Learning to Think Like a Historian

art-classI recently was a contributor to a Education Week Teacher’s “Classroom Q&A With Larry Ferlazzo” column Teaching History By Encouraging Curiosity Note: you can also listen to our 10 minute podcast on the subject at BAM radio or iTunes

The column prompt was “What are some stories (testimonials) of the process teachers experienced when moving from the ‘stereotypical history teacher who only gives multiple choice tests on the dates of battles and offers their students a steady diet of mind dumbing worksheets and lectures.’”

I thought I cross post my response below for readers who do not have access to content behind the Ed Week paywall.

What do historians do? Research, interpret, and evaluate sources, apply historic perspective, pose questions. … they share the fruits of their research with others, take positions and defend them.

Let me share my evolution as history teacher. In 1971, I began teaching history much the same way it was taught to me. I did all the reading and assimilation of material, then worked hard to craft the interesting lecture. I delivered the information with great gusto and loads of clever asides. Then I gave the objective unit test to see if the students got it. I was doing all the work; learning far more than my students; preparing and delivering “five shows daily.” And so I trudged through history – Plato to NATO.

Then one day I had a revelation. I walked into the art classroom next door to borrow some supplies and looked at the interaction of the art teacher and his students. I realized that if Tom taught art the way I taught history, then his student would be sitting in rows watching him paint. And so my journey began. Just as Tom was teaching his students how to think and behave like artists, I needed to figure out how to get my students to be the historian.

Here’s a few key ideas I considered when making the transition to student as historian. Note: For more, see my Slideshare The Student as Historian

Teach how historians think and behave:

What do historians do? Research, interpret, and evaluate sources, apply historic perspective, pose questions. More importantly they share the fruits of their research with others, take positions and defend them. Make these skills the basis of your class and you’re on your way to meeting Common Core standards. Build in opportunities for students to peer review each other’s work and reflect on their progress as learners. See my Taxonomy of Reflection for prompts.

Stop teaching facts and let students explore essential questions:

Look at a contemporary issue in the news and use it as catalyst for understanding its historic roots. Why teach the Federalist vs. Anti-Federalists debates? Better to frame the lesson around the essential question “How Powerful Should the National Government Be?” It’s timeless and extends the issues raised by the rise of the Tea Party back to the debate over the ratification of the constitution. Download my free Great Debates in American History

Use history as a platform for teaching across the curriculum:

Why not teach some graphing skills using historic census data? A great chance to design an infographic. Historians rely on key literacy skills like summarizing and comparing. Frame tasks for the students that allow them to develop their own summaries and comparisons, share them with their peers and defend their thinking. Those are more Common Core skills.

Choose the right primary and secondary sources for students to work with:

Visualize the famous “Golden Spike” photo taken to mark the completion of a transcontinental railroad line in 1869. What can a student learn by looking at the image? Not much, because the important information is not in the image. It’s in the background knowledge a student must already possess to interpret it. Unfortunately, this type of photograph dominates our textbooks. It’s iconic – it refers to something else that we want students to know. More

Instead use historic sources that are less reliant on background knowledge. Allow students to make their own judgments about source material and share what’s important to them (instead of just repeating the details the teacher highlights). It’s a great chance for them to put those summarizing and comparison skills to use.

If you have access to Ed Week, I urge you to read the article. It also features a great response from Diana Laufenberg, who notes:

Now, I’ve never had a class start with, “Miss… I just have to know about the War of 1812, can you please tell me more?” The majority of students don’t come to class naturally curious about the stories of history. However, when you take the time to pull the students from their own experiences, allow them to make connections to history, float back to modern day to again find further connections and go back into history with all that information – meaning starts to develop in a way that is not achieved otherwise.

And interesting interesting observations from Sarah Kirby-Gonzalez, including

When I first stepped away from the basic, bubble-assessment curriculum and into a more inquiry-based approach, I was surprised by my students’ reactions. I had assumed the students would eat up the rich lessons, yet their first reaction was one of discomfort. When my good, little memorizers didn’t easily earn a perfect score on an assessment, they were frustrated and shut down. After much reflecting, I realized they were out of their comfort zone and not used to being asked to think critically. Answers didn’t come easily, and since often their self-image of being smart is wrapped up with things coming easily, the students felt attacked. Slowly, the students began to thrive and rise to the challenge.

Here’s some interesting comments from Part II of Larry’s series Teaching History By Not Giving ‘The Answers’

First from Bruce Lesh, who writes:

Colleagues looked at me funny as students began to ask questions and engage in debates about historical evidence. My peers–who have been trained (as I was) to lecture, assign readings from the books, break things up with Hollywood movies, and test with quickly graded multiple-choice questions–wondered why I was challenging “what has always worked.”

…Students had become accustomed to history being taught in a certain manner. In their effort to learn to “do school,” they expected to come into the history classroom and be regaled with stories of the past distributed through lectures, films, and textbooks, and they had mastered the skill set necessary to “do history.”

And this response from PJ Caposey, who notes:

When working with teachers I focus on …  trying to change from the ‘status quo’ to what is best for kids. One [element is the] Google test. If it can be answered via a simple Google search – then very little instructional time should be spent on it and it should not be assessed. CCSS is a game-changer, so too can be the ‘Google Test.’

Image credit: Flickr / Classroom scene, [Strabane technical school, Northern Ireland]
Date: c.1930

A Satiric Lesson in Media Literacy

This Is a Generic Brand Video

First the backstory. Start with a clever essay satirizing the clichéd corporate message ad - This is a Generic Brand Video by Kendra Eash published in McSweeneys. It begins:

We think first
Of vague words that are synonyms for progress
And pair them with footage of a high-speed train.

Science
Is doing lots of stuff
That may or may not have anything to do with us.

See how this guy in a lab coat holds up a beaker?
That means we do research.
Here’s a picture of DNA. More

Next, a stock video footage company – Dissolve uses some of its clips to turn Eash’s piece into a meaningless montage of grandiloquent pablum.

Here’s the lesson:

  1. Ask students to read the full text version of Eash’s original, focusing on word choice, imagery and intent. What is Eash’s “video” selling? You might ask them sketch a rough storyboard to illustrate the text.
  2. Show the video with the sound off and let students list its visual details. Have someone read Eash’s piece while watching the video without sound. (Does the timing matter?)
  3. Discuss the artistic choices made by the video’s creators to illustrate the piece? How does the music and narrator’s voice impact the message?
  4. Compare the impact and effectiveness of text, audio and visual.

Care to extend the lesson?


Use YouTube to find political ads from current or past elections. How to they exemplify the themes raised by Eash?

Dissolve has a gallery of all the video clips used in the video. (Hover over them to activate.) Ask student to select the clips that they feel have the greatest visual impact. Ask them to explain how they might use these clips to tell a story. 

Show students this actual corporate video and ask them decide if it uses themes noted by Eash. How does the Suncor video compare to the Dissolve satire? Hat tip to Jeff Beer. More of his recommend corporate videos here. Students could re-edit corporate videos to “sell” their own message.

BTW – you’ve been exploring Common Core:

Reading Standards for Literature, Integration of Knowledge and Ideas, Standard 7, Grade 7. Compare and contrast a written story, drama, or poem to its audio, filmed, staged, or multimedia version, analyzing the effects of techniques unique to each medium (for example, lighting, sound, color, or camera focus and angles in a film).

Reading Standards for Informational Text, Integration of Knowledge and Ideas, Standard 7, Grades 11–12. Evaluate the advantages and disadvantages of using different mediums (for example, print or digital text, video, multimedia) to present a particular topic or idea.

Student Consultants Design Museum Curriculum and Mobile App

Portrait of Seki Hiromura-Ace's mother and one of the Hiromura boys

If you follow my blog, you’re well aware of my advocacy for project-based learning. So when I was asked to teach a social studies methods class at the University of Portland, I naturally looked for a way to integrate a community-based project that would give my graduate and undergraduate pre-service teachers experience in PBL, the chance to work along side professional historians and an opportunity to make a difference in the community. For more on our course approach, see our class blog.

I live in downtown Portland on the edge of what is known as Old Town / Chinatown. Its a very diverse and historic neighborhood and once the center of a thriving Nihonmachi or “Japantown.” It’s now the home of the Oregon Nikkei Legacy Center, a small museum dedicated to “Sharing and preserving Japanese-American history and culture in Portland’s Old Town neighborhood, where Japantown once thrived.”

I approached the museum with a simple question – “What could you do with a dozen unpaid curriculum consultants?”

While planning my course, I approached the museum with a simple question – “What could you do with a dozen unpaid curriculum consultants?” And so our partnership began – my pre-service history teachers working with professionals at the museum to develop educational material to support their collection. I wanted my student so experience project-based learning from the perspective of the learner in the hopes that they would someday incorporate that approach into their teaching. I also wanted them to recognize that effective teachers are entrepreneurs, actively fostering external partnerships to support learning in their classrooms.

mobile-app-image

After a number of meetings we decided on three projects – an online lesson using curated videos detailing Japanese incarceration, a series of lessons to support an artifact-filled Museum in a Suitcase for circulation to Portland area schools and a iPhone app “Walking Tour of Japantown PDX.” All three projects would extend the reach of the museum and celebrate a once vibrant community that had fallen victim to wartime hysteria.

The app was going to take some technical assistance, so I reached out the Portland’s app community and was able to partner with GammaPoint LLC, PDX-based mobile app developer. We are worked with them to develop Japantown PDX, a native iPhone app walking tour of the historic Japantown in Portland. It features geo-fenced text, photos, audio and tools for sharing user reaction to the content via social media. We are also working with GammaPoint to make this project replicable in the k-20 space.

gallery-1912 Portrait

More on PDX Japantown: During the 1890s Portland was a hub from which Japanese laborers were sent to work in the railroads, canneries, lumber companies and farms throughout the Pacific Northwest. By the 1920s, a steady stream of Japanese “picture brides” had transformed a rough and tumble twelve-block section north of W Burnside between 2nd and 6th Ave into a more respectable Nihonmachi with over 100 Japanese managed businesses and professional office. Portland’s Japantown thrived until the WWII when Issei and Nisei were rounded up by federal officials and incarnated in inland camps. Portland’s Japantown was decimated. After the war a few returned to the old neighborhood, but many took up new residence in Portland’s postwar single family housing boom. The neighborhood had long been home to African-Americans and various immigrant groups. As Chinese-Americans began to predominate in the neighborhood, it gradually became known as Chinatown. Today, even most Portlanders are unaware of it’s heritage as Japantown.

Text to Text: A Strategy for Common Core Close Reading

The-Scarlet-Letter-1917The NY Times Learning Network has just launched a new series of lesson plans called “Text to Text.” It’s a simple approach that pairs two written texts that “speak to each other.” I think it’s a Common Core close reading strategy that could be easily replicated by teachers across the curriculum – great way to blend nonfiction with fiction and incorporate a variety of media with written text.

Each lesson includes a key question, extension activities and additional resources to expand the basic lesson. Here’s two graphic organizers to help student organize their “Text to Text” thinking. (free PFD downloads)
Comparing Two or More Texts
Double-Entry Chart for Close Reading

The NY TImes plans to continue the series at the Learning Network – tagged Text to Text
To date they have created three sample lessons:

“The Scarlet Letter” and “Sexism and the Single Murderess”
Key Question: To what extent is there still a sexual double standard, and how does that double standard play out in contemporary culture?
It pairs a passage from “The Scarlet Letter” with a recent Op-Ed article that, together, invite discussion on societal attitudes toward female sexuality.

“Where Do Your Genes Come From?” and “DNA Double Take”
Key Question: How are recent advances in science changing our understanding of the genome, and how might this affect fields like forensic science or genetic counseling?
It matches a Times article with often-taught scientific, historic, cultural or literary material. This edition is about new findings in genetics.

“Edward Snowden and Daniel Ellsberg”
Key Question | Is Snowden a Hero, a Traitor or Something Else?
It pairs two Times articles that capture parallel moments in history: Daniel Ellsberg’s surrender to the police in 1971 after leaking the Pentagon Papers, and Edward Snowden’s public admission in June that he leaked classified documents about United States surveillance programs.

Image credit: 1917 Film version of ”The Scarlet Letter” – publicity still (cropped)
L. to R Stuart Holmes, Kittens Reichert & Mary Martin Date

Teaching Big History

Big historyI just registered with the Big History Project – an online course that weaves scientific and historical disciplines across 13.7 billion years into a single, cohesive, science-based origin story. I always was a big picture guy. Here’s a link to the course guide and more about about the Common Core aligned program from the projects FAQ

What is big history?
Big history weaves evidence and insights from many scientific and historical disciplines across 13.7 billion years into a single, cohesive story. The course highlights common themes and patterns that can help us better understand people, civilizations, and the world we live in. The concept arose from a desire to go beyond specialized and self-contained fields of study to grasp history as a whole. Big history explores how we are connected to everything around us. It provides a foundation for thinking about the future and the changes that are reshaping our world.

What is the Big History Project?
The Big History Project LLC (BHP) is an organization focused on bringing big history to life for high school students…. BHP is sponsored by Bill Gates, separately from his work with the Bill & Melinda Gates Foundation.

For more on the Big History approach watch “David Christian: The history of our world in 18 minutes”

How is the course delivered?
All of the content is available online. A completely web-based model ensures the content is up-to-date, relieves schools of the need for costly textbooks, and also helps teachers engage students by providing approachable, media-rich materials that can be used in different ways. Pilot participants and anyone who requests a username and password is able to access the course. Students and teachers are issued a personal login to gain access to a specialized site that houses all courseware and content. It is up to each individual teacher to determine optimal approach to using the site. For example, in-class time may focus on group projects or discussion, with students absorbing online content for homework, or the site may be used as a core element of the in-class experience.

How is my school supported and what does it cost? 
Our goal is to ensure that big history is taught effectively with no cost to schools. We provide, free of
charge:

  • All content and courseware
  • Free PD/teacher training program
  • Access to core project team for support, assistance and feedback
  • A teacher and school subsidy to cover any direct expense and provide support for teachers

Most importantly, a spirit of partnership imbues everything we do. Our singular goal is to get big history in the hands of educators and students, we promise to listen and collaborate accordingly.  In return, we expect schools to collaborate and communicate with us to improve the program. Specifically, this means: incorporating BHP courseware, content and assessments into the lesson plan, participating in professional development activities, and regularly updating the project team about what is happening in the classroom.

How is the course organized?
Big history is broken down into 2 sections and a total of 10 units spanning 13.7 billion years. Within each unit there are between 20 – 30 specific content modules covering specific issues, topics, projects and assessments.
Section 1: Formations and early life: Theories and evidence of origins of the Universe, planet formation, elements, and life.
Unit 1: What is big history?
Unit 2: The Big Bang?
Unit 3: Stars & Elements
Unit 4: Our Solar System & Earth
Unit 5: Life

Section 2: Humans: The development of humans, civilizations, and key milestones in our progress.
Unit 6: Early Humans
Unit 7: Agriculture & Civilization
Unit 8: Expansion and Interconnection
Unit 9: Acceleration
Unit 10: The Future