Category: Students

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Image and Emotion / WWII Propaganda Posters

Buy more war bonds and stamps

I assigned my preservice teachers at University of Portland the task of using Learnist to design a document based question that would eventually become part of a class-produced DBQ iBook collection. DBQ assignment here. More samples of student-designed DBQs here.

I’ve asked them to reflect on the assignment and invited them to guest post on my blog. Here is Image and Emotion – WWII Propaganda Posters – a DBQ designed by Aram Glick.

You can find Aram at LinkedIn and here’s his posts on our class blog. See Aram’s chapter in our class-designed iBook – free at iTunes

Aram Glick reflects on what he learned from the experience:

When I began this project, I expected that choosing documents for a DBQ would be easy, while writing the text and questions to accompany them would require the greater effort.

As it turns out, the effort came in keeping myself terse. The fundamental question in this project was “what do you want the reader to do?” Once I decided that the reader would examine propaganda posters and analyze what emotional impact they had, it became clear that my main task would be curating the posters themselves. Too much text would only distract from the real focus of the DBQ. Thus, I tried to limit myself to minimal introductions to set the frame, and one or two open-ended questions.

It seems to me that simplicity is at the heart of the DBQ format. As long as the reader is oriented, the documents, visual or textual, should speak for themselves. I’ll keep this principle in mind not only when designing formal DBQs in the future, but when presenting primary documents to students in a classroom context.

There are many DBQs out there relating to World War II propaganda, but few ask the reader to look across cultures for parallel concerns.

I’m satisfied with the final project: its narrow focus has allowed it to stake out its own niche. There are many DBQs out there relating to World War II propaganda, but few ask the reader to look across cultures for parallel concerns. Still, this project only scratches the surface: the five propaganda themes I included are hardly the only possible points of comparison. I hope readers find this to be a source of ideas and inspiration for other projects.

Image credit: Buy more war bonds and stamps : winner R. Hoe & Co., Inc., Award – national war poster competition : Artists For Victory / MOMA
Contributors R. Hoe & Company
University of Minnesota Libraries, Manuscripts Division: msp02485

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1950s Red Scare – A Student Designed DBQ

Is this tomorrow america under communism

I assigned my preservice teachers at University of Portland the task of using Learnist to design a document based question that would eventually become part of a class-produced DBQ iBook collection. DBQ assignment here. More samples of student-designed DBQs here.

I’ve asked them to reflect on the assignment and invited them to guest post on my blog.
First up is Red Scare DBQ designed by Christina Steiner & Kristi Convissor.

See Christina and Kristi’s chapter in our class-designed iBook – free at iTunes

You can find Christina at LinkedIn and here’s her posts on our class blog.

Christina Steiner reflects on what she learned from the experience:

“A few weeks ago Kristi Convissor and I started creating a DBQ project. We first started with a general outline the DBQ would take. We asked ourselves “What do we want students to learn from the DBQ overall?” To answer that we came up with a generative question to help guide our designing processing and to help the students when they are using the DBQ. The generative question was: “How does a nation develop such an intense fear and enmity that it creates mass hysteria?”

“From there we narrowed it down to look specifically at the Red Scare in 1950s America. We wanted students to learn about Americans fear of communism during the time. We wanted students to not only be aware of the hysteria but to understand where that fear developed from. One of the goals of the DBQ was to get students to think about what kind of words, actions, depictions lead to fear and what kind of outlets are needed to create mass hysteria. If students understand that then they can see how the Red Scare came to encapsulate so much of the 1950s.The design of DBQs lends well to this kind of investigation.

One of the goals of the DBQ was to get students to think about what kind of words, actions, depictions lead to fear …

When creating the DBQ, we chose documents that helped answer the generative question. We had found some cool documents, but they side tracked too far from our question, so we cut them. Having the generative question kept us focused on the main point of the DBQ. In addition we also created follow-up question to each document, which helped us pick quality documents. If the document could only address one question then it probably was not the best source we could use. We made sure to use sources that could be asked several questions because they held a decent amount of information in them for students to discover.

Our DBQ took a media lens to the issue

The final project which can be found on Learnist and soon on an iBook, met our goals. Our DBQ allows students to see for themselves how America came to have such an intense fear of communism through films, articles, and posters. Our DBQ took a media lens to the issue, examining the creation of an enemy based on characterizations rather than on facts or true events.”

Kristi Convissor reflects on what she learned from the experience:
See Kristi’s posts on our class blog. 

Christina Steiner and I have been working on this project for several weeks. We started out with the idea that propaganda is meant to stir feelings in a certain direction, bad or good. Then we decided that we wanted students to recognize the use of propaganda throughout history. Our general question was “What do we want students to learn from the DBQ overall?” The generative question that we formed out of this starting idea was: “How does a nation develop such an intense fear of an enemy, creating mass hysteria?”

We thought that a good starting point to understand such hysteria would be the Red Scare in 1950′s America. We wanted students to learn about the paralyzing fear of communism that existed among Americans at that time. We wanted students to understand what caused such terror to develop. We wanted students to think about what words, images, actions, and depictions might cause fear and what is needed to cause mass hysteria. Student will then be able to understand the driving force of the Red Scare in 1950′s America. The DBQ slowly leads students to think in an investigative manner.

The DBQ slowly leads students to think in an investigative manner.

Christina and I chose documents that would help answer the generative question. We found A LOT of interesting documents and images, but we tried to stick to those that would answer that generative question. This kept us focused on the task at hand. We also ended each document or image with follow-up questions, to scaffold student understanding of propaganda. We wanted each document or image to provide a great deal of information that could lead to greater student discovery and interaction with each piece.

The final project can be found on Learnist and will soon be part of a larger iBook. Through this project, students will come to see and learn how America held such great fear of communism though images, books, comics, films, and posters. We looked specifically at media, examining the creation of enemies based on common perceptions rather than true events or facts.

Image Credit: Wikipedia
Cover to the propaganda comic book “Is This Tomorrow”‘
Date 1947
Source Catechetical Guild

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Student Consultants Design Museum Curriculum and Mobile App

Portrait of Seki Hiromura-Ace's mother and one of the Hiromura boys

If you follow my blog, you’re well aware of my advocacy for project-based learning. So when I was asked to teach a social studies methods class at the University of Portland, I naturally looked for a way to integrate a community-based project that would give my graduate and undergraduate pre-service teachers experience in PBL, the chance to work along side professional historians and an opportunity to make a difference in the community. For more on our course approach, see our class blog.

I live in downtown Portland on the edge of what is known as Old Town / Chinatown. Its a very diverse and historic neighborhood and once the center of a thriving Nihonmachi or “Japantown.” It’s now the home of the Oregon Nikkei Legacy Center, a small museum dedicated to “Sharing and preserving Japanese-American history and culture in Portland’s Old Town neighborhood, where Japantown once thrived.”

I approached the museum with a simple question – “What could you do with a dozen unpaid curriculum consultants?”

While planning my course, I approached the museum with a simple question – “What could you do with a dozen unpaid curriculum consultants?” And so our partnership began – my pre-service history teachers working with professionals at the museum to develop educational material to support their collection. I wanted my student so experience project-based learning from the perspective of the learner in the hopes that they would someday incorporate that approach into their teaching. I also wanted them to recognize that effective teachers are entrepreneurs, actively fostering external partnerships to support learning in their classrooms.

mobile-app-image

After a number of meetings we decided on three projects – an online lesson using curated videos detailing Japanese incarceration, a series of lessons to support an artifact-filled Museum in a Suitcase for circulation to Portland area schools and a iPhone app “Walking Tour of Japantown PDX.” All three projects would extend the reach of the museum and celebrate a once vibrant community that had fallen victim to wartime hysteria.

The app was going to take some technical assistance, so I reached out the Portland’s app community and was able to partner with GammaPoint LLC, PDX-based mobile app developer. We are worked with them to develop Japantown PDX, a native iPhone app walking tour of the historic Japantown in Portland. It features geo-fenced text, photos, audio and tools for sharing user reaction to the content via social media. We are also working with GammaPoint to make this project replicable in the k-20 space.

gallery-1912 Portrait

More on PDX Japantown: During the 1890s Portland was a hub from which Japanese laborers were sent to work in the railroads, canneries, lumber companies and farms throughout the Pacific Northwest. By the 1920s, a steady stream of Japanese “picture brides” had transformed a rough and tumble twelve-block section north of W Burnside between 2nd and 6th Ave into a more respectable Nihonmachi with over 100 Japanese managed businesses and professional office. Portland’s Japantown thrived until the WWII when Issei and Nisei were rounded up by federal officials and incarnated in inland camps. Portland’s Japantown was decimated. After the war a few returned to the old neighborhood, but many took up new residence in Portland’s postwar single family housing boom. The neighborhood had long been home to African-Americans and various immigrant groups. As Chinese-Americans began to predominate in the neighborhood, it gradually became known as Chinatown. Today, even most Portlanders are unaware of it’s heritage as Japantown.

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DBQ Lesson Plan: Shopping with Historic Documents

Upchurch Family 1896While exploring my Twitter feed I came across a very inventive 8th grade history lesson created by John Fladd ~ twitter@woodenmask. 

At the core of this lesson are some rich historic source material – the 1900 federal census, 1897 Sears Catalogue historic portraits and biographies.  John agreed to this cross post from his his blog Teacher Toys: Christmas Shopping Without a Flux Capacitor. I urge to visit his blog – he’s a great writer with many ideas to share. Readers should access his site to see additional resources for this lesson and correlation with standards. Note: John gathers student feedback via his GoogleVoice account, though students could submit their choices using other means.

1897 Christmas Shopping Project

  1. Each student chooses a photograph of an American taken in (or around) 1897 and reads a small secondary source statement about him or her.
  2. The student transcribes information from that person’s 1900 Federal Census form.
  3. The student chooses three Christmas presents from the 1897 Sears Roebuck Catalog – one for $1.00, one for $3.00 and one for $5.00.
  4. The student takes a picture of each of his or her choices, then calls my voicemail and records a message, describing one of his or her items.

 

Tom Tate,

Step 1 – The Photos

After trying several different approaches, I discovered that the easiest way to find photographs of Americans in 1897, was to type “1897” in Google Images and Flicker. As it turns out, there are a lot of people out there who like to share their antique photographs.

Almost every antique photo I found included some background information – “This is my Great Uncle Cyrus, who lived in Possum Flats, Arizona, who later went on to invent the electric pogo-stick…”

It is this secondary source information that allowed me to find census data for some of these people. I included a copy of this information to students in their document packets.

1900 United States Federal Census

Step 2 – Census Information

As it turns out, finding photos of people in 1897 isn’t as hard as finding information about them. I was able to find a 1900 Census form for about one picture in three using Ancestry.com. I downloaded the highest quality image of each that I could.

I had students transcribe the original forms onto a blank census form, provided by Ancestry. The idea behind this was to get students used to dealing with primary source information – reading the handwriting, thinking historically, etc… Having them copy the information also made it more likely that they would actually read it.

I discovered that the best way for them to read the original census forms was on a computer screen, so they could magnify sections as necessary. (As students chose their people, I downloaded all relevant documents onto their individual USB drives, for use at school or home.) We did the transcriptions in the Computer Lab.

One interesting lesson for the students was that bigger magnification doesn’t necessarily mean more legibility. Students invariably magnified difficult-to-read sections as much as possible, which tended to pixilate the writing and actually make it harder to read. I had to remind them several times to back off on their magnification to read entries better. They were deeply suspicious at first – this seems counter-intuitive – but eventually MOST of them decided I might know what I was talking about.

sears bikes 1897

Step 3 – Shopping

This step was probably the most fun for my students. By the time they had read primary and secondary source material about their particular person, they knew enough about them to do some thoughtful shopping.

In most cases. (Fourteen year-old boys, though, given a choice, will buy anybody a gun, under any pretext whatsoever.) I had them fill out this worksheet, which kept them organized and gave them a script for when they needed to make their recording.

 

Step 4 – Photographing and Recording

On the advice of a much-smarter and experienced colleague, I bought several goose-neck lamps to provide enough light for students to take pictures of their entries. (The students complained about a burning-insulation smell. I later discovered that there was a plastic warning-label inside each lamp that needed to be removed.)

I tried to come up with a graceful and elegant way for students to submit their photographs electronically, but in the end, the easiest solution was to have students bring the camera to me as they finished taking their pictures and I downloaded the images directly from the memory card in the camera. I borrowed digital cameras from two other classrooms and set up three stations. This worked pretty well.

At this point, my students had turned in two other projects via messages on my GoogleVoice account, so they had the mechanics of that down pretty well.

The End Product:

Christmas Shopping for 1897 from John Fladd on Vimeo.

Image Credits:
Upchurch Family 1896 flickr/Pioneer Library System

1900 Federal Census showing Harry Truman as 16 year old Ancestry.com

Tom Tate, son of Captain Tate’s half-brother Daniel Tate, posing with a drum fish in front of 1900 Wright glider Library of Congress  LC-W851-86

Sears Bike 1897 flicker/Slowe

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PBL in Action: Students Write, Market and Publish

Where the Roses Smell the Best

Portland’s own Roosevelt High School will celebrate the culmination of a year of hard work from students and volunteers in the Writing and Publishing Center and its first publication with a month of readings throughout Portland. Student-led Unique Ink has published Where the Roses Smell the Best, a literary companion to Portland filled with short stories, vignettes, and poems about the places, people, and activities that make Portland unique.

The book includes work from Roosevelt students alongside local authors such as Brian Doyle, Kim Stafford, Steve Duin, Renee Mitchell and Paulann Petersen. Where the Roses Smell the Best is available for purchase at local bookstores and online at Powells.com and Annie Bloom’s Books.

  • The month of readings will kick off at Powell’s on Hawthorne on Thursday, July 11th at 7:30. Oregon State Poet Laureate Paulann Petersen and Renee Mitchell will be accompanied by featured authors reading their pieces from Where the Roses Smell the Best.
  • The Oregonian columnist and author Steve Duin will join authors and student writers at St. Johns Booksellers at 7:00 on Saturday, July 13th for the second reading.
  • On Wednesday, July 17th at 5:00 students, families, and community members will gather at Roosevelt High School for more readings and a celebration of Unique Ink’s first year.
  • The fourth reading, featuring poet Laura Winter and author Emma Oliver, will take place at 7:00 on Wednesday July 24th at Broadway Books.
  • The fifth and final reading, scheduled on Monday July 29th at 7:00 at Annie Bloom’s Books, will bring back Paulann Petersen as well as more student authors and author Sybilla Cook.

Unique Ink is a student-staffed publisher based out of Roosevelt High School’s Writing and Publishing Center that was established in 2012. It’s a great example of project-based learning in action. Volunteers at the center teach publishing to high school students to improve their skills in business, editing, and marketing. Through the center’s unique hands-on approach, students learn about the publishing industry by publishing and selling their own books. Proceeds from the sales of Where the Roses Smell the Best will help the Writing and Publishing Center stay self-sustaining and continue to be a valuable resource to the students at Roosevelt High School. 

Web Marketing team