Tour Japantown PDX with StoryMapJS and JuxtaposeJS

Northwestern University Knight Lab has produced some great free storytelling tools. I’ve previously posted about comparing images using JuxtaposeJS. It’s great for telling then and now stories when you have a good balance of continuity and change. Here’s a example of frame comparison I made using the tool. Use your mouse to grab the slider and move it up and down.

It shows one of Portland’s Japanese owned/managed hotels back in the heyday of Portland’s Japantown before the forceable removal and incarceration of its citizens during WWII. More on how to create with JuxtaposeJS

Another KnightLab tool is StoryMapJS, a free tool to help you tell stories on the web that highlight locational content. I’ve been playing around with StoryMap and thought it might be fun to see if I could embed JuxtaposeJS sliders into a StoryMap. I think the integration worked well – though it is better viewed from this direct link on your desktop / mobile device than in the embed below. (This embed messes a bit with the size of the feature photos.) As you go though the tour you’ll see I used a mix of static photographs and image blends I made with JuxtaposeJS.

I had lots of great content from my multi-touch book Portland’s Japantown Revealed. It featured engaging then / now photo widgets that allow the user to “paint” history into contemporary photos with a wipe of their finger. So I reused the then / now photo comparisons using the a different tool – JuxtaposeJS and then used them for image content in the StoryMap. Note: Historic images are supplied by Oregon Nikkei Legacy Center. I took the contemporary photos.

Backstory:  I was scheduled to visit Marisa Hirata’s 3rd graders at Portland’s Alameda Elementary School. Students had been researching Portland’s Japantown and had already designed a “shoebox” replica of the community. For my visit, I created this StoryMapJS “tour” and the students used each stop as writing prompts.  This StoryMap was great for helping students to visualize how people’s lives were lived in Portland’s thriving pre-WWII “Nihonmachi.”

Pompeii: Documenting a Disaster

800px-Karl_Brullov_-_The_Last_Day_of_Pompeii_-_Google_Art_ProjectMy Social Studies Methods class at the University of Portland recently published a free multi-touch iBook – Exploring History: Vol III (free iTunes). It features thirteen engaging questions and historic documents that empower students to be the historian in the classroom. For more info on our project and free download of multi-touch iBook and pdf versions click here. To better publicize student work, I’m featuring each chapter in it’s own blog post. (Eighth of 13)

Pompeii by Caleb Wilson
Download as 1MB pdf

In 79 A.D. Mount Vesuvius erupted burying the vibrant Roman city of Pompeii, and many of its citizens beneath tons of volcanic ash. The City of Pompeii was an ancient Roman town near modern day Naples. The following documents are primary sources related to that event. As you analyze and examine each document consider the source and time period of its creation. I want students to use inference from the documents to determine details of the source event, and use evidence to support those determinations.

Reflection by Caleb Wilson

For my DBL I designed a lesson that addresses the disaster that happened in the ancient Roman city of Pompeii. Since I am not placed in a history class at the moment I wanted to design my lesson to flow with any history or social studies class that would be studying ancient civilizations or natural disasters. I wanted an interesting lesson that offered a wide range of documents that would allow students to engage fully into the lesson regardless of needs.

Designing a Document Based Lesson, or DBL, has been a great experience. I learned the importance of creating a generative question that serves as a guide for student learning. The hard part was finding documents that best fit this question. I wanted to show the students how devastating the event was and how important it is to look at a variety of sources that are out there. This also puts students into the place of the researcher as they see the evidence that modern historians were faced with in their attempt to understand the catastrophic event.

I struggled with what sources I should attach to this DBL. I wanted a first hand experience of the events along with some “modern” photographs. The hard part for me was finding what photographs I would provide the students for the DBL. There are a lot of photographs out there on Pompeii, of many different artifacts as well as the location itself. I wanted to pick photographs that best capture the event in a student friendly fashion. It was important to include the bread loaf that was fossilized by the ash because it is so relate-able to their lives. I could of simply front loaded a bunch of photographs of fossilized victims of Pompeii; however, I felt that this would just distract the students rather then help them understand the event. This could also have felt very de-contextualized.

If I had to do the DBL again I would like to find a few more documents of related to the event. I am happy with the photographs and video I have. That said, I feel that the for the lesson to be truly complete I would like a few more textual sources for students to go over and maybe contextualize between. I will continue to strive to build lesson that scaffold students knowledge and experience.

Image credit: Karl Brullov, The Last Day of Pompeii (1830-1833) at Google Cultural Institute
Briullov visited Pompeii in 1828 and made sketches depicting the AD 79 Vesuvius eruption. The painting received rapturous reviews at its exhibition in Rome and brought Briullov more acclaim than any other work during his lifetime. The first Russian artwork to cause such an interest abroad, it inspired an anthologic poem by Alexander Pushkin, and the novel The Last Days of Pompeii by Edward Bulwer-Lytton. It depicts a classical topic but exhibits characteristics of Romanticism as manifested in Russian art, including drama, realism tempered with idealism, interest in nature, and a fondness for historical subjects. A self portrait is in the upper left corner of the painting, under the steeple, but not easy to identify.
 

Portland to March for Civil Rights Hero – Minoru Yasui

Minoru “Min” YasuiOn the evening of March 28, 1942, Minoru “Min” Yasui, deliberately violated the racially discriminatory curfew against Japanese Americans to test its constitutionality, walking on NW 3rd Avenue in downtown Portland. Min’s lifelong fight for justice and equality led to his recognition as the first Oregonian to be awarded (posthumously) the Presidential Medal of Freedom.

At the age of twenty-six, Yasui put his professional career and his personal liberty on the line for justice. He spent 9 months in solitary confinement at the Multnomah County Jail as he appealed his case to the U.S. Supreme Court. He was released from jail in 1943, only to be sent to the Minidoka American concentration camp in Idaho. More 

Join us to retrace Min’s historic walk for social justice on March 28th 

Please join us on Monday, March 28, as we retrace Min’s historic walk from his law office in the Foster Hotel in Old Town, to the former site of Police Headquarters on SW 2nd Avenue and Oak Street. Gather at Oregon Nikkei Legacy Center (121 NW 2nd Avenue Portland Ore 97209 map) at 4:30 pm for the short 6 block walk followed by a program in the foyer and reception in the offices of Stoll Berne at SW Second Avenue and Oak Street. Download flyer 389KB pdf

Yasui was awarded the 2015 Presidential Medal of Freedom, the highest civilian award in the country. The Oregon Senate and House unanimously recently passed a historic bill designating March 28 of each year as Minoru Yasui Day. More from the Min Yasui Tribute Project

Never Give Up! – Trailer from Minoru Yasui Film on Vimeo.

Minoru Yasui was born 100 years ago in 1916 in Hood River, Oregon, son of Japanese immigrant parents. He was the first Japanese American to graduate from the University of Oregon School of Law, and the first Japanese American member of the Oregon State Bar.

After the war, he moved to Denver, Colorado, where he continued to fight for human and civil rights of all people. In the 1970s-80s, he spearheaded the national movement for redress: an official apology and reparations for Japanese Americans imprisoned in the World War II camps.

In 1983, he returned to Portland to reopen his wartime case in the U.S. District Court of Oregon. While his conviction was vacated, the court denied his request for an evidentiary hearing, which he appealed. His case was pending in the Ninth Circuit Court of Appeals when he died in 1986. Minoru Yasui is buried in his beloved hometown of Hood River, Oregon.

Image credit: Holly Yasui / Oregon Encyclopedia link