Calling PNW educators: edcampPDX Aug 16 – Portland Ore

edcampPDX-8-16-14On behalf of our local team of organizers, I’m pleased to welcome you to our 10th edcampPDX since 2011. It’s time to get pumped up for the new school year- network and share new ideas with your colleagues.

Calling all teachers, pre-service teachers, instructional technologists, IT directors, principals, admins and teacher librarians who live in the NW: edcampPDX – Saturday, August 16, 2014 More info
Riverdale Grade School 11733 SW Breyman, Portland, OR 97219  Map

Students are welcome at EdCampPDX! Make sure to add them to the list so they’ll get a lunch.

What is edcampPDX?
An edcamp is an unconference-style day of professional development organized and given by the local participants.

Sign up here to attend! 
We’ve had lots of proposals for sessions.
Check our sessions out here.

What should I bring?
Bring a friend and a device (either a laptop or mobile device) with wireless internet access to view the website, see the sessions, take notes and view online resources discussed throughout the day.

Are you on the Twitters?
Tweet updates about #edcampPDX. Follow @edcampPDX on Twitter.

What does it cost?
The day is FREE!!! Even lunch.

PPS Teachers – we’ll have some Chromebooks and workshops so you can get a head start.

edcampPX-Storify

What are the goals of edcampPDX?

  • Networking: Connect educators in the Portland / Oregon area
  • Instructional Practices: Learn new curriculum ideas, best practices,
  • and/or tech integration ideas from other educators
  • Personalized: You customize your own PD by suggesting, facilitating and attending sessions about topics that interest you!

edcamppdx-app

Free iBook: History of Portland’s Japantown

Portland’s Japantown Revealed Cover

Awarded “Best Textbook” and “Best Widget, 2015” More

I’m pleased to introduce my multitouch iBook: Portland’s Japantown Revealed. Free at iTunes.
It’s a collection of historic documents, photographs and interviews that tell the story of Portland’s “Nihonmachi” (Japantown) – a once vibrant community that disappeared with the forced removal and incarceration of its citizens. It’s the fourth title in my Homefront USA series of iBooks.

It’s filled with over a hundred archival photographs and dozens of video interviews with former Japantown residents selected from the collection of the Oregon Nikkei Legacy Center. The book details life from the 1890s until the eve of WWII when it had grown to a bustling neighborhood with over 100 businesses. Located within a twelve block area in an area north of Burnside St and west of the Willamette River, it was a home to scores Japanese American families and a regional destination for others who wanted to buy traditional food, receive dental and medical care, find legal assistance, and take care of their banking needs.

One exciting feature of the iBook are interactive “Portland Revealed” widgets that allow the reader to blend historic and contemporary photographs. I created them by seeking out locations of historic photographs where the architecture had been preserved and re-photographing the contemporary setting. The resulting overlay lets the user “paint” the historic figures into modern settings.

ONLC 01856 Morimoto Kawamoto truck

“ … we just didn’t know what was going to happen to us. Were they going to shoot us, or are they going to send us all to Japan, and we can’t even speak Japanese properly.”

The book details the Japanese American reaction to the attack on Pearl Harbor and the uncertainty that swept through Nihonmachi. A Japanese American woman who was nineteen at time recalls “Well, they won’t take us, we’re citizens … “we’re citizens,” that’s all we kept saying, “they wouldn’t take us.” A  man looks back and recalls thinking “ … we just didn’t know what was going to happen to us. Were they going to shoot us, or are they going to send us all to Japan, and we can’t even speak Japanese properly.”

To give the reader historic context for the temper of the times, the book includes pamphlets, posters and movie clips that exemplify the anti-Japanese rhetoric of the era. Portland’s Japantown residents retell the story of the sudden arrests and disappearance of community leaders in the days following Pearl Harbor.

By February of 1942, President Franklin D. Roosevelt issued Executive Order 9066 cleared the way for the forced removal and incarceration of Portland’s Nihonmachi.

Japanese-American child who will go with his parents to Owens Valley

Once the exclusion orders were issued, Portland’s Japanese Americans had only a few days to get their business affairs in order before having to report to the Portland Assembly Center. Many were barred by the Alien Land Laws, from owning property, thus their businesses investments were in fixtures and inventory. Limited to only a suitcase of personal possessions, many had to leave everything behind or liquidate possession or properties in quick sales for only pennies on the dollar. Within days Nihonmachi’s residents were stripped of their civil rights, freedom and financial equity.

Their first stop was the Portland Assembly Center operated in the summer of 1942. It was one of the many temporary incarceration centers built in large population centers on the west coast until more permanent centers could be built further inland. The Portland Assembly Center was really the Pacific International Livestock Exposition Pavilion. Plywood construction and rough partitions could not cloak the smell of manure, or deter the swarms of black flies.

Page from Portland’s Japantown RevealedFor four months, over 3,500 evacuees made do in this roughshod temporary housing with minimal plumbing and little privacy. No information was given on how long they would be at the assembly center or where they would go next. See interviews with people incarcerated at that center and contrast them with the cheerful photographs circulated to the US public. Most of Portland’s Nihonmachi was eventually moved from the Portland Assembly Center to more permanent incarceration at the Minidoka War Relocation Center.

But after the war … the Japanese town was not there… I don’t think there was that central feeling of Japantown. ~ Former resident

Released from incarceration in 1945, Portland’s Japanese community faced tough decisions about where to “restart” their lives. Most had lost their livelihoods, homes and possessions in the wartime roundup. Released from incarceration in 1945, Portland’s Japanese community faced tough decisions about where to “restart” their lives. Most had lost their livelihoods, homes and possessions in the wartime roundup.

In the post-war years, some Japanese American businesses were re-established in what had been Portland’s Japantown. Nonetheless, the vitality of a neighborhood that once was a vibrant Nihonmachi never fully recovered from the US government’s forced removal and incarceration of its Japanese American residents during the war years.

Unless otherwise noted images from the Nikkei Legacy Center.
Young girl detainee by Russell Lee. 
U.S. Farm Security Administration/Office of War Information.

Learning to Think Like a Historian

art-classI recently was a contributor to a Education Week Teacher’s “Classroom Q&A With Larry Ferlazzo” column Teaching History By Encouraging Curiosity Note: you can also listen to our 10 minute podcast on the subject at BAM radio or iTunes

The column prompt was “What are some stories (testimonials) of the process teachers experienced when moving from the ‘stereotypical history teacher who only gives multiple choice tests on the dates of battles and offers their students a steady diet of mind dumbing worksheets and lectures.’”

I thought I cross post my response below for readers who do not have access to content behind the Ed Week paywall.

What do historians do? Research, interpret, and evaluate sources, apply historic perspective, pose questions. … they share the fruits of their research with others, take positions and defend them.

Let me share my evolution as history teacher. In 1971, I began teaching history much the same way it was taught to me. I did all the reading and assimilation of material, then worked hard to craft the interesting lecture. I delivered the information with great gusto and loads of clever asides. Then I gave the objective unit test to see if the students got it. I was doing all the work; learning far more than my students; preparing and delivering “five shows daily.” And so I trudged through history – Plato to NATO.

Then one day I had a revelation. I walked into the art classroom next door to borrow some supplies and looked at the interaction of the art teacher and his students. I realized that if Tom taught art the way I taught history, then his student would be sitting in rows watching him paint. And so my journey began. Just as Tom was teaching his students how to think and behave like artists, I needed to figure out how to get my students to be the historian.

Here’s a few key ideas I considered when making the transition to student as historian. Note: For more, see my Slideshare The Student as Historian

Teach how historians think and behave:

What do historians do? Research, interpret, and evaluate sources, apply historic perspective, pose questions. More importantly they share the fruits of their research with others, take positions and defend them. Make these skills the basis of your class and you’re on your way to meeting Common Core standards. Build in opportunities for students to peer review each other’s work and reflect on their progress as learners. See my Taxonomy of Reflection for prompts.

Stop teaching facts and let students explore essential questions:

Look at a contemporary issue in the news and use it as catalyst for understanding its historic roots. Why teach the Federalist vs. Anti-Federalists debates? Better to frame the lesson around the essential question “How Powerful Should the National Government Be?” It’s timeless and extends the issues raised by the rise of the Tea Party back to the debate over the ratification of the constitution. Download my free Great Debates in American History

Use history as a platform for teaching across the curriculum:

Why not teach some graphing skills using historic census data? A great chance to design an infographic. Historians rely on key literacy skills like summarizing and comparing. Frame tasks for the students that allow them to develop their own summaries and comparisons, share them with their peers and defend their thinking. Those are more Common Core skills.

Choose the right primary and secondary sources for students to work with:

Visualize the famous “Golden Spike” photo taken to mark the completion of a transcontinental railroad line in 1869. What can a student learn by looking at the image? Not much, because the important information is not in the image. It’s in the background knowledge a student must already possess to interpret it. Unfortunately, this type of photograph dominates our textbooks. It’s iconic – it refers to something else that we want students to know. More

Instead use historic sources that are less reliant on background knowledge. Allow students to make their own judgments about source material and share what’s important to them (instead of just repeating the details the teacher highlights). It’s a great chance for them to put those summarizing and comparison skills to use.

If you have access to Ed Week, I urge you to read the article. It also features a great response from Diana Laufenberg, who notes:

Now, I’ve never had a class start with, “Miss… I just have to know about the War of 1812, can you please tell me more?” The majority of students don’t come to class naturally curious about the stories of history. However, when you take the time to pull the students from their own experiences, allow them to make connections to history, float back to modern day to again find further connections and go back into history with all that information – meaning starts to develop in a way that is not achieved otherwise.

And interesting interesting observations from Sarah Kirby-Gonzalez, including

When I first stepped away from the basic, bubble-assessment curriculum and into a more inquiry-based approach, I was surprised by my students’ reactions. I had assumed the students would eat up the rich lessons, yet their first reaction was one of discomfort. When my good, little memorizers didn’t easily earn a perfect score on an assessment, they were frustrated and shut down. After much reflecting, I realized they were out of their comfort zone and not used to being asked to think critically. Answers didn’t come easily, and since often their self-image of being smart is wrapped up with things coming easily, the students felt attacked. Slowly, the students began to thrive and rise to the challenge.

Here’s some interesting comments from Part II of Larry’s series Teaching History By Not Giving ‘The Answers’

First from Bruce Lesh, who writes:

Colleagues looked at me funny as students began to ask questions and engage in debates about historical evidence. My peers–who have been trained (as I was) to lecture, assign readings from the books, break things up with Hollywood movies, and test with quickly graded multiple-choice questions–wondered why I was challenging “what has always worked.”

…Students had become accustomed to history being taught in a certain manner. In their effort to learn to “do school,” they expected to come into the history classroom and be regaled with stories of the past distributed through lectures, films, and textbooks, and they had mastered the skill set necessary to “do history.”

And this response from PJ Caposey, who notes:

When working with teachers I focus on …  trying to change from the ‘status quo’ to what is best for kids. One [element is the] Google test. If it can be answered via a simple Google search – then very little instructional time should be spent on it and it should not be assessed. CCSS is a game-changer, so too can be the ‘Google Test.’

Image credit: Flickr / Classroom scene, [Strabane technical school, Northern Ireland]
Date: c.1930

iBooks Author Training Video and Free Guide

IBA DesktopHere’s session one of my recent iBooks Author (iBA) training workshop. This one-hour session was designed to introduce iBA to about a dozen teacher at LaSalle Catholic College Preparatory in Portland Ore. I covered what can iBA do and workflow suggestions for next steps. I stressed it’s not about  the technology –  book design begins with content, audience and purpose. Their next step is to gather content, think about how to present it with iBA’s native (and second party) widgets.  

Here’s a resource site I built for the session Get Started with iBA 

If you want to follow along with my widget review -download my guide – Quick Start: iBooks Author free at iTunes I’m demonstrating all the widgets found in chapter 2. 

We shot a video of the session using a stationary webcam. Not the best quality (off center and off mic) – but some may find it useful. Here’s a rough outline of what I discussed.
1. Widget intro (chapter 2 in Quick Start: iBooks Author)
2. I demonstrated project work flow using my latest iBA project “Lost Japantown PDX” (working title).  See reveal widget video demonstration here

  • Gather content and archive in Evernote
  • Format content – edit video, crop images, edit text
  • Begin layout of book pages in a program like Keynote. Remember that it’s not easy to rearrange pages in iBA. Keynote provide a simple way to get you content in order
  • Begin to build iBook in iBA.

3. Considerations – file size, user experience, copyright
4. A collaborative iBook design project I did with my University of Portland students Exploring History – free at iTunes.

Free iBook Explores Ancient Egypt

Meet Alex the Archaeologist

The Memorial Art Gallery Rochester NY recently published Ancient Egypt: Exploring Ancient Artifacts with Alex the Archaeologist. It’s available free from the iTunes Store.
Full disclosure: I’ve assisted MAG on a number of projects and was a “mentor” on this iBook

Ancient Egypt is interactive resource for teachers and students featuring video host – “Alex the Archeologist.” (Played by Alexander Smith, a Mediterranean archaeologist and graduate student at Brown University’s Joukowsky Institute for Archaeology and the Ancient World.)

Chapters include: Government and Wealth, Power and Protection, Gods and Goddesses, Journey to the Afterlife and a very interactive guide to reading hieroglyphics. “Stop and think” questions throughout the book foster student reflection. An illustrated glossary helps foster defining skills. Students can zoom in to closely examine artifacts and try their hand at interpreting hieroglyphics.

God Osiris

Designed for classroom use by grades 6–12, Ancient Egypt is the first in a series for young people studying the ancient world. Using the Gallery’s collection of artifacts, this thematic object-centered exploration uses works of art, timelines, video clips, photographs, and interactive media to take students into the world of earlier civilizations. It meets Common Core Standards as students learn to read objects as primary source texts.

The Memorial Art Gallery has many other great resources available online. A good place to start is at Passport to the Past. It features collections of image sets sized for use on Smartboards or in PowerPoints