Dilbert’s Seven Arguments for PBL

Engineer  Dilbert Corporate Shuffle
Engineer Dilbert Corporate Shuffle

Spoiler alert: This wasn’t written by Dilbert and I’m the one making the case for PBL. I ran across a clever piece by Scott Adams (creator of Dilbert) entitled How to Get a Real Education, Wall Street Journal (April 9, 2011). It caught my attention for two reasons: 1. I went to the same college nearly a decade earlier and worked in a similar (maybe the same) campus coffee house. 2. The seven lessons he learned are the core of what makes Project Based Learning (PBL) an essential form of instruction in K-12 schools.

Excerpts from Adam’s piece are in regular font.

I’ll interject my PBL comments in italics.

Adams writes …. I speak from experience because I majored in entrepreneurship at Hartwick College in Oneonta, N.Y. Technically, my major was economics. But the unsung advantage of attending a small college is that you can mold your experience any way you want.

There was a small business on our campus called The Coffee House. It served beer and snacks, and featured live entertainment. It was managed by students, and it was a money-losing mess, subsidized by the college. I thought I could make a difference, so I applied for an opening as the so-called Minister of Finance. I landed the job, thanks to my impressive interviewing skills, my can-do attitude and the fact that everyone else in the solar system had more interesting plans.

Marketing  Dilbert Corporate Shuffle
Marketing Dilbert Corporate Shuffle

The drinking age in those days was 18, and the entire compensation package for the managers of The Coffee House was free beer. That goes a long way toward explaining why the accounting system consisted of seven students trying to remember where all the money went. I thought we could do better. So I proposed to my accounting professor that for three course credits I would build and operate a proper accounting system for the business. And so I did. It was a great experience. Meanwhile, some of my peers were taking courses in art history so they’d be prepared to remember what art looked like just in case anyone asked.

… That was the year I learned everything I know about management.… By the time I graduated, I had mastered the strange art of transforming nothing into something. Every good thing that has happened to me as an adult can be traced back to that training. Several years later, I finished my MBA at Berkeley’s Haas School of Business. That was the fine-tuning I needed to see the world through an entrepreneur’s eyes.

If you’re having a hard time imagining what an education in entrepreneurship should include, allow me to prime the pump with some lessons I’ve learned along the way.

I succeeded as a cartoonist with negligible art talent, some basic writing skills, an ordinary sense of humor and a bit of experience in the business world. The Dilbert comic is a combination of all four skills.

1. Combine Skills. The first thing you should learn in a course on entrepreneurship is how to make yourself valuable. It’s unlikely that any average student can develop a world-class skill in one particular area. But it’s easy to learn how to do several different things fairly well. I succeeded as a cartoonist with negligible art talent, some basic writing skills, an ordinary sense of humor and a bit of experience in the business world. The “Dilbert” comic is a combination of all four skills. The world has plenty of better artists, smarter writers, funnier humorists and more experienced business people. The rare part is that each of those modest skills is collected in one person. That’s how value is created.

PBL. Most of our secondary students learn in rigid little disconnected pieces – math class, science class, etc. PBL students learn by integrating across the curriculum. Not only do they combine skills across the disciplines, but they discover how to capitalize on their strengths as they collaborate with their project teammates.

2. Fail Forward. If you’re taking risks, and you probably should, you can find yourself failing 90% of the time. The trick is to get paid while you’re doing the failing and to use the experience to gain skills that will be useful later. I failed at my first career in banking. I failed at my second career with the phone company. But you’d be surprised at how many of the skills I learned in those careers can be applied to almost any field, including cartooning. Students should be taught that failure is a process, not an obstacle.

PBL. In the traditional classroom all the evaluation comes from the teacher. Students tacitly learn that you need an expert to assess your progress. At best, grades (success or failure) serve as a “post mortem.” When students use the PBL approach they are engaged in meaningful self-reflection and learn to monitor their own progress in pursuit of their goals. Failure in this setting is an aspirational experience that drives them to improve and go back and try again.

3. Find the Action. In my senior year of college I asked my adviser how I should pursue my goal of being a banker. He told me to figure out where the most innovation in banking was happening and to move there. And so I did. Banking didn’t work out for me, but the advice still holds: Move to where the action is. Distance is your enemy.

PBL. Students in a traditional classroom spend the majority of their lessons learning basic knowledge from the teacher. Then maybe if there’s time, they may get a chance to apply the basics in an “activity.” (Note: that’s in quotes since the “activity” is so tightly aligned to lesson that it’s about as challenging as putting a round peg in a round whole.) PBL reverses that model. With a project as the goal, students go into action trying to uncover the foundational knowledge that will enable them to succeed. The project isn’t an add-on at the end of a lesson. It is the lesson.

HR  Dilbert Corporate Shuffle
HR Dilbert Corporate Shuffle

4. Attract Luck. You can’t manage luck directly, but you can manage your career in a way that makes it easier for luck to find you. To succeed, first you must do something. And if that doesn’t work, which can be 90% of the time, do something else. Luck finds the doers. Readers of the Journal will find this point obvious. It’s not obvious to a teenager.

PBL. PBL students are doers – actively engaged in design, implementation, presentation and reflection. You can’t “sit and git” PBL.

5. Conquer Fear. I took classes in public speaking in college and a few more during my corporate days. That training was marginally useful for learning how to mask nervousness in public. Then I took the Dale Carnegie course. It was life-changing. The Dale Carnegie method ignores speaking technique entirely and trains you instead to enjoy the experience of speaking to a crowd. Once you become relaxed in front of people, technique comes automatically. Over the years, I’ve given speeches to hundreds of audiences and enjoyed every minute on stage. But this isn’t a plug for Dale Carnegie. The point is that people can be trained to replace fear and shyness with enthusiasm. Every entrepreneur can use that skill.

PBL comment below

Consultant Dilbert Corporate Shuffle
Consultant Dilbert Corporate Shuffle

6. Write Simply. I took a two-day class in business writing that taught me how to write direct sentences and to avoid extra words. Simplicity makes ideas powerful. Want examples? Read anything by Steve Jobs or Warren Buffett.

PBL comment below

7. Learn Persuasion. Students of entrepreneurship should learn the art of persuasion in all its forms, including psychology, sales, marketing, negotiating, statistics and even design. Usually those skills are sprinkled across several disciplines. For entrepreneurs, it makes sense to teach them as a package.

PBL 5-7. The audience for the work of students in the traditional classroom is the teacher. From the perspective of the student, they’re being asked to present to experts who already know the material, assigned the lesson and will ultimately evaluate it. It’s a pretty phony audience.

In contrast, PBL projects generally culminate in a product that’s designed to be shared with peers and the larger community. PBL students learn to present to an authentic audience and have opportunities to hone more genuine presentation skills. Public speaking and persuasive writing are a natural element of PBL.

Peter’s footnote: As I think back to working in college, I remember a common element shared by most of my jobs (bussing in student cafeteria, dishwasher at a frat house) – was the free food. Unfortunately, the only solid food at the coffee house was Beer Nuts – my regular Sunday “dinner.”

Image credits: flickr/Andertoons – Dilbert Corporate Shuffle Card Game

Digital Storytelling in the Spanish Language Classroom

I recently blogged from the 2011 US Innovative Education Forum (IEF) sponsored by Microsoft Partners in Learning. Here’s a guest post from one of the IEF finalists I met at the competition. For more on the competition and other guest posts click the IEF tag. ~ Peter

Independence HS Grad
Independence HS Grad

Teacher: Matthew Kelly, Independence High School (Charlotte, NC) Matt’s project site 
Project Title: “Espero [I hope]: presentational communication in Spanish through digital storytelling” 
Overview: Advanced and intermediate students of Spanish explore digital storytelling as a medium for self- expression using the Spanish version of Microsoft Photo Story 3 and Microsoft Movie Maker. The assignment required  students to speak, listen, read and write in the target language and introduced concepts of media literacy based on autobiographical narrative.

 

 Matt writes: 

“My mates and I witnessed an immense growth in vocabulary since we began speaking in Spanish dialect. I consider myself bilingual today.” ~ Zillah (Gambia/UK), grade 12

Grammar in a meaningful context Deep down this project was born as a grammar exercise. The project arose out of a curriculum meeting I had with my students to plan the direction we’d take over the next few weeks. They said, “We need to work on the conditional tense, the future tense, and the subjunctive mood, but we don’t want any worksheets and we’re not going to fill out verb charts.” The idea was to give students meaningful work that would naturally lead them to use the target grammar. All writing, discussion, and presentation was done in Spanish.

The Personal Essay: Our Hopes for the Future

We started with the students writing an autobiographical essay describing themselves and where they are in their lives right now, then going on to talk about their hopes and aspirations for the future. Students then recorded these essays as a digital audio presentation.

Fears for the Future: Exploring Technique Through a Science Fiction Film

Photo Story 3 makes movies by stringing together still photographs with music or narration. I wanted the students to make careful, deliberate choices about what images to use and how to sequence them along with the audio in order to create a coherent narrative. To see an example of successful filmmaking using still photographs, students viewed Chris Marker’s 1962 film La Jetée in French with Spanish subtitles. Native speakers of Spanish were surprised at how much of the French they could actually understand. Students identified the images and sequences that were the most memorable for them and discussed what made them effective.

You be the Director: Bringing Hopes and Dreams to Life

Having practiced with Photo Story 3 and having explored the technique of telling a story through still photos, students used Photo Story 3 to turn their digital audio presentations into digital video. Using their own photos and appropriately licensed images, students brought their essays about their hopes for the future to life in digital video.

The Oral History Project: Sharing Hopes and Aspirations for the Future

To give students a basis for cross cultural comparison and to encourage growth in the domain of interpersonal communication, students interviewed pairs of native and heritage speakers of Spanish their own age about their hopes and aspirations and recorded these interviews as digital audio recordings.

Tips for Implementation

Most students suddenly become perfectionists when recording digital presentations. Allow native speakers in the group to serve as coaches, listening to and critiquing their classmates’ recordings. This will provide opportunity for growth through non-threatening feedback.

We used Audacity® for our digital audio recording. Allow students who have used it before to circulate and serve as coaches. With a little practice, most students quickly become adept. Microsoft Photo Story 3 is quite easy to use and appropriate for classroom. Make sure students are aware there is no spell check feature in any language!

Many students have been encouraged by teachers to appropriate images from the Web without regard to license or attribution for use in school projects. This project offers an opportunity to educate students about plagiarism, respect for intellectual property, media literacy, and proper attribution of sources. You may wish to:

  • instruct students to use only their own photos;
  • show students how to search for images licensed for reuse;
  • show students how to use www.bibme.org to simplify the process of proper attribution; or
  • direct students to an online archive of images preapproved for educational reuse with citations provided.

 

Summary

“My mates and I witnessed an immense growth in vocabulary since we
began speaking in Spanish dialect…I consider myself bilingual today.”
–Zillah (Gambia/UK), grade 12

That’s what one of my students had to say about her experience with this project. For language teachers taking a communication based approach to language learning, this is a project that will really get students talking. The project addresses all the domains and functions of language: speaking, listening, reading, and writing, and both interpersonal and presentational communication.

Project links:

Students Reflect on Their Learning

Student-reflection

Since I first posted my Taxonomy of Reflection in Jan 2010, I’ve seen it put to use many ways (including a financial reporting specialist).  Yesterday Silvia Tolisano posted “Reflect…Reflecting…Reflection..” a thoughtful application of the model to elementary students. Beginning with “brainstorming vocabulary words … that encourage reflection,” she details the steps they followed with their students and includes some inspired reflective thinking by 2nd – 5th graders.

Of course once you start thinking reflectively, you realize that your school must become a more reflective community. For more on that subject see my Prezi “The Reflective School.” Here’s Silvia’s take: 

We needed to take a step back to become a reflective teacher- community before we could expect our students to become a reflective-learning community and our school a reflective school culture. We are starting to work towards that by making it an official theme that is running through all our Professional Development.

She concludes her post with “21st Century Learning Reflection” a great Vimeo that looks back on the evolving technology use in her school. I highly recommend her post, and be sure to contribute your ideas for supporting your reflective learning community. 

Image credit: flickr/sarah-ji

Isabella’s Story: Working to Sustain Her Sugpiaq Fishing Heritage. Now She’s Fighting for Her Life

A sad update: Bella passed away on January 10, 2012. Her courage will always be an inspiration. Thank you to everyone who sustained and supported her over the last year. As a tribute to her, the rest of this post remains in it’s original form.

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Regular readers of my blog will recognize how unique this post is. It’s far from what I normally write about. But I feel compelled to tell a story in the hopes that I can help spread the word for a friend in need. Isabella, my next door neighbor, is fighting for her life against cancer. You can help with a donation, tweet or status update. Here’s Bella’s story.

Isabella Blatchford, a native Alaskan Sugpiaq Indian, was well on her way to creating a sustainable seafood business. (She had already sold to Wolfgang Puck and Emeril Lagasse!) She saw it not only as a viable business, but a means to support her Sugpiaq heritage and honor her tribal elders – the last handful of Sugpiaq  speakers. In February 2009, she discovered she had Stage 4 cancer. Using a blend of standard and alternative medical treatments, she was able to beat the odds for the last few years. 

However in February 2011 her cancer tumor markers went back up rapidly, and her doctors are have told her that it is time for a quick change in her method of treatment. She has the opportunity to travel to Mexico for treatment. She is in need of $7,000 by April 20th, 2011 in order to obtain treatment. 

Isabella Update: Here’s a story and powerful video from the Oregonian An Alaska native who lives in Portland battles cancer while working to save a tribe’s language (April 13, 2011)

Isabella needs your help. Even a small donation will be appreciated. And you can help her get the word out – contribute a Twitter link or a Facebook status update.

Thank you for anything you can do.

Photo: Torsten Kjellstrand/The Oregonian