Teaching Innovation? Inspire Your Students with Maker Faire

Last month’s Maker Faire drew do-it-your-selfers from across the country to San Francisco to show off their creations. While the rest of us seem content to buy what we need, there is a dedicated community of tinkerers out there that is keeping the American tradition of backyard innovation alive. Why not showcase their work to inspire your students to think more creatively?

I’ve made the point that schools need to foster creativity to prepare our students for a future that will put a premium on adaptability. Innovation requires both a strong foundation in content knowledge and the ability to apply that knowledge in new ways – usually across a variety of disciplines. And it requires using all of Bloom’s skills from remembering through creating. Creating is not a skill limited to the gifted. It’s something that all students can do – think of it as a new combination of old elements.

If you’re looking to inspire your students, you might send them online to Maker Faire or it’s parent, Make Magazine (or the like-minded site, Instructables.) Even if you’re too timid to let them haul in old washing machine parts, you can give them the opportunity to do paper designs of their creations in the style of Rube Goldberg.

In the meantime enjoy The Best of Maker Faire 2008

How do I put students in charge of thinking in my classroom?

I spent the month of February in Oregon giving a series of workshops across the state.  But I didn’t do all the talking. I had many chances to listen to students, teachers, and administrators in a variety of settings – focus groups,  planning sessions and classrooms walk-throughs.

Img_0262One question posed by a teacher captured a central challenge to education in the 21st century – “How do I put students in charge of thinking in my classroom?”

<<< North Bend OR 4th graders investigate the phases of the moon

Accountability is here to stay. There’s no going back to the “bell curve” of academic winners and losers. Life-long learning dictates that children will need to become self-directed learners. But too many teachers feel compelled to rush through course material to cover a multitude of benchmarks and standards. For them, the demands of time and testing, limit their opportunities to teach to greater depth.

My workshops attempt to point a way out of this dilemma. We take the approach that instruction must be organized to help students gradually take responsibility for their learning. We focus on idea that learning is relevant to students when the student:

  • Understands how the information or skill has some application in their life.
  • Has an opportunity to try their own learning approaches, rather than just learn the facts.
  • Is not just learning content and skills, but is learning how they learn.

Teachers need support to make the transition to this style of instruction. Administrators  need to reinforce the idea that teaching for greater depth beats teaching to the test. The curricula needs to be compacted to provide more time for students to explore their own approaches. Staff development and curriculum resources need to target more rigorous and relevant instructional models.  Teachers should be given opportunities for faculty collegial interaction and classroom walk-throughs to showcase best practices.

These initiatives  come with a reciprocal accountability. Administrators support teachers to foster greater rigor and relevance in the classroom. In return, they can expect to see those strategies being utilized when they visit the classroom. 

I’m encouraged by the bright students and dedicated educators  I met in Oregon – working together to redefine the 21st century classroom.  As one teacher commented, “I realize that all children are capable of higher-level thinking. We need to continue teaching kids to think for themselves, teach each other, get involved… their futures depend on it.”

So why aren’t your students publishing their own books? Part II

ABCs Human Body
ABCs Human Body

It’s been nearly a year since I first raised that question. In case you haven’t heard – print on demand technology has made it possible to produce beautiful hard cover and paperback books without minimum runs or prohibitive upfront costs. During the last year, I have helped teachers from across the country get started on digital publishing. Kids are motivated by producing books for an authentic audience. Publishing helps students master course content and develop project management and teamwork skills. The power of publishing enables students to think like writers, to apply their learning strategies and to organize and express their learning. It exemplifies the best of the information revolution –students as creators of content rather than as passive audience.

I find that a publishing project is a great way to ensure that my training workshops get put to use back in the classroom and result in teachers having the chance to reflect on their practice by looking at student work.

I continue to add material my website – Read>Think>Write>Publish. Go there and you’ll find downloadable template books and tech guides. I also have posted sample student books that you can use as models to motivate your students. You can download them as a free pdf or order them published at cost.

Stay tuned – student publishing is going to be big!

So why aren’t your students publishing their own books?

We all struggle to create authentic writing experiences for our students. Imagine if they had an opportunity to see their work in print – and we’re talking about a real paperback.  Let them go through the process of writing, co-editing, illustrating and designing a book. Rigor and relevance meets motivation and self-directed study. I’ve gotten so excited by the results that I’ve done workshops to train teachers. You can see material and sample student books at my website Read > Think > Write > Publish.

I recently discovered Lulu.com – a print-on-demand publisher. I’ve used it to publish five books for a dear friend and author – Abe Rothberg. He wrote the manuscripts. I formated them in Word and converted them to a PDFs. I designed the covers in Photoshop and converted them to a PDFs. I uploaded the PDF files to the Lulu website. Cost so far – nothing!

Lulu doesn’t actually produce any books until one is ordered. Then the magic starts – Lulu takes my PDF files and produces a perfect-bound book and ships it to the buyer.

The money side at Lulu is pretty straightforward. No charge for uploading a book. (If you want to give it an ISBN number, that’s $35). Book production costs are $4.53 per book plus .02 per page black and white (.15 per page color). Example: a 50 page book with b/w text would cost you $.5.53 plus shipping. No costs are incurred until a book is ordered.  As a book author you can limit sales to only yourself, and buy unlimited books at cost (with a break on author’s orders of more than 25).  If you want to offer the books for sale to the public, you can set the price. You get 80% of the mark up over production cost. Lulu keeps 20% and sends you the royalty checks. They will also host your book as a downloadable e-Book for free.

BTW -  Abe has had a distinguished career as a journalist, university professor and author of seven published novels, two books of history, a collection of short stories, two children’s books, and a volume of literary criticism. His previous work was published by mainstream publishers and has been favorably reviewed in NY Times, Harper’s, Time Magazine, and Publishers Weekly. He’s also a dear friend and mentor whose previous work had gone out of print. We decided to cut out the middle man. For more on Abe go to his website – Abraham Rothberg

PS – I don’t work for Lulu