripped of their homes and livelihoods following the attack on Pearl Harbor by Japanese warplanes? Or did Lee simply shoot what he saw while on a photo assignment for the FSA? 

I worked with the Uprooted team and developed a lesson How reliable are documentary photographs as a historic source? (1.1 Teachers Guide, 1.2 Photographs, 1.3 Documents) Students begin by reflecting on the photographs they take and often share on social media. What do you see in the photographs? What stories do they tell? Next they are taken through scaffolded activities to closely examine Lee’s photographs and compare them to the often conflicting depictions of the farm labor camps found in the other historic documents. Finally they are asked to reconsider their contemporary social media photographs and how they might be interpreted by future historian studying “the life of a teenager in 2010s.” A complete lesson plan, collection of images and historic documents is available at Uprooted. The site even includes a kit for students to curate their own Uprooted museum mini-exhibit. A second lesson plan is also available. How reliable are documentary films as a historic source? Lesson plan 2. 

You can find Uprooted on Twitter | Facebook | Flickr | Instagram

The museum exhibit open at The Four Rivers Cultural Center in Ontario, OR on September 12, 2014 and runs through December 12, 2014. It then travels to Minidoka County (ID) Historical Society and the Oregon Nikkei Legacy Center in Portland Ore. More exhibit info and updates

I’d like to close this post by crediting the talented team behind Uprooted. Curator – Morgen Young, Web and Graphics Designer – Melissa Delzio, Videographers - Courtney Hermann and Kerribeth Elliott. Uprooted is a project of the Oregon Cultural Heritage Commission

Top Image credit: Library of Congress
Title: Los Angeles, California. The evacuation of Japanese-Americans from West Coast areas under U.S. Army war emergency order. Japanese-American family waiting for train to take them to Owens Valley
Creator(s): Lee, Russell, 1903-1986, photographer
Date Created/Published: 1942 Apr.
Medium: 1 negative : nitrate ; 35 mm.
Reproduction Number: LC-USF33-013296-M4

Newspaper Ad “You don’t need to wait any longer to get out.” From the Minidoka Irrigator.
Sugar companies posted recruitment notices and advertisements in public spaces throughout the camps, as well as in camp newspapers. Such advertisements emphasized seasonal labor as an opportunity to leave confines of camp, but also marketed the work as the patriotic duty of Japanese Americans, ignoring that they had been incarcerated and denied their civil liberties.
National Archives and Records Administration, Washington D.C., Record Group 210, War Relocation Authority.

Free iBook: History of Portland’s Japantown

Portland’s Japantown Revealed Cover

Awarded “Best Textbook” and “Best Widget, 2015” More

I’m pleased to introduce my multitouch iBook: Portland’s Japantown Revealed. Free at iTunes.
It’s a collection of historic documents, photographs and interviews that tell the story of Portland’s “Nihonmachi” (Japantown) – a once vibrant community that disappeared with the forced removal and incarceration of its citizens. It’s the fourth title in my Homefront USA series of iBooks.

It’s filled with over a hundred archival photographs and dozens of video interviews with former Japantown residents selected from the collection of the Oregon Nikkei Legacy Center. The book details life from the 1890s until the eve of WWII when it had grown to a bustling neighborhood with over 100 businesses. Located within a twelve block area in an area north of Burnside St and west of the Willamette River, it was a home to scores Japanese American families and a regional destination for others who wanted to buy traditional food, receive dental and medical care, find legal assistance, and take care of their banking needs.

One exciting feature of the iBook are interactive “Portland Revealed” widgets that allow the reader to blend historic and contemporary photographs. I created them by seeking out locations of historic photographs where the architecture had been preserved and re-photographing the contemporary setting. The resulting overlay lets the user “paint” the historic figures into modern settings.

ONLC 01856 Morimoto Kawamoto truck

“ … we just didn’t know what was going to happen to us. Were they going to shoot us, or are they going to send us all to Japan, and we can’t even speak Japanese properly.”

The book details the Japanese American reaction to the attack on Pearl Harbor and the uncertainty that swept through Nihonmachi. A Japanese American woman who was nineteen at time recalls “Well, they won’t take us, we’re citizens … “we’re citizens,” that’s all we kept saying, “they wouldn’t take us.” A  man looks back and recalls thinking “ … we just didn’t know what was going to happen to us. Were they going to shoot us, or are they going to send us all to Japan, and we can’t even speak Japanese properly.”

To give the reader historic context for the temper of the times, the book includes pamphlets, posters and movie clips that exemplify the anti-Japanese rhetoric of the era. Portland’s Japantown residents retell the story of the sudden arrests and disappearance of community leaders in the days following Pearl Harbor.

By February of 1942, President Franklin D. Roosevelt issued Executive Order 9066 cleared the way for the forced removal and incarceration of Portland’s Nihonmachi.

Japanese-American child who will go with his parents to Owens Valley

Once the exclusion orders were issued, Portland’s Japanese Americans had only a few days to get their business affairs in order before having to report to the Portland Assembly Center. Many were barred by the Alien Land Laws, from owning property, thus their businesses investments were in fixtures and inventory. Limited to only a suitcase of personal possessions, many had to leave everything behind or liquidate possession or properties in quick sales for only pennies on the dollar. Within days Nihonmachi’s residents were stripped of their civil rights, freedom and financial equity.

Their first stop was the Portland Assembly Center operated in the summer of 1942. It was one of the many temporary incarceration centers built in large population centers on the west coast until more permanent centers could be built further inland. The Portland Assembly Center was really the Pacific International Livestock Exposition Pavilion. Plywood construction and rough partitions could not cloak the smell of manure, or deter the swarms of black flies.

Page from Portland’s Japantown RevealedFor four months, over 3,500 evacuees made do in this roughshod temporary housing with minimal plumbing and little privacy. No information was given on how long they would be at the assembly center or where they would go next. See interviews with people incarcerated at that center and contrast them with the cheerful photographs circulated to the US public. Most of Portland’s Nihonmachi was eventually moved from the Portland Assembly Center to more permanent incarceration at the Minidoka War Relocation Center.

But after the war … the Japanese town was not there… I don’t think there was that central feeling of Japantown. ~ Former resident

Released from incarceration in 1945, Portland’s Japanese community faced tough decisions about where to “restart” their lives. Most had lost their livelihoods, homes and possessions in the wartime roundup. Released from incarceration in 1945, Portland’s Japanese community faced tough decisions about where to “restart” their lives. Most had lost their livelihoods, homes and possessions in the wartime roundup.

In the post-war years, some Japanese American businesses were re-established in what had been Portland’s Japantown. Nonetheless, the vitality of a neighborhood that once was a vibrant Nihonmachi never fully recovered from the US government’s forced removal and incarceration of its Japanese American residents during the war years.

Unless otherwise noted images from the Nikkei Legacy Center.
Young girl detainee by Russell Lee. 
U.S. Farm Security Administration/Office of War Information.

Learning to Think Like a Historian

art-classI recently was a contributor to a Education Week Teacher’s “Classroom Q&A With Larry Ferlazzo” column Teaching History By Encouraging Curiosity Note: you can also listen to our 10 minute podcast on the subject at BAM radio or iTunes

The column prompt was “What are some stories (testimonials) of the process teachers experienced when moving from the ‘stereotypical history teacher who only gives multiple choice tests on the dates of battles and offers their students a steady diet of mind dumbing worksheets and lectures.’”

I thought I cross post my response below for readers who do not have access to content behind the Ed Week paywall.

What do historians do? Research, interpret, and evaluate sources, apply historic perspective, pose questions. … they share the fruits of their research with others, take positions and defend them.

Let me share my evolution as history teacher. In 1971, I began teaching history much the same way it was taught to me. I did all the reading and assimilation of material, then worked hard to craft the interesting lecture. I delivered the information with great gusto and loads of clever asides. Then I gave the objective unit test to see if the students got it. I was doing all the work; learning far more than my students; preparing and delivering “five shows daily.” And so I trudged through history – Plato to NATO.

Then one day I had a revelation. I walked into the art classroom next door to borrow some supplies and looked at the interaction of the art teacher and his students. I realized that if Tom taught art the way I taught history, then his student would be sitting in rows watching him paint. And so my journey began. Just as Tom was teaching his students how to think and behave like artists, I needed to figure out how to get my students to be the historian.

Here’s a few key ideas I considered when making the transition to student as historian. Note: For more, see my Slideshare The Student as Historian

Teach how historians think and behave:

What do historians do? Research, interpret, and evaluate sources, apply historic perspective, pose questions. More importantly they share the fruits of their research with others, take positions and defend them. Make these skills the basis of your class and you’re on your way to meeting Common Core standards. Build in opportunities for students to peer review each other’s work and reflect on their progress as learners. See my Taxonomy of Reflection for prompts.

Stop teaching facts and let students explore essential questions:

Look at a contemporary issue in the news and use it as catalyst for understanding its historic roots. Why teach the Federalist vs. Anti-Federalists debates? Better to frame the lesson around the essential question “How Powerful Should the National Government Be?” It’s timeless and extends the issues raised by the rise of the Tea Party back to the debate over the ratification of the constitution. Download my free Great Debates in American History

Use history as a platform for teaching across the curriculum:

Why not teach some graphing skills using historic census data? A great chance to design an infographic. Historians rely on key literacy skills like summarizing and comparing. Frame tasks for the students that allow them to develop their own summaries and comparisons, share them with their peers and defend their thinking. Those are more Common Core skills.

Choose the right primary and secondary sources for students to work with:

Visualize the famous “Golden Spike” photo taken to mark the completion of a transcontinental railroad line in 1869. What can a student learn by looking at the image? Not much, because the important information is not in the image. It’s in the background knowledge a student must already possess to interpret it. Unfortunately, this type of photograph dominates our textbooks. It’s iconic – it refers to something else that we want students to know. More

Instead use historic sources that are less reliant on background knowledge. Allow students to make their own judgments about source material and share what’s important to them (instead of just repeating the details the teacher highlights). It’s a great chance for them to put those summarizing and comparison skills to use.

If you have access to Ed Week, I urge you to read the article. It also features a great response from Diana Laufenberg, who notes:

Now, I’ve never had a class start with, “Miss… I just have to know about the War of 1812, can you please tell me more?” The majority of students don’t come to class naturally curious about the stories of history. However, when you take the time to pull the students from their own experiences, allow them to make connections to history, float back to modern day to again find further connections and go back into history with all that information – meaning starts to develop in a way that is not achieved otherwise.

And interesting interesting observations from Sarah Kirby-Gonzalez, including

When I first stepped away from the basic, bubble-assessment curriculum and into a more inquiry-based approach, I was surprised by my students’ reactions. I had assumed the students would eat up the rich lessons, yet their first reaction was one of discomfort. When my good, little memorizers didn’t easily earn a perfect score on an assessment, they were frustrated and shut down. After much reflecting, I realized they were out of their comfort zone and not used to being asked to think critically. Answers didn’t come easily, and since often their self-image of being smart is wrapped up with things coming easily, the students felt attacked. Slowly, the students began to thrive and rise to the challenge.

Here’s some interesting comments from Part II of Larry’s series Teaching History By Not Giving ‘The Answers’

First from Bruce Lesh, who writes:

Colleagues looked at me funny as students began to ask questions and engage in debates about historical evidence. My peers–who have been trained (as I was) to lecture, assign readings from the books, break things up with Hollywood movies, and test with quickly graded multiple-choice questions–wondered why I was challenging “what has always worked.”

…Students had become accustomed to history being taught in a certain manner. In their effort to learn to “do school,” they expected to come into the history classroom and be regaled with stories of the past distributed through lectures, films, and textbooks, and they had mastered the skill set necessary to “do history.”

And this response from PJ Caposey, who notes:

When working with teachers I focus on …  trying to change from the ‘status quo’ to what is best for kids. One [element is the] Google test. If it can be answered via a simple Google search – then very little instructional time should be spent on it and it should not be assessed. CCSS is a game-changer, so too can be the ‘Google Test.’

Image credit: Flickr / Classroom scene, [Strabane technical school, Northern Ireland]
Date: c.1930