Tag: University of Portland

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Harlem Renaissance: Rebirth of Cultural Identity

"Barbecue" by Archibald Motley “Barbecue” by Archibald Motley

My Social Studies Methods class at the University of Portland recently published a free multi-touch iBook – Exploring History: Vol III (free iTunes). It features thirteen engaging questions and historic documents that empower students to be the historian in the classroom. For more info on our project and free download of multi-touch iBook and pdf versions click here. To better publicize student work, I’m featuring each chapter in it’s own blog post. (Second of 13)

The Harlem Renaissance by Monica Portugal
Download as PDF 1.4MB

How did the Harlem Renaissance allow African Americans to express their experiences within American society?

The Harlem Renaissance was an early 20th century movement which lasted until the mid 1930s. At the time of this movement African American writers, artists, actors and musicians, were being recognized for their talents and contributions to the newest fads of pop culture. However, along with the newest Jazz songs and popular dances that came about during this period, African Americans used these mediums of art and literature as a way to express their experience of being black, being an artist, being an American citizen, and and being all of these things all at once. 
 Using music, poetry, novels, and other forms of literature and art, African Americans were able to explore questions of race and social tensions in America. Capturing the attention of white Americans, Africans Americans were able to further pursue their desires of equality, and bring to life a rebirth of their cultural identity.

 

Project Reflection by Monica Portugal

For this assignment I chose to focus on the Harlem Renaissance and have my students explore the work of various African American musicians, artists, and writers, in order to identify the purpose of their work, and what it represented. This past semester I did a similar lesson to this DBL with my 11th grade history class for a 1920s unit. For that lesson I introduced similar sources to the ones in this assignment in order to guide my students to a deeper understanding of the Harlem Renaissance, and open a small discussion of race within America. The DBL I have created here will accomplish a similar goal.

For this lesson I wanted to introduce a more serious side of the Harlem Renaissance, and expose my students to these sources in order to guide them to understand a different perspective of America during this time period. Despite the Harlem Renaissance being a time and place full of spirit, opportunity, and pop-culture, it was also a time of opportunity to captivate audiences, black and white, and explore issues of race in America. For myself, the issues and concerns that are expressed in the documents provided by these artists, are still issues seen today. Following this DBL students can be asked to make connections to more modern day issues, compare and contrast, and reflect on American society today. As an educator I want to create a place where such discussions can be held with respect, because I do believe discussing situations and concerns such as this should be held in a classroom in order to help our students be more open minded, respectful, and well rounded to the world around them.

Image credit: Wikipedia / Photograph by Alexisrael

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Teaching: The Opposite of Magic?

The Great Levante in Wellington, 1941

Like all youngsters, I went through the phase of wanting to be a magician – got a how-to book, assembled a few props and began to practice my “illusions.” I even put on a “show” for a few (younger) neighbor kids. That phase didn’t last long, but I learned that magicians rely on secrecy and redirecting the audiences’ attention.

Magician didn’t work out for me, but I’ve had a long career as a teacher, now teacher educator. As I finalize plans for my social studies methods class, I find myself thinking that good teaching is the opposite of magic. Unlike magicians, teachers draw attention to how thing are done. Teaching is thinking made visible. And if that’s true how do you teach how to teach?

My methods course is based on the premise that it should model the instruction we hope to see these pre-service teachers using in their classrooms. So, for example, it’s not enough to talk about PBL or student-centered learning. We have to use it in our methods instruction.

We know that students need a more authentic audience for their work than the teacher, so our methods course assignments have a public product. Our work has received recognition – including this shoutout from one of our inspirations – Sam Wineburg of the Stanford History Education Group. #humblebrag. 

My methods students are participant observers. They don’t simply following my lesson, they experiencing the learning as a “student” and then put on their “teacher hat” and reflect on “how did he set that up?” Unlike the magician, we make the thinking behind the lesson planning visible.

This year our University of Portland program is transitioning to edTPA. There’s much for all of us to learn and I’ll be doing that right along side my students. 

Here’s a visual intro I prepared for my students. It illustrates the three goals of the course and examples of how they are taught.

  1. Learn to think like a historian (or other social scientist).
  2. Become a skillful instructional designer.
  3. Develop skills for reflection, growth and professional networking.

Click to view intro mediaClick to view intro media

Image credit: National Library NZ on The Commons
The Great Levante in Wellington, 1941
Opera House Wellington, The Great Levante … Hows Tricks, 1941, Chromolithograph, Printed Ephemera Collection, Alexander Turnbull Library
Reference: Eph-D-CABOT-Magic-1941-01

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Teacher’s Guide to Ed Design

Devsigner conference logoI’m pleased to be presenting at the Devsigner Conference in Portland Ore June 27-28. As the organizers describe it

The Devsigner Conference features sessions and workshops focusing on front web design and development techniques, tips and tools. We also aim to inspire our technically inclined creative community with amazing session topics that bridge the gap between art and code. Join us June 27-28th in Portland, Oregon for our second annual celebration of Devsigners.

Devsigner guyConfession – I’m not a dev. But I have spent years designing learning experiences. So my session is titled the Teacher’s Guide to Ed Design. (Sat 11:45am-12:30pm).

My workshop session will offer perspectives on designing engaging learning experiences that motivate students, provoke their reflections and monitor their progress as learners. It should be useful for educational content providers or anyone interested in instructional design. This post provides an overview of my session and provide links for my workshop attendees.

My key takeaways for ed designers:

  1. Have the courage to be less helpful. Are students making choices, reflecting on decisions and sharing their thinking with an audience beyond the teacher?
  2. Teaching is not telling. Teaching is designing learning experiences that provoke 
learner reflection. This happens best when lessons have a social component and an authentic audience.
  3. Let the student be the historian.. . or scientist, mathematician, etc. Think of the art class. Would you expect to see the students passively watching the art teacher paint?

More on info on the my session’s themes and examples:

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How to Create Interactive eBooks with iBooks Author

iBA interactiveI’m offering an iBooks Author training session for faculty at the University of Portland. In our first session, Ben Kahn of UP’s ATS shot some video which he edited into these two presentations.

For additional support on using iBooks Author see my free iBook Quick Start: iBooks Author free at iTunes. Check out my training website Get Started with iBA

Hat tip to Ben Kahn and Maria Erb of University of Portland’s Academic Technology Services for making workshop arrangements and creating these videos

Part I: A quick tour of iBooks Author widgets and how they can be used in your iBook

Part II: A demo of how easy it is to input content into iBooks Author and how to use 2nd party widgets.

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How to Tweet Live Video of Your Presentation with Meerkat

Meerkats-Auckland_ZooNo doubt you’ve heard of Meerkat and its coronation as the next big thing at the recent SXSW conference. If not, think of it as a mobile video streaming app that piggybacks on Twitter. Imagine a live video stream of Romney’s “47% moment,” and you’ll see why Meerkat has caused a stir. 

To quickly check it out, search #Meerkat on Twitter and you will be inundated with “LIVE NOW #meerkat” tweets – followed by a url. Click on the link and most likely you’ll find a screen that says “STREAM OVER. Tune in next time @so-and-so is live.” (Plus an invitation to download the app and follow the Tweeter). I’m guessing that most Meerkasts are people testing it out for a few seconds. But you might also get to watch a live screencast of a band rehearsal or a breaking news story. Time will tell if Meerkat is the next Instagram or Ello.

If you have downloaded the app its easy to sign up with your Twitter account. Don’t be afraid to try your own test Meerkast. Most likely no one will tune in so you can check it out in private. If any viewers start watching you they will appear as Twitter icons at the top of the screen. You can decide if you’re having a bad hair day and it’s time to shutdown.

I recently “Meerkasted” (is that now a verb?) a talk I gave to a small gathering of colleagues at the University of Portland. The app was easy and effective enough to demonstrate to me that Meerkat could be useful for reaching an off-site audience at presentations and other events. Meerkat doesn’t provide an FAQ, so here’s what I’ve learned through experience or research. 

In advance:
Meerkat allows you either begin a live stream immediately, or “schedule” one for the future (no sooner than 5 mins). If you choose to schedule, then others who follow you on Meerkat or Twitter will see your promo tweet (with an image you can upload). They can choose to subscribe via the Meerkat app or simply check back on your Twitter stream at the appointed time.

It could be my bad luck, but I tried to “schedule” a Meerkat multiple times and was never able to get it to work. (If someone knows the trick to that or has any other Meerkat tips, please leave a comment below.) So instead of scheduling it, I just tweeted out an advance notice to tune in to the event with date and time. Then I started a live stream just before I began the talk.

Tech tips for set up:

  • At this point it’s iOS only, but Android is sure to follow.
  • Meerkat is a bit of a battery hog. I suggest having your iPhone on a charger.
  • You’ll need a mount to hold your iPhone. I use a Square Jellyfish “Spring Tripod Mount.” It clamps securely on my iPhone 5s and provides a junction to a standard tripod. It’s adjustable enough to accommodate the larger 6 series and most iPhone cases. With a mini tripod, you could set up your iPhone on your lectern.
  • Be sure to set your iPhone in portrait format. If you try to shoot in landscape, Meerkat will zoom in and convert the image to portrait anyway.
  • The front facing camera works fine and points the iPhone mic in your direction. If you set the camera fairly close to you, it allows you to check your position in the frame. 
  • Stick with a headshot. While you can view a Meerkast on any web-enabled device, it’s really designed for the intimacy of iPhone viewing. I had a Keynote presentation going in the background, but kept it out of the frame. (There’s too much contrast to try shoot video of a person in front of a presentation screen.)
  • If you have the iPhone set up within a few feet of you, its mic should work fine.
  • If you choose to use iPhone’s iSight camera remember that the built in mic will be facing away from you. You’ll be “off-mic” unless you add external microphone. You could use a small directional mic, but you’re making this all it too complicated. Meerkat is useful because its simple. You could use a headphone mic, but do you really want your live audience to think your listening to music? 
  • My experience and some contact with other users suggests that the sound / image sync is more stable when you use your cell network rather than wifi. In my tests, it was always flawless over cell, wifi got out of sync half the time. (Another reason I keep my grandfathered unlimited data plan with AT&T.)  
  • There’s 10 sec delay between you and your Meerkast, so I wouldn’t spend too much time focussed on your iPhone. 
  • Your Meerkast audience can tweet in comments which will appear on your Meerkat app. (That interaction works best when you are doing a intimate Meerkast over your latte). I found them too small to read during my presentation. If you want to follow Meerkast tweets while presenting, you could have another device with you at the podium dialed into Twitter. 
  • You could respond to tweets coming in and do the whole “backchannel” thing, but that can get complicated during a presentation. Unless you have someone else to follow and respond to your Meerkast tweets, keep it simple and focus on your live audience.

After the session:
Since Meerkat only streams in portrait, a YouTube broadcast of your Meerkast will look like it was shot by someone who doesn’t know enough to shoot their video in the desktop-friendly landscape mode. Nonetheless, Meerkat allows you to save your livesteam to your iPhone at the end of the session. You could then upload that to YouTube or use in another context. That save feature seems to work fine for shorter streams. I tried to save a 50 min session and it failed.

Another option for saving your livesteam is to add #katch hashtag in the title of your Meerkast. Katchkats will automatically create a YouTube video and post it back to Twitter with your Twitter handle. (If you forget, you can tweet a #katch hashtag via the Meerkat app anytime during your session and your Meerkast will be saved). #Katch places some limits on lengths of Meerkasts – it failed to save my 50 min session because of it’s length. Note: If you shoot a Meerkast in landscape and save via #katch it still ends up on YouTube in portrait.

Bottomline:
Meerkat is easy to use, but the product is ephemeral. If you really want to share a high quality record of your presentation, you should be using another platform like UStream.

When I Meerkasted my presentation, I stayed focussed on the audience in the room. Meerkat was set up, running and other than staying in the frame, I ignored it. Since I was unable to save the presentation, I have no permanent record of the event. But I had a tech in the room tuned into to my Meerkast checking in on his headphones. From what he told me, it went fine. I had a dozen Meerkast viewers who didn’t tweet much. But that was fine with me since it was a test run. I’m keynoting and running some workshops at Southern Oregon University Ed Tech Summit next month. Tune in on April 17th and see Meerkat in action. 

Image Credit Wikipedia / Vườn thú Auckland