Leo Frank: Anti-Semitism, Class Warfare, Media Hysteria

Leo-frank-police-have-the-strangler-headlineMy Social Studies Methods class at the University of Portland recently published a free multi-touch iBook – Exploring History: Vol III (free iTunes). It features thirteen engaging questions and historic documents that empower students to be the historian in the classroom. For more info on our project and free download of multi-touch iBook and pdf versions click here. To better publicize student work, I’m featuring each chapter in it’s own blog post. (Sixth of 13)

The Lynching of Leo Frank by Jeff Smith 
Download at 3MB pdf

My great-grandfather, William Smith, was one of the lawyers involved in the trial of Leo Frank.

In the early morning of April 27th, 1913, the body of Mary Phagan was found strangled to death in the basement of an Atlanta, GA pencil factory. Next to her body the police discovered two semiliterate notes that seemed at first to have been written by her (“i wright while play with me,” read one) but were plainly the work of someone else.

The investigation focused on two suspects: Jim Conley, the factory’s black janitor who was arrested after he was seen washing out a bloody shirt a few days after the murder, and Leo M. Frank, the factory’s Jewish supervisor and the last man to admit to seeing Mary Phagan alive.

After intensive interrogation, Conley claimed Frank committed the murder when the girl rejected his sexual advances. Conley added that Frank dictated the notes to him in an effort to pin the crime on another black employee.

Frank and Conley were both arrested, and the ensuing trial captivated the entire city of Atlanta. The case also brought to the forefront the ugly realities of bigotry, prejudice, and hatred in the South.

 

Reflection by Jeff Smith

As I began thinking of topics for our document-based lessons, my mind immediately went to a topic with a strong family connection.  My great-grandfather, William Smith, was one of the lawyers involved in the trial of Leo Frank. (representing Jim Conley).

However, this dark chapter in the history of Atlanta, Georgia and the Jim Crow South is heavy material, dealing with racism, bigotry, prejudice and lynching.  All are certainly important issues worthy of a lesson, but the incident is not the most light-hearted affair.  I thought I might prefer to investigate in-depth a more approachable topic, but my family ties made the subject too attractive to ignore.

I was indeed correct in the difficulty of the material, and, as I dug deeper, ugliness after ugliness bubbled to the surface.  The topic also began to touch on a broad range of issues in the South, and focusing my lesson on specific documents and skills became an problem.  I decided to focus on media coverage of the event, comparing the coverage of competing local papers and the unseemly journalism that was practiced.

The most frustrating part of my research experience stemmed from the controversial nature of the topic.  As I google-searched various people and incidents, I noticed odd websites popping up.  I learned a bit more about these websites, and apparently the lynching of Leo Frank continues to be a linchpin topic for hate groups to this day.  There are several phony educational sites, published by hate groups, detailing “evidence” of Frank’s guilt and the conspiracies working to have him pardoned.  Unfortunately, these sites seemed to have hi-definition copies of famous photographs from the case, and it proved difficult sifting through the fake sights to obtain quality documents from reputable sources.

Overall, I felt the iBooks DBQ project was the most meaningful piece of work I produced in the MAT program this semester.  Not only did I learn more about my own family’s history, but I also obtained a useful new tech skill.  

In fact, in my spring placement I’ve decided to have my students use iBooks author to do a project of their own, presenting a story from a revolutionary period in the form of a children’s book.  The kids will create iBook chapters, assemble them into a collection, and present their stories to an elementary school class.  Their work will then be made available for the whole school to peruse, and for next year’s 7th graders to refer to when making their own book.

Image credit: Wikimedia: The Atlanta Georgian, April 29, 1913

Mitch McConnell Flunks US History

Online_Privacy_and_the_Founding_FathersThe Founding Fathers wanted the Supreme Court to represent the “will of the people.”  
___ True   ___ False

I have to keep Mitch after class to review how the Founding Fathers designed the Supreme Court

Any high school student who’s been paying attention would know that the correct answer is “false.” I’m guessing that Mitch McConnell and the Senate Republicans would incorrectly answer “True.” Remember – the central argument being raised by Republican Senators who refuse to even consider President Obama’s nomination of Merrick B. Garland to the Supreme Court is “Let the people have a voice.” So I’m going to keep Mitch (and his Senate buddies) after class to review how the Founding Fathers designed the federal judiciary selection process. The late Justice Antonin Scalia justified many of his decisions by claiming to know the Founding Fathers’ “intent” – so let’s use the original constitution for this model. 

  1. Only a fraction of the American people (white, property-owning, males) are allowed to vote.
  2. Each state selects elite “electors” who have the final say in an elaborate procedure that serves as an indirect selection of the President.
  3. Each state legislature selects two Senators to represent the interests of the state. (Since they don’t represent the American people, every state gets the same number of Senators).  Only 1/3 of Senate is up for reelection every two years. Senators serve a term of 6 years (vs 2 years for the popularly elected House of Representatives). The Founders gave the Senate the power to approve Presidential treaties and appointments because it was the legislative house most insulated from the whims of the electorate.
  4. The President nominates a Supreme Court justices. (Same for all other federal judges). A majority of the Senate must approve the President’s nomination to the court.
  5. Presidents and members of Congress have fixed terms, federal judges serve for life. Judges’ salaries cannot be diminished during their time of service.
  6. The judge’s life tenure is “during good behavior.” Any high crimes and misdemeanors can be challenged by the popularly elected House of Representative through an impeachment (finally, there’s some “will of the people”). But the actual trial of the judge is handled by the Senate.

If the Founding Fathers believed the “people must have a voice” the constitution would have provided for popular election of federal judges. “Let the people decide” is an ironic justification when discussing the process for selecting a replacement for Scalia – the self-appointed champion of the Founding Fathers’ intent.

Image credit: “Online Privacy and the Founding Fathers” By Matt Shirk (Own work) [CC BY-SA 4.0], via Wikimedia Commons

Cultural Imperialism: Who Stole Cleopatra’s Needles?

782px-Cleopatras.needle.from.thames.london.arpMy Social Studies Methods class at the University of Portland recently published a free multi-touch iBook – Exploring History: Vol III (free iTunes). It features thirteen engaging questions and historic documents that empower students to be the historian in the classroom. For more info on our project and free download of multi-touch iBook and pdf versions click here. To better publicize student work, I’m featuring each chapter in it’s own blog post. (Fifth of 13)

Finding Egyptian Needles in Western Haystacks by Heidi Kershner 
Download as PDF 3.2MB

Essential Question: Who owns and has the right to cultural property?

Beginning with Roman rule in 31 BCE many of Egypt’s obelisks were transported throughout the empire to be set up in various cities. Because of this, the city of Rome now houses more obelisks than anywhere else in the world (including Egypt). Three such obelisks found their way to the metropolises of London, Paris, and New York in the nineteenth century. 

 

Reflection by Heidi Kershner

The process of designing a document based lesson was quite lengthy and involved. It required finding not only relevant documents and primary sources but ones that were both rich enough yet easily accessible for students to engage with on a deep level.

In my case I found this objective fairly challenging as I was looking to create a lesson to fit within a unit about ancient Egypt. Given that the subject for my lesson was from such antiquity I found it fairly difficult to find primary sources and other documents that would fit the aforementioned stipulations. However once I was able to identify my documents the actual designing of the lesson was pretty fun!

Throughout this process I had to continually put myself in the shoes of my students and ask the question: what should students be doing and learning from each document? With this important question in mind I was able to critically think about how each document and primary source fit into the larger fabric of my lesson.

Even though this type of lesson carries a fairly heavy workload in terms of planning I think that this would be a fantastic method to use in my instruction. Certainly not every lesson can be document based but I think that such lessons could be very powerful in terms of both increasing student content mastery as well as providing an opportunity for students to act as historians (which should always be our goal as teachers of social studies)!

Image credit: Wikipedia 

Cleopatra’s Needle in London seen from the River Thames. In the background the New Adelphi, a monumental Art Deco building designed by the firm of Collcutt & Hamp.in the 1930s. 
Photographed by Adrian Pingstone in June 2005 and released to the public domain.

Samurai: Sources of Warrior Identity in Medieval Japan

611px-Watanabe_Tsuna_fighting_the_demond_at_the_RashomonMy Social Studies Methods class at the University of Portland recently published a free multi-touch iBook – Exploring History: Vol III (free iTunes). It features thirteen engaging questions and historic documents that empower students to be the historian in the classroom. For more info on our project and free download of multi-touch iBook and pdf versions click here. To better publicize student work, I’m featuring each chapter in it’s own blog post. (Fourth of 13)

The Samurai: Sources of Warrior Identity in Medieval Japan by Benjamin Heebner
Download as PDF 1.8MB

This document based lesson will use Medieval depictions of the Samurai to answer the question of what it means to be a warrior in Japan and the place of the warrior in society. This lesson, is aimed for students to think about how warriors were romanticized in Japan, and how the social structure of Japan reinforces these depictions. in addition, students will then use these understandings see how Medieval Japanese society was ordered.

  1. What does being a warrior entail?
  2. How are warriors identified?
  3. Are the depictions of warriors truthful or are they fabricated?

Reflection by Ben Heebner
The topic of my document-based lesson project is Japanese warrior identity as shown by Medieval era (1185-1868) depictions of warriors. In the lesson students are asked scaffolding questions that help them look at the underlying biases that go into the varied depictions that we are looking at. By doing this students will be interacting with the sourcing of documents, while forming a contextualization of the time period and society that had its top class  dominated by warriors. Using the sources that I chose, students will be able to engage in the question of how groups of people are depicted and why these depictions and the truth may not actually match up. I intentional choose semi-historical depictions of the Samurai to showcase how depictions reflect the identity of the time period that they were created in.

From the first step in creating this document based lesson I knew that I wanted to do something with Medieval Japan. My mind instantly thought about the many woodblock prints (Ukiyo-E) that became massively popular during the Edo Period of Japanese History (1615-1868). By paring these more recent images of warriors and events, that were popularized by the war tale genre, with the war tales and their definition of valor and bravery, I felt that students would become engaged with this material readily. I knew that I would have to include a source from the war tales themselves to be able to tie all the images together so I picked the ending scene from the Hogen Monogatari. While the inclusion of more documents would help, I think that the  depictions that I chose give students the chance to question why these documents were made and why these documents became so well known within Japanese society.
Medieval Japan is a secondary topic of study for most World History classes. The time devoted to Japan is either at the very end of the year, when teachers are looking to fill time, or as an aside to exploration of China. As this document based lesson shows, Japan’s Medieval period is filled with a gold mine of historical inquiry. Japan’s Medieval period is filled with a great many questions that reverberate across the entire world during the Medieval period. The one that this lesson focuses on is, What does it mean to be a warrior. by looking at this question students will have the opportunity to see how extremely different cultures view the same topics  and begin to see how different cultures and groups respond to challenges. By engaging in these questions, students will have the opportunity to be junior historians and engage in the material the same way that a historian would.

At the end of the lesson I would have one of two activities. The first activity would be a standard argumentative essay that asks students to show me whether or not the depictions of Samurai offered up by the documents are justified or are they hiding the villainy of an entire group of people behind a facade of fiction. Another activity that could end out this unit would be for groups of students to create a movie poster for a fictional film that depicts Samurai. In doing this students would be asked to show whether or not their film would promote the Samurai or vilify them using the documents and depictions as a base. These two activities allow students to engage with the generative question of these lessons which is, what does it mean to be a warrior? In addition, the second activity allows students to display their understanding of the documents by depicting how the documents only show a side of the warrior class.

Image credit: Watanabe no Tsuna fighting with Ibaraki at the Rashomon gate, woodblock print by Utagawa Kuniyoshi Wikipedia

Strange Fruit: Media Coverage of the Waco Horror

Bryan Daily Eagle and Pilot, May 15, 1916 Bryan Daily Eagle and Pilot, May 15, 1916

My Social Studies Methods class at the University of Portland recently published a free multi-touch iBook – Exploring History: Vol III (free iTunes). It features thirteen engaging questions and historic documents that empower students to be the historian in the classroom. For more info on our project and free download of multi-touch iBook and pdf versions click here. To better publicize student work, I’m featuring each chapter in it’s own blog post. (Third of 13)

The Waco Horror by Alekzandr Wray
Download as PDF 2MB

The 1916 lynching of Jesse Washington, a 17 year old African American man from Waco, Texas, was one of the most heinous acts of government sanctioned mob “justice” in American society. The barbarity of the act, the festive/jovial/family-centered nature of the event, the sheer volume of participants, and the local government inaction around the incident shocked many people in the nation and spurred the NAACP to take immediate action around Anti-Lynching Legislation. Jesse Washington was just one of thousands of stories but we will focus on primarily on his today and the context surrounding lynchings in the early 20th century.

 

Reflection by Alekzandr Wray:

Throughout the entire process of creating my document based lesson I was incredibly engaged. The idea of setting up students to serve as historical detectives was fascinating and doing the research to “uncover” primary sources/information proved incredibly fruitful and fulfilling. I even felt like a historical detective at certain points, especially when the Schomburg Center for Research in Black Culture emailed me the court transcripts from Jesse Washington’s “trial” in Waco, Texas!

Focusing on the lynching of Jesse Washington was certainly a emotionally/spiritually challenging task for me, however, and I initially struggled with the idea of what I wanted students to actually do with this information and what my intention for the lesson was. “Do I want students to get angry over Jesse Washington’s lynching and just sit in that anger? Do I want students to see how groups like the NAACP rose to prominence because of the work they did to quell lynchings? What am I trying to get at?” Ultimately, I ended up deciding that my intention was multifaceted… I am totally fine with students getting upset over historic injustices (after all, who learns about events like the Holocaust or Jim Crow and DOESN’T get upset?)  because I believe that will ignite an inner fire/passion to fight against present day injustices and, of course, I want students to feel empowered in their ability to contribute to society for the better so I felt the need to highlight the NAACP’s article in “The Crisis” and Billie Holiday’s “Strange Fruit” as examples of resistance.

I truly appreciated this process and wish I had more opportunities to engage in document based learning during my secondary education career. I fully intend on utilizing this type of lesson in my future classroom in sha Allah.

If anybody who reads my chapter on Jesse Washington and the dark legacy of American lynchings has any feedback or recommendations, I would love to hear from you. Please feel free to contact me on LinkedIn. Much obliged.

Image Credit: Bryan Daily Eagle and Pilot, May 15, 1916
Library of Congress